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    Movie Review

    Searching makes smart use of technology for modern mystery

    Alex Bentley
    Aug 30, 2018 | 2:21 pm
    Searching makes smart use of technology for modern mystery
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    At first glance, the filmmaking technique of Searching seems to be an unnecessarily distancing one. Literally every second of the film is viewed as if looking at a computer screen, so that none of the actors ever appear to be acting for the camera. It’s the same technique utilized by the Unfriended horror movie series, which is produced by the same company, Bazelevs Production.

    This time, instead of trying to scare the audience, they’ve turned to a mystery, with arguably much better results. John Cho plays David Kim, who, along with his daughter, Margot (Michelle La), is struggling to get by after the untimely death of his wife, Pamela (Sara Sohn). The struggle gets even more difficult when Margot goes missing after a late-night study group.

    Desperate to find his daughter, David tries to track her movements using the best resources available — her computer and the Internet. With the help of the detective assigned to the case, Rosemary Vick (Debra Messing), he doggedly pursues every clue he can find, often coming up with answers to questions he didn’t know he should have.

    Perhaps it’s the ubiquitousness of being on a computer or a smartphone every day, but after a settling-in period, the film seems to give the audience a perceived sense of control. Writer/director Aneesh Chaganty, along with co-writer Sev Ohanian, do an amazing job of making the act of clicking around and typing on a computer seem as compelling as any traditional narrative could be.

    They’re helped by a variety of video options available, most notably Facetime. Although slightly unbelievable — does anyone actually use Facetime on a computer? — its usage allows the filmmakers to give the characters just enough, well, face time so that the story retains the requisite emotion.

    The believability factor is upped even more by the film, with one notable exception, using real websites and devices instead of fake ones like many other movies do. It’s much easier to put yourself in the shoes of the characters when they’re using Google or scrolling through Facebook and Instagram on their Macbook or iPhone.

    Best of all, though, the filmmakers don’t let the gimmick of the film get in the way of telling a good story. The twists and turns it takes throughout the course of its 102-minute running time are as surprising and effective as any conventional film, and perhaps even more so given the setting.

    Much has been made about the all-Asian cast of Crazy Rich Asians, but there’s something even more notable about having an Asian family at the center of a movie like this. Their ethnicity is a minor but still important element of the film, and thanks to the performances of Cho, La, and Sohn, the situations they experience are as close to universal as you can get.

    Though it might not age well given the speed that the world changes, Searching is an of-the-moment film, one that makes great use of modern-day technology to tell an enthralling story.

    John Cho in Searching.

    John Cho in Searching
    Photo by Sebastian Baron
    John Cho in Searching.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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