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    Train Ride

    Trolley from downtown Dallas to Oak Cliff will do its small part to connect communities

    Hayden Bernstein
    Aug 23, 2013 | 11:30 am

    If you like to frequent the Bishop Arts District and you go through downtown Dallas to get there, then your progress has been hampered as of late.

    At the Houston Street viaduct, the main thoroughfare, you're greeted by a "road closed" sign and a detour that sends you swerving left. It'll stay like that for months. But many would call it a worthy cause: For the first time since the 1950’s, a trolley line will connect downtown Dallas to Oak Cliff.

    The Oak Cliff street car follows the completion of the Margaret Hunt Bridge and the dedication of the Continental Ave Bridge to pedestrian and bike use as another effort to connect communities separated by the Trinity River. Once complete, the trolley line will run between the Dallas Convention Center and Bishop Arts.

    While it won't likely persuade Dallas urbanites to ditch their cars, it can be an alternative, says Patrick Kennedy, author of Walkable DFW, a blog about urban planning.

    "I see the streetcar as an eventual full-fledged network and transportation alternative," Kennedy says. "Once the various lines get built out, they will link the various neighborhoods within about a 3-mile radius of downtown, to downtown as the hub of the system."

    ​"There is a psychological difference between rail and bus transportation," Jason Roberts says. "Riding the bus has a social stigma that rail transportation does not."

    At an estimated cost of $56.8 million, the project will lay a total of 2.3 miles of track and is slated for completion in 2015.

    The first 1.6 miles of track will run between Union Station downtown and the intersection of Colorado and Beckley in Oak Cliff. This initial phase of the project is expected to be completed by October 2014.

    Construction has been underway for a month. The Houston Street viaduct, the main thoroughfare from downtown to Bishop Arts, is closed, with traffic diverted to the Jefferson Blvd Viaduct, which has been changed from one-way to two-way.

    At first glance, it seems hard to justify spending $23 million on a strip of track that will replace the equivalent of four bus stops.

    "There is a psychological difference between rail and bus transportation," says Jason Roberts, founder of the Oak Cliff Transit Authority (OCTA) which has been involved with the streetcar project since its grassroots inception. "Riding the bus has a social stigma that rail transportation does not. Investment in rail infrastructure signals a long term commitment by the city to the area and local businesses."

    Roberts and the OCTA secured federal funding through the TIGER Grant program, a 2008 stimulus package initiative designed to create jobs through building transportation infrastructure. The Oak Cliff trolley project was granted $23 million in federal funds for the first phase.

    The service will be run by DART and is the first of its kind for the city. Two $8 million trolleys will have more in common with DART light-rail trains than the vintage trolleys rumbling down McKinney Ave.

    The rest of the funding for an additional .7 miles of track that will extend the route to the convention center and into Bishop Arts comes out to $30.87 million, an amount that was originally intended for a Love Field "people mover" connector. That plan was to build an underground shuttle route between the Burbank light-rail station and the Love Field airport terminal.

    The “people mover” was scrapped in favor of a surface-level tram with negligible differences in travel time. The funds for the connector sat untouched until this past January when the Regional Transportation Council reallocated them to Oak Cliff.

    Kennedy points to the on-going success of the McKinney Avenue Transit Authority (MATA) as young professionals living in Uptown increasingly choose to ride the trolley to work downtown. He hopes the Oak Cliff trolley has the same effect.

    “The federal agencies involved stipulated they would favor legitimate forms of transportation that linked housing to jobs, neighborhoods to downtown, specifically underserved neighborhoods," he says. "So in that sense it is a good thing, since Oak Cliff has been badly neglected."

    And any business owner along the route is in favor.

    "The trolley will be an easy way for tourists to get here for dinner which will be great for the area overall," says Christine Erdeljac, who owns Jonathon's Oak Cliff, located a block south of where the first section of rail will end.

    The prospect of tourist and convention dollars finding their way to Oak Cliff via the trolley has the potential to spur even more growth.

    "The city was very accommodating with different incentives to get us down here," Erdeljac says. "We are the type of businesses they want in the area and the trolley will only bring more people through our door."

    The vehicles used on the Oak Cliff trolley line will be more like a DART Rail train than the McKinney Avenue trolley.

    Oak Cliff streetcar
    Brookville Equipment Corp.
    The vehicles used on the Oak Cliff trolley line will be more like a DART Rail train than the McKinney Avenue trolley.
    unspecified
    news/city-life

    In the spotlight

    Dallas stars as one of the 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 25, 2026 | 11:24 am
    Filmmaking, best places to live and work as a moviemaker
    Photo by Anastase Maragos on Unsplash
    Dallas has made its debut in the top 10 best cities for filmmakers.

    Dallas has just snapped up new recognition as the No. 7 best place to live and work as a filmmaker in North America.

    Dallas made its top-10 debut on MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The city was snubbed entirely in the magazine's 2025 list, but previously ranked as the 25th best place to live and work as a filmmaker in 2024 and 20th in 2023.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The final list of highlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    Dallas' eye-catching skyline, public art displays, and its "vast green spaces" are just a few of the attributes that make it an appealing place for filmmakers to thrive, but MovieMaker also noted that Dallas' film scene has "always been about commerce as much as art."

    "In addition to hosting many of the same Taylor Sheridan productions as nearby Fort Worth, including Landman and The Madison, it also does brisk business with commercials for a bevy of major brands," the report said. "The state’s grant rebate of up to 31 percent is a major boon, as is Dallas’ deep crew base: Seasoned crew members go back to the days of Walker, Texas Ranger and the soapy classic Dallas."

    The report gave a special shout-out to The Dallas Film Commission and its free production assistant bootcamp, which first launched in July 2025 in partnership with Pegasus Media Project. The commission also supports and collaborates with film schools, unions, local organizations, and festivals like the Dallas International Film Festival, Oak Cliff Film Festival, and more.

    Dallas edged out neighboring Fort Worth, which ranked as the 12th best place to live and work as a moviemaker in 2026, up seven spots from its 2025 ranking. MovieMaker said Yellowstone director and honorary Fort Worth resident Taylor Sheridan is to thank for Cowtown's jump in the report. Sheridan has shot many of his TV shows in North Texas, such as Landman; Special Ops: Lioness; 1883; and a new anticipated Yellowstone spinoff called The Madison, which will premiere on March 14, 2026.

    "SGS Studios, which Sheridan founded, recently partnered on a new 450,000-square foot production campus at Fort Worth’s 27,000-acre AllianceTexas development," the report said.

    Elsewhere in Texas, Austin was named the No. 5 best place to live and work as a filmmaker in North America, Houston ranked 10th, San Antonio appeared as No. 14, and El Paso landed at No. 25 on the list.

    filmmakingdallasmoviemaker magazinerankingscity lifeentertainment
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