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    Zom-Com Done Wrong

    Zombie flick Life After Beth should have stayed buried

    Alex Bentley
    Sep 5, 2014 | 12:00 am
    Zombie flick Life After Beth should have stayed buried
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    Despite the glut of zombie-related entertainment these days, a clever twist on dealing with the undead is always welcome, such as 2013’s Warm Bodies. Unfortunately, the only thing interesting about the latest, Life After Beth, is its title.

    The film does have promise at the start. We join the story soon after the death of Beth (Aubrey Plaza), as her boyfriend Zach (Dane DeHaan) and her parents (John C. Reilly and Molly Shannon) struggle to come to terms with her being gone.

    There are a number of comedic possibilities with a story such as this, but writer/director Jeff Baena has difficulty making any of them connect.

    When Beth’s parents start being distant, Zach becomes suspicious and soon discovers something impossible: Beth has come back from the dead. However, her behavior is, shall we say, a little erratic, and even though Zach loves having her back, he finds out that having a zombie for a girlfriend has more than its fair share of challenges.

    There are a number of comedic possibilities with a story such as this, but writer/director Jeff Baena has difficulty making any of them connect. Beth’s confusion over why Zach and her parents are treating her differently now is more sad than anything else, and any quirks that come along with her being undead seem random and ho-hum.

    Instead of being satisfied with telling the story of Beth’s rising from the dead, Baena chooses to portray it as an epidemic, with multiple dead people making reappearances. Sometimes this is good for a chuckle, but most of the time all it elicits is a shrug. Any time devoted to other undead takes away from what’s supposed to be the point of the film, which is probably the biggest reason the film doesn’t succeed.

    Plaza’s usual monotone shtick would seem to work well for playing a zombie, but the deadly dull script keeps her from reaching her potential. DeHaan makes the most of his role, but he too is held back by the story.

    It’s fun to see Paul Reiser and Cheryl Hines as Zach’s parents, even if their roles are not all that crucial. And why Anna Kendrick, who plays a ditzy love interest for Zach late in the movie, chose to take this dud of a supporting part is beyond me.

    Zombies may still be all the rage in Hollywood, but if films like Life After Beth are the best they can offer, the undead are better left buried.

    ---------------------

    Life After Beth opens exclusively at the Texas Theatre on September 5.

    Dane DeHaan and Aubrey Plaza in Life After Beth.

    Dane DeHaan and Aubrey Plaza in Life After Beth
    Photo courtesy of A24
    Dane DeHaan and Aubrey Plaza in Life After Beth.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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