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    Downtown Music Venue

    Downtown Dallas park sings again with legendary musicians in mind

    Leah Shafer
    Aug 14, 2015 | 3:26 pm

    Dallas has a rich music history, and one of its hubs was 508 Park, where Mississippi Delta blues legend Robert Johnson recorded nearly half his songs, as well as his final work, over two weeks in 1937.

    In fact, 843 blues, jazz, western swing and Mexican recordings occurred at 508 Park by Johnson and other legends such as Gene Autry, Bob Wills and the Texas Playboys, Light Crust Doughboys, and Lolo Cavasos.

    Located in downtown Dallas near the Dallas Farmers Market, 508 Park, built in 1929 for Warner Brothers as a film exchange and distribution hub, stood vacant and vandalized for two decades. In 2011, The Stewpot of First Presbyterian Church purchased and renovated it, and built an amphitheater, to create the new Encore Park.

    Encore Park is a multiphased, multivenue campus that aims to bring all cultures together to experience and appreciate history, art, music and community gardening.

    Pat Bywaters is executive director of Encore Park Dallas and grandson of influential Texas artist and Dallas Nine member Jerry Bywaters. He's been spearheading the research into 508's history, visiting archives in California, Louisiana and New York.

    "I love doing research, and I've always loved history. As soon as we looked into 508, the music history came flooding," he says. "The Encore Park project preserves not only the architectural relic, but a special place and time in Dallas' history."

    The first phase debuted in October 2014, with the amphitheater and a sculpture wall by Brad Oldham and Christy Coltrin. This lost-wax bronze sculpture, called The Birth of a City, tells iconic and lesser-known visual stories unique to Dallas across 10 six-by-four-foot panels.

    "They were inspired by a particular image of the building the Houston Viaduct over the Trinity River, which was an engineering marvel when it was built, and they did the sculpture in the 1930s style," Bywaters says.

    Fundraising phases two and three are ongoing, hoping to restore and finish out the interior of 508 Park, which will include the Museum of Street Culture, art galleries and studios (including The Stewpot artists), a recording studio, event space, a rooftop terrace, and coffee shop. Nearly half of the $13 million capital campaign has been raised.

    On August 15, catch Robert Johnson Blues Revue, featuring Robert Johnson's grandson Steven Johnson and the Dallas Street Choir, at 508 Amphitheater. Tickets are $10 for general admission, $40 for preferred seating and $75 for VIP tickets, which includes a reception and short show with Steven Johnson and his band on August 14. (Buy tickets here.)

    Starting September 6, Encore Park will show Warner Brothers movies from the 1930s, '40s and '50s every other Sunday in collaboration with the historic Texas Theatre. The events are free, and each screening includes a 16mm short, then a feature-length film.

    To celebrate Stewpot's 40th anniversary in October, activities include the following:

    • October 4: A blessing of the animals at 508 Amphitheater (St. Francis of Assisi's birthday) at 2 pm
    • October 7: Special monthly worship service of The Stewpot, featuring KM Williams at 508 Amphitheater
    • October 22: Special showing of Serving Second Chances at 508 Amphitheater
    • October 24: 40th anniversary celebration, including a Stewpot Talent Show and Dallas Street Choir, a street fair of art from The Stewpot Open Art Program and an evening performance

    The final event of the year is a fiddle competition November 7.

    Future phases of Encore Park will create the Museum of Street Culture in 508 Park.

    encore park
    Photo courtesy of Good Fulton & Farrell
    Future phases of Encore Park will create the Museum of Street Culture in 508 Park.
    unspecified
    news/entertainment

    Movie Review

    Zootopia 2 Disney is an OK sequel that keeps the fun of the original

    Alex Bentley
    Nov 25, 2025 | 3:31 pm
    Nick (Jason Bateman) and Judy (Ginnifer Goodwin) in Zootopia 2
    Photo courtesy of Walt Disney Animation Studios
    Nick (Jason Bateman) and Judy (Ginnifer Goodwin) in Zootopia 2.

    When Zootopia came out in 2016, Walt Disney Animation Studios was in the midst of a great run of original films, including Wreck-It Ralph, Frozen, Big Hero 6, and finally Moana. Their output since then has not been as good, including three mediocre sequels, three so-so originals, and only one truly great film, Encanto.

    All of which is to say that the odds for Zootopia 2 breaking that trend were low even before they started working on it. The odd couple pair of rabbit Judy Hopps (Ginnifer Goodwin) and fox Nick Wilde (Jason Bateman) are now officially detectives in the Zootopia Police Department, but they still have a penchant for not following the orders of Chief Bogo (Idris Elba). Such mischievous behavior doesn’t sit well with the other detective teams, which include pairs of zebras, hippos, hogs, and goats.

    Still, their slightly insubordinate ways put them on the path toward discovering the infiltration of Gary De’Snake (Ke Huy Quan), the first reptile to be seen in Zootopia in a long time. He’s trying to steal a book that would prove that his relative was the rightful inventor of a weather technology that gives all animals in Zootopia an ideal climate. But the high-powered Lynxley family, including father Milton (David Straithairn) and son Pawbert (Andy Samberg), lay claim to the idea and won’t give it up easily.

    Written and directed by Jared Bush, and co-directed by Byron Howard, the film retains the fun of the first film if not the consistently interesting story. Though Judy and Nick get along much better than they did previously, they still don’t see eye-to-eye on everything. It’s Judy who takes more risks this time around, with Nick’s rule-breaking ways seeming to have rubbed off on her, a nice twist that leads to some ironic situations.

    The filmmakers struggle to make the story as easily coherent this time around, with the new characters a decidedly mixed bunch. The Lynxleys are supposed to be the bad guys of the film, but they’re not featured enough to drum up any enmity for them. The detective duos are fun comic relief, especially the two who refer to themselves as the Ze-bros, but none of them factor very much in the actual story.

    Instead, the filmmakers fall back on things like cameos from small characters from the first film and a flurry of groan-worthy animal puns. While it’s fun to see the sloth Flash (Raymond S. Persi), sheep Bellwether (Jenny Slate), and Gazelle (Shakira), their appearances are too brief to carry the movie overall. The visuals are as fantastic as expected of Disney films, especially the myriad fur/hides/scales of the different creatures, but the film is not designed to necessarily wow in that respect.

    Both Goodwin and Bateman prove again that they were cast perfectly for their respective roles, as Goodwin fully embodies Judy’s relentless enthusiasm and Bateman brings the wry tone to his street smart character. If you know them, it’s fun to have people like Samberg, Straithairn, Quinta Brunson, and Patrick Warburton in supporting roles, but no one but Warburton and his distinctive voice elevates the film.

    Like most of Disney’s recent sequels, Zootopia 2 is a pleasant enough movie that lets fans revisit some favorite characters. But when a bar is set high with the first film as it was with Zootopia, it takes more outside-of-the-box thinking to have the second one measure up in any significant way.

    ---

    Zootopia 2 opens in theaters on November 26.

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