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    Theater Critics' Picks

    DFW Theater Critics Forum bestows honors for 2012-13 season

    Lauren Smart
    Sep 9, 2013 | 9:00 am

    Every year, the Dallas-Fort Worth Theater Critics Forum dishes out awards for best new play, best actor, best direction and myriad other theater categories. The group does not crown a winner in each category, nor does it declare a show of the year. Rather, the group gathers for a conversation about work that deserves special recognition.

    On Saturday, September 7, the forum gathered to reflect on the 2012-13 season. This year, there were some clear favorites. On the Eve, the brand-new post-modern musical extravaganza, with songs and lyrics by the local band Home by Hovercraft, earned accolades for its writing, cast, music and director. (Theatre Three will remount this show in January 2014).

    Kitchen Dog Theater had a standout season, with nearly every show receiving nominations for a design element or performance. There was also a unanimous desire to recognize the late Jerry Russell for his lifetime contributions to local theater and praise Fun House Theatre and Film for emerging as a stomping ground for young actors. In fact, Kennedy Waterman, an 11-year-old actress from Fun House, gave one of the best performances of the year for her role in Daffodil Girls.

    During the lunch meeting, critics dug through playbills to double check spellings and debated the merit of an actor's performance in one show versus another to nominate shows or performers in each category. They pared down several hundred shows into lists of up to 10. Here are this year's picks:

    New Play or Musical

    • On the Eve by Michael Federico and Shawn and Seth Magill
    • Dreams of Slaughtered Sheep by Matthew Posey
    • Daffodil Girls, inspired by David Mamet's Glengarry Glen Ross by Jeff Swearingen
    • Fly by Night by Kim Rosenstock, Bill Connolly and Michael Mitnick

    Direction

    • Jeffrey Schmidt, On the Eve (Nouveau 47 Theatre) and Bengal Tiger at the Baghdad Zoo (Theatre Three) and Enron (Theatre Three)
    • Regan Adair, In a Forest, Dark and Deep (Second Thought Theatre)
    • Tim Johnson, The Chairs (Kitchen Dog Theater)
    • Cheryl Denson, The Most Happy Fella (Lyric Stage)
    • T.J. Walsh, The Taming of the Shrew (Trinity Shakespeare Festival)
    • Jim Covault, The Taming of the Shrew (Stage West)
    • Susan Sargeant, Children of a Lesser God (Contemporary Theatre of Dallas) and Lydie Marland in the Afterlife (Wingspan Theater Co)
    • Jeff Swearingen, Daffodil Girls, inspired by David Mamet’s Glengarry Glen Ross (Fun House Theatre and Film)
    • Matthew Posey, Dreams of Slaughtered Sheep (Ochre House Theater)
    • Joel Ferrell, Gruesome Playground Injuries (Second Thought Theatre)
    • Jonathan Fielding, The True Story of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World (Amphibian Stage Productions)

    Actor

    • Bruce DuBose, An Iliad (Undermain Theatre)
    • Raphael Parry, The Chairs (Kitchen Dog Theater)
    • Gregory Lush, On the Eve (Nouveau 47 Theatre) and Penelope (Undermain Theatre)
    • David Coffee, Fly by Night (Dallas Theater Center)
    • Jac Alder, Freud’s Last Session (Theatre Three)
    • Chris Hury, The Taming of the Shrew (Stage West)
    • Montgomery Sutton, Gruesome Playground Injuries (Second Thought Theatre)
    • Max Hartman, RX (Kitchen Dog Theater)
    • Ashley Wood, Children of a Lesser God(Contemporary Theatre of Dallas)
    • Alex Organ, The Most Happy Fella (Lyric Stage)

    Actress

    • Tina Parker, RX (Kitchen Dog Theater)
    • Jenny Ledel, Becky Shaw (Kitchen Dog Theater) and On the Eve (Nouveau 47 Theatre)
    • Martha Harms, On the Eve (Nouveau 47 Theatre), RX (Kitchen Dog Theater), The Lucky Chance; or, The Alderman’s Bargain (Echo Theatre)
    • Marianne Galloway, Children of a Lesser God (Contemporary Theatre of Dallas)
    • Amber Nicole Guest, The Most Happy Fella (Lyric Stage)
    • Barbara Wood, Knock Me a Kiss (Jubillee Theatre)
    • Allison Pistorius, The Taming of the Shrew (Stage West)
    • Kennedy Waterman, Daffodil Girls (FunHouse Theatre and Film)

    Ensemble

    • On the Eve (Nouveau 47 Theatre)
    • The Taming of the Shrew (Trinity Shakespeare Festival)
    • Jailbait (Dallas Actor’s Lab)

    Creative Contribution

    • Score, Home by Hovercraft, On the Eve (Nouveau 47 Theatre)
    • Music and sound design, Bruce DuBose and Paul Semrad, An Iliad (Undermain Theatre)
    • Sound design, John Flores, Gruesome Playground Injuries (Second Thought Theatre)
    • Set design, Timothy R. Mackabee, The Odd Couple (Dallas Theater Center)
    • Set design, Bob Lavallee, The Tale of the Allergist’s Wife (Theatre Arlington) and Gruesome Playground Injuries (Second Thought Theatre)
    • Design team, The Taming of the Shrew and Julius Caesar (Trinity Shakespeare Festival)
    • Design team, Dreams of Slaughtered Sheep (Ochre House Theater)
    • Costume design, Ryan Matthieu Smith, The Lucky Chance; or, the Alderman’s Bargain (Echo Theatre)

    Touring Production

    • Anything Goes (Lexus Broadway Series)
    • The Book of Mormon (Lexus Broadways Series)
    • Traces (Lexus Broadway Series)
    • Underneath the Lentil (Patrick O’Brien at the Out of the Loop Fringe Festival)

    Special citations

    • The late Jerry Russell, founder of Stage West, for his lifetime contributions to the North Texas theater community as an actor, director, producer and advocate
    • Jeff Swearingen and Bren Rapp with Fun House Theater and Film, for their innovative youth theater and dedication to the future of the craft

    Participating critics

    • CultureMap Dallas: Lauren Smart
    • Dallas Morning News: Lawson Taitte
    • D Magazine: Lindsey Wilson, Liz Johnstone, M. Lance Lusk
    • Dallas Observer: Elaine Liner
    • TheaterJones.com: Mark Lowry, Kris Noteboom
    • Dallas Voice: Arnold Wayne Jones
    • Turtle Creek News: Martha Heimberg
    • CriticalRant.com: Alexandra Bonifield
    • Fort Worth Star-Telegram, Punch Shaw

    The Book of Mormon was one of four touring production award winners.

    Mark Evans and Christopher John O'Neill in The Book of Mormon
    Photo by Joan Marcus
    The Book of Mormon was one of four touring production award winners.
    unspecified
    news/arts

    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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