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    Movie Review

    Visceral mother! is an insane metaphorical ride

    Alex Bentley
    Sep 14, 2017 | 4:15 pm
    Visceral mother! is an insane metaphorical ride
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    There are times when you can go to the movies, turn off your brain, and simply enjoy whatever is presented on the screen as what it is. mother!, despite being one of the most insane spectacles in recent film memory, is not one of those films.

    You must pay attention to every second of the film because there literally is not one moment that isn’t represented by metaphor. The logline of the film is “A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence,” but that simple statement does little to prepare you for the craziness it hides.

    Jennifer Lawrence and Javier Bardem play that couple, who live in an idyllic house in the middle of the country. The uninvited guests are Ed Harris, a doctor, and his wife, played by Michelle Pfeiffer. Right from the start, Lawrence is tormented constantly. It begins slowly, with Bardem overruling her reasonable objection to allowing two strangers to stay in their house.

    But things escalate quickly, with Pfeiffer, especially, proving to be the house guest from hell, pushing Lawrence around at every turn. When Lawrence turns to Bardem for support, she receives the equivalent of a shrug, making her feel even more isolated. After the guests’ two sons show up and start a heated argument in the house, that’s when things really go off the rails.

    If you wonder why I’m referring to the characters by the actors’ names, that’s because none of them have real names. The film is heavy with Biblical references, and once you start understanding whom each character represents, the ideas that writer/director Darren Aronofsky tries to impart make a little more sense. A little.

    But even if you’re able to comprehend the film’s metaphors, you’ll still be stunned by the swiftness in which events go from zero to outrageous. Many more people than just the initial houseguests make their way to the house, and each of them treats Lawrence with the same respect she’s gotten up to that point — which is to say, none.

    It’s clear that Aronofsky has a dim view of the worth of humanity, as few, if any, of the people in the film have any redeeming qualities. They wantonly destroy things, run roughshod over Lawrence, and generally cause chaos. Aronofsky is far from the first to proffer an opinion on the destructive nature of humans, but the extent he goes to to express his disdain is impressive.

    Lawrence is put through the wringer by the film, and it’s to her credit that she’s able to modulate her reactions as well as she does. The level of frustration brought on by the other characters indicates how fine a job the other actors — most notably Bardem, Harris, and Pfeiffer — do, as well.

    mother! is a visceral, wild movie that may confound you as much as it entertains you. Aronofosky’s vision may not be for everyone, but it’s a hell of a ride.

    Jennifer Lawrence in mother!.

    Jennifer Lawrence in mother!
    Photo by Niko Tavernise
    Jennifer Lawrence in mother!.
    movies
    news/entertainment

    World Cup match recap

    Japan and Sweden play to 1-1 draw in World Cup match at Dallas Stadium

    Associated Press
    Jun 25, 2026 | 9:51 pm
    Japan v Sweden: Group F - FIFA World Cup 2026
    Photo by Lars Baron/Getty Images
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    ARLINGTON, Texas (AP) — Daizen Maeda gave Japan the lead and Anthony Elanga took it away six minutes later, helping Sweden to a 1-1 draw Thursday night, June 25 that sent both teams to the knockout round of the World Cup.

    Elanga’s impressive left-footed strike from just outside the right corner of the box in the 62nd minute was his second goal of this year’s tournament. Elanga has scored only three goals in 49 games for Newcastle, but zero in 32 Premier League matches.

    Six minutes earlier, Maeda settled a nifty pass from Ritsu Doan with his left foot in the penalty area and easily beat Jacob Widell Zetterstrom with his right foot.

    It was Japan’s seventh goal of the tournament, the country’s most for an entire World Cup. That topped the six the Japanese scored while reaching the round of 16 in Russia eight years ago.

    Japan is advancing out of the group stage for the third consecutive World Cup and fifth time in seven tries since first reaching the round of 16 as co-hosts in 2002. The Japanese team finished second in Group F behind the Netherlands and will play Brazil in Houston on Monday.

    “For the good of football in Japan, I think it would be a very good experience,” coach Hajime Moriyasu said through a translator of his 16th-ranked team facing No. 5 Brazil. “We do believe there's a chance for us to win. And then we hope that we will be able to move one step further move on to the next stage.”

    The Swedes have advanced to the knockout round the past four times they’ve qualified for the World Cup going back to 1994 — when they reached the semifinals the last time the U.S. hosted soccer’s biggest event.

    Sweden will have to wait to find out its opponent in the round of 32 next week.

    “We have to probably recover the players first and make sure that physically we’re in a good place for whoever we play,” coach Graham Potter said. “We’ve got to be on our toes in terms of logistics. I would say if you had said to me when we first came that would be the challenge we’d face, I would have absolutely taken it.”

    Elanga had another chance to score in injury time, with his right-footed attempted forcing goalkeeper Zion Suzuki to make a diving deflection.

    On the ensuing corner kick, Suzuki deflected Alexander Isak’s header off the crossbar and into the air, eventually ending the scoring chance with a leaping grab in a crowd of players.

    The Blue Samurai's bag-waving, chanting fans among 70,137 at the sold-out home of the NFL's Dallas Cowboys were persistent as a scoreless game dragged into the second half. Japan seemed content to sit back and play for a draw that would have guaranteed the same spot in the knockout round as a win.

    Just like that, things changed when Doan put Maeda in perfect position to score.

    Elanga wasn't anywhere near scoring range, but Suzuki appeared screened and reacted late as the shot beat him to the far post.

    Just three minutes later, Isak was inside the penalty area with a great scoring chance, but Suzuki deflected it wide and over the end line, angrily gesturing toward some of his teammates as Sweden lined up for another corner kick. The Swedes had eight corner kicks to only two for Japan.

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