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    Your Show of Shows

    3 must-see art exhibitions to close out summer in Dallas

    Kendall Morgan
    kendall Morgan
    Aug 21, 2015 | 1:33 pm

    September is when the art world kicks into high gear, but we’re getting a little taste of what’s to come a few weeks early, with work from CalArts-trained talents; an icon of sculpture; and a colorful, campy tribute to everybody’s favorite country star.

    “It Came From CalArts,” various artists at CentralTrak
    Reception: August 22, 8-10 pm
    Exhibition dates: August 22-October 4
    Perhaps it’s the laid-back attitude or the sunbaked landscape, but there’s always been a special connection between California and Texas. For Texan talents who trained at CalArts, the influence of these two environments continues to inform their work long after they’ve left the Golden State. Curator and artist Robin Myrick (an alumna herself) decided to group together the work of her fellow graduates to examine how these “Calartians” navigate their blended worlds.
    “This project is a labor of love,” she explains. “I graduated in 2008 and came back and have talked to a lot of alums here. [Going to the school] is a mind-blowing experience and changes the way you think about art and writing. In Texas, in particular, you feel like an alien presence. I started from the impulse of find other CalArts folks in Texas, but it came together as an actual exhibition.”
    Focusing on artists actively doing art in Austin, Dallas, Denton, El Paso, Houston and San Antonio, the nine she discovered have wildly different disciplines, from the crochet work of Elaine Bradford to Denise Prince’s boundary-pushing photography. In order to further understand where these talents are coming from, CentralTrak will also offer an artist conversation with Danielle Dean, Peter Bo Rappmund and Ariane Roesch September 10 at 7 pm, followed by a slate of short readings, sounds and ideas on September 12 at 2 pm.
    Chihuly and “Ted: Kincaid: Monday’s Romance is Tuesday’s Sad Affair” at Talley Dunn
    Reception: August 29, 5-8 pm
    Exhibition dates: August 29-October 4
    Acclaimed glass artist Dale Chihuly has already made a great impression on our fair city — his 2012 show at the Dallas Arboretum was a sellout success, storm damage aside. Fans of his vivid sculptures will be thrilled to know Chihuly is returning to Talley Dunn’s eponymous space with gardens of glass, his beloved Jerusalem Cylinders plus a wall piece inspired by the Far East. An “Amber Spire Tower” nine-foot-tall vertical sculpture will lend a nod to his Arboretum installations.
    "I have had the pleasure of witnessing first-hand the very special relationship Chihuly has with Dallas, from his exhibition at the DMA in the early 1990s to the stunning outdoor garden works created for the Dallas Arboretum,” says gallerist Dunn, who has a 20-year relationship with the artist. “It's been a wonderful experience for me to work with such a legendary artist as his career and vision have grown, and I am thrilled to be bringing him back to Dallas for another awe-inspiring exhibition."
    Joining him will be Dallas-based artist Ted Kincaid, who will unveil his new series of ink on canvas tondo thunderhead clouds and waterfalls, a natural complement to Chihuly’s organic-influenced works.
    “Tease It to Jesus,” various artists, and “Bushwacker,” the Hancock Brothers, at Webb Gallery
    Reception: August 30, 4-7 pm
    ​Exhibition dates: August 30-September 19
    The Webb Gallery in Waxahachie always puts on more than just an art show. Owners Bruce and Julie Webb are back from an Outsider Art road trip and ready to roll into the season with “Tease It to Jesus,” the Texas debut of a portfolio of 35 different portraits of Dolly Parton. A big Parton fan herself, Julie Webb says she has a shrine to the singer in her office and couldn’t resist the subject matter.
    “Someone told me about this project and I contacted Margot (Ecke) of Smokey Road Press. Once a year she does a 35-piece box set of different subjects, and she tied this one to a print conference going on in Knoxville (Tennessee), which is one of the reasons she chose Dolly Parton. The printmakers were chosen for their skill in creating a Dolly likeness — not just her big hair and big breasts, but her body language and how fascinating a person she is.”
    Because the prints are a limited run, some are on their last editions, and all are affordable, ranging from $45 to $400. Also on hand will be master printers John and Charles Hancock, who are known for both their adept woodcuts and their performance art. Guests are encouraged to dress in their finest Smokey Mountain attire, and wearing wigs is encouraged.
    “We hope people will come in costume,” says Julie Webb. “I’ve got six Dolly Parton wigs in my collection, so I’m ready to go at any point!"

    Ted Kincaid's Tondo Thunderhead 723 (Bellini 2) at Talley Dunn.

    Ted Kincaid
    Photo courtesy of Talley Dunn Gallery
    Ted Kincaid's Tondo Thunderhead 723 (Bellini 2) at Talley Dunn.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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