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    Action in Space

    Guardians of the Galaxy defies end-of-summer movie doldrums

    Alex Bentley
    Aug 1, 2014 | 12:00 am
    Guardians of the Galaxy defies end-of-summer movie doldrums
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    Up until this point, comic book movies have focused on characters that have either proven popular across the board or those with such a history that a movie about them makes sense. That all changes with the arrival of Guardians of the Galaxy, an outer space-set saga that almost defies description.

    Based on a hit-and-miss Marvel Comics series, the core of Guardians is Peter Quill, aka Star-Lord (Chris Pratt), a human who was kidnapped from Earth as a boy for unknown reasons. He’s established himself in the universe as a rogue-for-hire, using his considerable charm and stash of gadgets to complete underhanded tasks.

    Guardians of the Galaxy is a welcome respite from the normal decline we see in movies released in August.

    His latest job has him making off with an orb with mysterious powers that’s desired by almost everyone he runs across, most notably the evil Ronan (Lee Pace). Through a series of unplanned events, Star-Lord finds himself aligned with four other alien beings: the green Gamora (Zoe Saldana); the muscle-bound and tattooed Drax (Dave Bautista); Rocket, a talking raccoon (Bradley Cooper); and tree creature Groot (Vin Diesel).

    As if you couldn’t already tell, the film announces itself as a departure from other Marvel movies with an almost constant lighthearted tone. Aside from the general strangeness of the characters and visuals, snarkiness and sarcasm are littered throughout the dialogue, most notably by Star-Lord and Rocket.

    The film also departs from other Marvel movies in that it has an emotional through-line with Star-Lord’s connection to his mother. He was torn away from her at the worst possible moment, and the story uses a mix-tape she made for him to remind us that there’s more to Star-Lord than meets the eye.

    The story has parallels with Star Wars, with Star-Lord filling in for Luke Skywalker, Gamora as Princess Leia, Rocket and Groot as Han Solo and Chewbecca, and Drax as, well, the comparisons stop there. Star-Lord is a hero almost by default rather than design; neither he nor those he ends up trying to save would necessarily choose him as a leader.

    The only real misstep of the film is the number of side stories and people jammed in. Aside from the main quintet, there are at least three other significant groups director/co-writer James Gunn asks us to care about, something that spreads the film a bit too thin.

    However, because our protagonists have such fun together, it’s easy to forgive a bit of excess in other areas. Pratt, as anyone who watches Parks and Recreation knows, has the comedic part of acting down pat, but he uses his newly buff body to convincingly portray an action hero too.

    Saldana matches him step-for-step, and with this, Star Trek and Avatar, she’s proven herself as the go-to female for sci-fi movies. Both Cooper, who uses a vaguely New York accent, and Diesel are hilarious in their voiceover roles, and Bautista, a WWE wrestler now dabbling in acting, steals his fair share of scenes.

    Although Guardians of the Galaxy can’t claim to being the best film of the summer, it’s a welcome respite from the normal decline we see in movies released in August — and a definite improvement in the quality of Marvel movies overall.

    The main quintet of Guardians of the Galaxy is the definition of a ragtag group.

    Guardians of the Galaxy
    Photo courtesy of Walt Disney Studios Motion Pictures
    The main quintet of Guardians of the Galaxy is the definition of a ragtag group.
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    news/entertainment

    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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