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    Actor Spotlight

    DFW actor John S. Davies reveals penchant for cheap wine and guitars

    Lindsey Wilson
    Aug 18, 2014 | 8:38 am

    In Bruce Graham’s exploration of late-life loneliness, Stella & Lou, it takes a zesty woman to shake up one man’s staid existence. That man is portrayed by John S. Davies in Circle Theatre’s production, which runs at the Fort Worth theater from August 21 through September 20.

     

    If Davies looks familiar, it’s because he’s no stranger to Dallas-Fort Worth stages — or film and TV screens, for that matter. Recent seasons have found him onstage at Theatre Three (Other Desert Cities), WaterTower Theatre (Black Tie) and One Thirty Productions (Finishing School). But he can also be spotted on screen in Robo-cop, Magnolia, JFK and The Alamo.

     

    As a director, he’s led productions for Shakespeare Dallas, Circle Theatre and the winners of the prestigious screenwriting competition, Ballroom Marfa, in Marfa, Texas.

     

    Before tending bar as Lou at Circle, Davies took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

     

     Name: John S. Davies. Yes, I use the middle initial.

     

     Role in Stella & Lou: Lou

     

     Previous work in the DFW area: I’ve worked at most of the professional theaters in the DFW area and some that are, sadly, no longer with us. Somewhere north of 60 professional productions.

     

     Hometown: I was born in Regensburg FRG (Federal Republic of Germany) and grew up around the world. When we lived in the U.S., it was in various suburbs of Washington, D.C. So, basically, I don’t have a hometown.

     

     Where you currently reside: Carrollton

     

     First theater role: In R.U.R. by Karel Capek at Westminster School, Simsbury, Connecticut. I don’t remember which one of the scientists I played.

     

     First stage show you ever saw: It may well have been the first one I was in, which probably doesn’t count.

     

     Moment you decided to pursue a career in theater: Probably the first time I worked with professional actors as the Musician in Twelfth Night at the California Actors Theater in Los Gatos, California.

     

     Most challenging role you’ve played: Maybe Willy Brandt in Democracy

     

     Special skills: Guitar, dialects, charm

     

     Something you’re REALLY bad at: Working in an office

     

     Current pop culture obsession: Allison Tolman in Fargo

     

     Last book you read: The Moving Target by Ross MacDonald

     

     Favorite movie(s): I’m not a big movie fan.

     

     Favorite musician(s): Bob Dylan, Eric Clapton, Robert Johnson, my son Rees

     

     Favorite song: "Crossroads"

     

     Dream role: Lear

     

     Favorite play(s): August Wilson’s, but I don’t really have favorites.

     

     Favorite musical(s): A Chorus Line

     

     Favorite actors/actresses: Phillip Seymour Hoffman, Allison Tolman, Cliff Stephens

     

     Favorite food: Key lime pie

     

     Must-see TV show(s): The Wire, Breaking Bad

     

     Something most people don’t know about you: I didn’t live in the U.S. until I was 6 years old.

     

     Place in the world you’d most like to visit: Wales

     

     Pre-show warm-up: Coffee and a cigarette

     

     Favorite part about your current role: It’s funny and it’s in Philly.

     

     Most challenging part about your current role: It’s funny and it’s in Philly.

     

     Most embarrassing onstage mishap: I did a terrible play called Ancestors many years ago. The whole experience was embarrassing, but at one point we had an onstage sword fight with cheap ceremonial sabers. My opponent’s blade broke off at the hilt and I had to chase him offstage.

     

     Career you’d have if you weren’t a performer: Drinking cheap wine in a gutter.

     

     Favorite post-show spot: Whatever’s close to the theater.

     

     Favorite thing about Dallas-Fort Worth: My grandchildren

     

     Most memorable theater moment: So many, but when I was in grad school as an apprentice at the Dallas Theater Center under Paul Baker, we did a three-hour adaptation of War and Peace. I understudied the role of Prince Andrei, the lead, and played a small role as his servant.

     

    I attended all the rehearsals and learned the lines but never actually rehearsed the entire role. Then one Wednesday, I was working in the scene shop before a matinee when the call came in that the actor playing the Prince had thrown his back out and couldn’t get out of bed.

     

    I was hustled up to the dressing room and hastily tried on all his costumes — including tight riding breeches and fitted military jackets — while lines were fired at me by the ASM. I went on, was led around the stage by the other actors, dropped a line here and there, but ended up in a bed center stage (the Prince dies at the end) thinking, “I did it. I don’t know how but I did it.”

     

    The other actor never recovered, and I ended up playing the last three-and-a-half weeks of the run.

     

    Davies in Black Tie at WaterTower Theatre.

    John S. Davies in WaterTower Theatre's "Black Tie"
      
    Photo by Mark Oristano
    Davies in Black Tie at WaterTower Theatre.
    unspecified
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    Theater Critic Picks

    From Wilde to 'The Wiz': 8 unmissable July shows in North Texas

    Lindsey Wilson
    Jul 2, 2025 | 10:18 am
    Second Thought Theatre presents Your Wife’s Dead Body
    Photo courtesy of Second Thought Theatre
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    Your instinct during the summer might be to hide out in an air-conditioned theater, and there are plenty of options to do exactly this month. But we would be remiss if we didn't remind you about a North Texas tradition: Shakespeare under the stars. Pack a picnic, bring a blanket, and watch The Bard (and this year Oscar Wilde) at Samuell-Grand Amphitheater with Shakespeare Dallas. Both shows opened in June, but continue through most of July.

    Here are eight shows local shows, listed in order of start date:

    The Importance of Being Earnest
    Shakespeare Dallas, through July 18
    This witty romantic comedy by Oscar Wilde, first performed in 1895, tells the story of two men who assume the identities of a fictional man named Ernest. This leads them to each fall in love and encounter an assortment of comical problems along the way.

    Othello
    Shakespeare Dallas, through July 20
    In this Shakespearean tragedy, Othello is at the peak of his powers: not only Venice's greatest general but also husband to the noble and beautiful Desdemona. But he does not know that in passing over his servant Iago for promotion, he has created a deadly but brilliant enemy. This production is set in an alternate-history version of the 1990s in which the Venetian empire is the predominant political, military, and economic power.

    King Kirby
    American Chronicle Theatre Co., July 4-12
    This is the story of Jack "King of Comics" Kirby. The play follows him from the tough Jewish ghetto of Hell’s Kitchen in New York, to the harrowing battlefields of Normandy during WWII, to tense Senate hearings in the 1950s. Watch as he creates some of the most iconic heroes in pop culture: Captain America, Thor, the Fantastic Four, the X-Men, Iron Man, the New Gods, and countless others.

    Your Wife’s Dead Body
    Second Thought Theatre, July 9-26
    Written by Second Though Theatre artistic associate Jenny Ledel in her playwriting premiere, the play takes place in the near future, as Jane takes advantage of a new AI technology that would extend her lifespan ... even if she's not around to see it for herself.

    The Wiz
    Broadway at the Bass, July 15-20
    This all-new production of the groundbreaking, Tony Award-winning musical returns “home” in an all-new pre-Broadway tour, the first one in 40 years. The groundbreaking twist on The Wizard of Oz changed the face of Broadway, from its iconic score packed with soul, gospel, rock, and finger-snapping '70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.

    Noises Off
    Mainstage Irving-Las Colinas, July 18-August 2
    This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Playwright Michael Frayn gives a window into the inner workings of theatre behind-the-scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance.

    Everybody's Talking About Jamie
    Uptown Players, July 18-August 3
    Inspired by true events, this musical tells the inspiring story of Jamie New, a 16-year-old boy from Sheffield who dreams of becoming a drag queen. His loving mom showers him with endless support but it's not all rainbows for Jamie as his deadbeat dad and some ignorant school kids attempt to rain on his sensational aspirations.

    Shucked
    Broadway at the Bass, July 29-August 3
    This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

    broadway at the bassmusicalsnational tourplayssecond thought theatreuptown playersshakespeare under starsshakespeare in the parktheater
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