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    Theater Review

    Emotionally charged Hit the Wall doesn't back down in Addison

    Lindsey Wilson
    Aug 4, 2017 | 3:01 pm

    Shortly after being appointed the new artistic director of WaterTower Theatre, Joanie Schultz made her first bold move by replacing the company's previously announced season finale, the musical Sunday in the Park with George, with a gritty and raw play about the 1969 Stonewall Riots. Her second was to ensure that, under her direction, the play would be uncompromising, uncomfortable, and exactly what DFW needs right now.

    Ike Holter's 2012 play Hit the Wall is a lyrical gut-punch about a true historic event, one that brings to colorful and captivating life struggles that are still being felt — more recently now, for sure — for many Americans. Though the setting is Greenwich Village during the sweltering summer of '69, it might as well be today's Texas heat as tensions continue to rise over the debate for basic human rights, respect, tolerance, and safety.

    In those early-morning June hours, a raid at a packed gay dance club sparked a riot that would reverberate throughout the country and propel the modern movement for LGBTQ rights. Holter's script is linear, with key characters stepping forward to confirm "I was there" as they lead up to the big confrontation and screech into an aftermath. But unlike most historic touchstones, there is not a minute-by-minute account where every action, word, or placement is analyzed. This is because accounts differ, from those in the club to the police who barged in to those who stood by, either jubilantly cheering or silently watching. Not everyone who was there could talk.

    This allows Holter dramatic freedom, but he doesn't abuse it. He stays true to his characters, a motley group of hopeful dreamers and guarded souls who are sketched in deeply grooved lines. The ensemble cast — it's difficult to pick stand-outs, but Walter Lee and Kelsey Leigh Ervi will make you cry while Gregory Lush might give you nightmares — deliver sometimes poetic, other times starkly simple statements about who they are, whom they love, and what they believe.

    A house band called The Mystiks, comprised of Deep Ellum musicians Ivan Dillard, Lina Reyne, and Gerard Bendiks, punctuates the action and proves especially handy at sound effects.

    On Jocelyn Girigorie's evocative set, under Jason Foster's foreboding lighting, and in Ryan Matthieu Smith's groovy costumes, the actors hold nothing back, exposing the ugliness of homophobia that might make some wince.

    But the scary part is, it might not faze others at all. By switching out Sondheim for Stonewall, Schultz has made the decisive — and potentially divisive — statement that under her leadership, WaterTower Theatre will reflect its current world, even if sometimes the world isn't a place we want to be.

    On your way into the theater, you can pick up and affix a rainbow ribbon to your shirt. On the way out, there's an opportunity to donate to Abounding Prosperity, a Dallas organization that provide services to black men, with a particular emphasis on gay, bisexual, and male-to-female transgender individuals. The message is clear: No matter how you do it, don't stay silent.

    ---

    WaterTower Theatre's production of Hit the Wall runs at the Addison Conference & Theatre Center through August 20.

    Garret Storms

    Garret Storms in HIT THE WALL at WaterTower Theatre
      
    Photo by Jason Anderson
    Garret Storms
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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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