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    Movie Review

    Plot complications swarm but don't sting the fun of Ant-Man and the Wasp

    Alex Bentley
    Jul 5, 2018 | 2:28 pm
    Plot complications swarm but don't sting the fun of Ant-Man and the Wasp
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    Watching movies in the Marvel Cinematic Universe can be an exhausting experience, as few of the films allow viewers to skip an installment. There are some where a lack of knowledge about previous films doesn’t hurt the understanding of the current film, but the majority of them make the most sense when you come in knowing everything that came before.

    The original Ant-Man, in 2015, was firmly in the former category, but for the sequel, Ant-Man and the Wasp, you’d best be sure you’re up on all the latest MCU happenings. Scott Lang (Paul Rudd) is under house arrest after his participation in the civil war part of Captain America: Civil War. That means no leaving the house for any reason, especially when it comes to donning the Ant-Man suit.

    Naturally, Hank Pym (Michael Douglas) and his daughter, Hope Van Dyne aka Wasp (Evangeline Lilly), have a mission that requires his help ASAP. Namely, they think they have figured out a way to get Janet (the newly invigorated Michelle Pfeiffer), Hank’s wife and Hope’s mother, out of the Quantum Realm, a sub-atomic level she got stuck in many years ago.

    If the cadre of writers (which included Rudd and four others) had left it there with a few embellishments, it probably would have been equally as fun as the first film. Instead, it becomes a bit too complicated for its own good. The heroes fight for control of a certain crucial element with a semi-villain named Ava/Ghost (Hannah John-Kamen) and another group headed by Sonny Burch (Walton Goggins). That’s not to mention the threat of the FBI and agent Jimmy Woo (Randall Park) busting Scott for not obeying his house arrest.

    Still, the writers and director Peyton Reed throw in enough fun elements to keep the film nice and breezy. It’s next to impossible not to smile when the film turns something that’s supposed to be big into a tiny version of itself or vice versa. That’s especially true of Pym’s lab, a multistory building that is shrunk down to suitcase size (complete with handle and wheels) on multiple occasions.

    The action sequences are sufficient if slightly underwhelming. It can be a kick seeing both Ant-Man and the Wasp shrink and grow on demand, but the side effect is that it’s difficult to keep up with them. You take for granted that they can appear out of nowhere to save the day, which lessens the impact of their heroics.

    And for anyone wondering how this film explains how its characters are affected by the cataclysmic events seen in Avengers: Infinity War, well, that’s what the end credit sequences are for.

    Rudd, Lilly, Douglas, and Michael Pena, who heads up Lang’s burgeoning security consultant company, are each just as good as they were in the first film. John-Kamen doesn’t have much to work with as Ghost, and neither does Laurence Fishburne as Pym’s former colleague, Dr. Bill Foster. Both of their characters could have been excised with little effect on the film’s success.

    Ant-Man, Guardians of the Galaxy, and Spider-Man bring the most fun in the MCU these days. The powers-that-be would do well to remember that and leave the complicated matters to the rest of its catalog.

    Giant Ant-Man in Ant-Man and the Wasp.

    Giant Ant-Man in Ant-Man and the Wasp
      
    Photo courtesy of Marvel Studios
    Giant Ant-Man in Ant-Man and the Wasp.
    movies
    news/entertainment

    Festival News

    Sabrina Carpenter headlines annual 2025 ACL Music Fest in Austin

    Brianna Caleri
    May 6, 2025 | 5:26 pm
    Sabrina Carpenter
    Photo courtesy of Sabrina Carpenter
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    Austin City Limits Music Festival is back for another year of big names including Sabrina Carpenter, Hozier, Doja Cat, Luke Combs, The Strokes, John Summit, Doechii and more. Austinites will take Zilker Park from October 3-5 and October 10-13.

    Ticket sales start with three-day wristbands at noon on May 6 at aclfestival.com.

    Just in terms of buzz alone, Sabrina Carpenter and Doechii are two big pulls that perhaps could have been expected, although there are never any guarantees. The pristine pop and artistic rap performers, respectively, are each on a meteoric rise. Their sets could echo Chappell Roan's last year, which stole headlines for sheer excitement and crowd size.

    Hozier, Doja Cat, Luke Combs, and The Strokes are all returning artists. That means nearly half of this year's headliners are making their ACL Fest debut right at the top. One of those newcomers is John Summit, an who was speculated to show up in 2024 with Dom Dolla. Fans also expected to see Sabrina Carpenter in 2024 (in part thanks to a misleading advertisement on the "payphone" ACL Fest installed to tease its lineup), so thankfully they didn't have to wait long.

    After the actual headliners, the top line of performers include Colombian reggaeton star Feid, who has collaborated with Bad Bunny, J Balvin, Karol G, and more; alternative rock band Cage the Elephant, who are back from a tumultuous patch; R&B star T-Pain, in the middle of a personal renaissance to remind people he can sing without autotune; Australian electropop duo Empire of the Sun, with alien operatic stage sensibilities; nostalgic solo artist Djo, the nearly incognito solo project of actor Joe Keery from Stranger Things; and iconic post-hardcore band Pierce the Veil, who are back in the studio again.

    Locals receive a karmic second chance to see Passion Pit, the defining electropop group that recently dropped out of a 2025 South by Southwest showcase, leaving barely a trace. Japanese Breakfast also promises big crowds; a recent signing appearance at End of An Ear in South Austin created a line around the block for hours. Two more CultureMap favorites (if readers will indulge us) are Southern indie rock band Rainbow Kitten Surprise and British indie, post-punk band Wet Leg; respectively hyper sincere and deadpan, but both fun and high-energy.

    Among Austin artists, two stand out as recent festival favorites: Geto Gala and The Point. Geto Gala is a hip hop duo favoring smooth, nostalgic beats and a laid-back lyrical delivery. The Point, a rock group, spans many styles, but their live sets tend to show off high-energy, world-influenced, and mostly instrumental blues. Dylan Gossett, while not exactly a festival staple, is much higher up on the lineup and is becoming very well-respected as a country-folk songwriter.

    A press release pulls out some additional notable acts from the lineup:

    • Fujii Kaze (W2)
    • ROLE MODEL
    • Gigi Perez
    • CA7RIEL & Paco Amoroso (W2)
    • Olivia Dean
    • Yoke Lore
    • flowerovlove
    • Royal & The Serpent
    • Amble
    • Good Neighbours
    • Celeste (W1)

    And some from Texas:

    • Maren Morris (W1)
    • Dylan Gossett
    • Tanner Usrey
    • Asleep at the Wheel (W1)
    • INOHA (W1)
    • Johnny Stimson (W2)
    • SL Houser (W1)
    • Geto Gala (W1)
    • Farmer’s Wife (W2)
    • Alex Amen (W2)
    • Shallowater (W2)
    • Aaron Page (W1)
    • Huston-Tillotson University Jazz Collective (W2)
    • Disciples of Christ (W1)
    A full lineup can be viewed here:

    Austin City Limits Music Festival lineup 2025ACL's full 2025 lineup.Graphic courtesy of Austin City Limits Music Festival

    Folks who can't make the festival can once again tune in on Hulu, returning as the festival's official streaming partner for performances, interviews, and more. Hulu will stream the first weekend, only.

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