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    Action in Space

    Guardians of the Galaxy defies end-of-summer movie doldrums

    Alex Bentley
    Aug 1, 2014 | 12:00 am
    Guardians of the Galaxy defies end-of-summer movie doldrums
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    Up until this point, comic book movies have focused on characters that have either proven popular across the board or those with such a history that a movie about them makes sense. That all changes with the arrival of Guardians of the Galaxy, an outer space-set saga that almost defies description.

    Based on a hit-and-miss Marvel Comics series, the core of Guardians is Peter Quill, aka Star-Lord (Chris Pratt), a human who was kidnapped from Earth as a boy for unknown reasons. He’s established himself in the universe as a rogue-for-hire, using his considerable charm and stash of gadgets to complete underhanded tasks.

    Guardians of the Galaxy is a welcome respite from the normal decline we see in movies released in August.

    His latest job has him making off with an orb with mysterious powers that’s desired by almost everyone he runs across, most notably the evil Ronan (Lee Pace). Through a series of unplanned events, Star-Lord finds himself aligned with four other alien beings: the green Gamora (Zoe Saldana); the muscle-bound and tattooed Drax (Dave Bautista); Rocket, a talking raccoon (Bradley Cooper); and tree creature Groot (Vin Diesel).

    As if you couldn’t already tell, the film announces itself as a departure from other Marvel movies with an almost constant lighthearted tone. Aside from the general strangeness of the characters and visuals, snarkiness and sarcasm are littered throughout the dialogue, most notably by Star-Lord and Rocket.

    The film also departs from other Marvel movies in that it has an emotional through-line with Star-Lord’s connection to his mother. He was torn away from her at the worst possible moment, and the story uses a mix-tape she made for him to remind us that there’s more to Star-Lord than meets the eye.

    The story has parallels with Star Wars, with Star-Lord filling in for Luke Skywalker, Gamora as Princess Leia, Rocket and Groot as Han Solo and Chewbecca, and Drax as, well, the comparisons stop there. Star-Lord is a hero almost by default rather than design; neither he nor those he ends up trying to save would necessarily choose him as a leader.

    The only real misstep of the film is the number of side stories and people jammed in. Aside from the main quintet, there are at least three other significant groups director/co-writer James Gunn asks us to care about, something that spreads the film a bit too thin.

    However, because our protagonists have such fun together, it’s easy to forgive a bit of excess in other areas. Pratt, as anyone who watches Parks and Recreation knows, has the comedic part of acting down pat, but he uses his newly buff body to convincingly portray an action hero too.

    Saldana matches him step-for-step, and with this, Star Trek and Avatar, she’s proven herself as the go-to female for sci-fi movies. Both Cooper, who uses a vaguely New York accent, and Diesel are hilarious in their voiceover roles, and Bautista, a WWE wrestler now dabbling in acting, steals his fair share of scenes.

    Although Guardians of the Galaxy can’t claim to being the best film of the summer, it’s a welcome respite from the normal decline we see in movies released in August — and a definite improvement in the quality of Marvel movies overall.

    The main quintet of Guardians of the Galaxy is the definition of a ragtag group.

    Guardians of the Galaxy
    Photo courtesy of Walt Disney Studios Motion Pictures
    The main quintet of Guardians of the Galaxy is the definition of a ragtag group.
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    Movie Review

    Masters of the Universe is powered by nostalgia over good filmmaking

    Alex Bentley
    Jun 4, 2026 | 10:38 am
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    If you grew up in the 1980s, chances are you were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest ‘80s IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

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