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    Movie Review

    Compelling war-time drama Summerland is an auspicious debut for filmmaker

    Alex Bentley
    Jul 28, 2020 | 12:50 pm
    Compelling war-time drama Summerland is an auspicious debut for filmmaker
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    War films tend to go one of two ways: Either they focus on the military and what it takes to actually fight the war, or they concentrate on how civilians are affected by its horrors, either directly or indirectly. The new film Summerland takes the latter approach, delving deep into an English seaside village with one particularly odious resident.

    That person is Alice (Gemma Arterton), a research writer who lives alone in a house overlooking the White Cliffs of Dover. She’s detested and/or feared by almost everyone in town for her surly attitude, and she does nothing to try to win them over. Things start to change when she’s asked to take in Frank (Lucas Bond), who’s been sent away from London to protect him from German air raids during World War II.

    Although initially stand-offish toward him, Alice’s icy demeanor soon starts to thaw as Frank shows an interest in her research. Frank, desperate for any kind of normalcy, not only gloms on to the small morsels of kindness Alice sends his way, but also befriends Edie (Dixie Egerickx), a girl who could rival Alice in her unsociability.

    Written and directed by first-time feature filmmaker Jessica Swale, the film is so finely detailed that you’d swear it was based on a best-selling book. However, the idea comes directly from Swale’s mind, making it all the more impressive. She layers the interactions of the characters upon each other in such a way that each person feels fully realized even if they only appear in a handful of scenes.

    Swale also mixes in flashbacks to Alice’s younger days when she was in a relationship with Vera (Gugu Mbatha-Raw). The juxtaposition between her openness and happiness with Vera and her withdrawn nature in the current day of the film highlights how much she has changed in a relatively short period of time. Swale threads this part of the story in just enough to make an impact, which pays increasing dividends as the film goes along.

    The story is designed to keep its characters mostly away from the horrors of war, but given that it’s taking place at the height of World War II, thoughts of it overshadow every aspect. When it does delve more overtly into the events of the war, the impression those scenes make is even greater.

    Arterton has been working steadily in films for over a decade, but she has yet to have a true breakout role. While this film is too small for her role to be transformative for her career, she shows off a star quality that bodes well for future films.

    Bond is instantly memorable, displaying a charisma and intelligence that makes him more than a mere child actor. Mbatha-Raw is compelling in her brief appearances, and two-time Oscar nominee Tom Courtenay brings humor and gravitas to his role as a school headmaster. Downton Abbey favorite Penelope Wilton makes special appearances as an older Alice.

    Summerland is an auspicious debut for Swale, one that shows her skills as both a storyteller and a filmmaker. It’s a deeply personal film whose characters pop off the screen thanks to a great combination of writing and acting.

    ---

    Summerland will open in select theaters on July 31. It will also be available via VOD/streaming platforms like Vudu, Amazon Prime Video, Apple TV, GooglePlay, and more.

    Gemma Arterton and Lucas Bond in Summerland.

    Gemma Arterton and Lucas Bond in Summerland
    Photo courtesy of IFC Films
    Gemma Arterton and Lucas Bond in Summerland.
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    news/entertainment

    Mural News

    Netflix House in Dallas commissions mega-murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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