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    Movie Review

    The Old Man and the Gun sends Robert Redford off in style

    Alex Bentley
    Oct 5, 2018 | 2:15 pm
    The Old Man and the Gun sends Robert Redford off in style
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    One of Robert Redford’s first big roles was as an escaped convict in 1966’s The Chase, which also starred Marlon Brando and Jane Fonda. It’s only appropriate, then, that in his final film as an actor, The Old Man and the Gun, he is also playing someone who’s constantly on the run from the law.

    Redford plays Forrest Tucker, a real life criminal, who spent the majority of his life going in and out of prison. When we meet him, it’s the early 1980s and he’s robbing banks all over Texas, including Dallas. Only, given his age and easygoing demeanor, his style differs from the smash-and-grab antics of other robbers. In fact, most victims describe him as gentlemanly, the last person you’d expect to be robbing you.

    That low-key personality endears him to Jewel (Sissy Spacek), a woman he stops to help as a way of escaping another robbery. The two begin an uneasy-yet-strong relationship, even while Tucker continues to rob banks unbeknownst to Jewel. On the hunt for Tucker is Dallas police detective John Hunt (Casey Affleck), one of the few people who is able to see beyond Tucker’s friendly façade.

    Writer/director David Lowery, who seems to go back and forth between straightforward and inscrutable films, presents a real dilemma for Tucker. Robbing banks is almost literally all he’s ever known, but when faced with the possibility of a real relationship, his love of risk and adventure is put to the test.

    Befitting Tucker’s style, the various robberies in the film hold no real intrigue or excitement. But they’re still fascinating in showing that how a person behaves can influence other people to do things that they normally wouldn’t do. Few other actors could play Tucker with the same charm, guile, and vulnerability that Redford does.

    What really makes the movie sing is the chemistry between Redford and Spacek. The two veteran actors know how to make the most out of even the smallest moments, and every second they spend together is one to be cherished. Their relationship is a case study in how to establish a rock-solid emotional connection, both between their characters and between the film and the audience.

    Even if you didn’t know that The Old Man and the Gun will, according to the man himself, be Redford’s final time appearing on the big screen, the film is full of touches that seem to be offering a gentle valedictory to the legendary actor.

    In addition to the book-end allusion to The Chase with Redford’s character, Lowery inserts an actual scene from that film to drive the point home. There also are subtle references to Butch Cassidy and the Sundance Kid and The Sting, two of Redford’s most famous films in which he also played men with a charming way of breaking the law.

    If this is to be Redford’s last acting role, you couldn’t ask for a better send-off. He’s made a career out of being someone who could appeal to people of all ages and genders, and he goes out the way he came in with The Old Man and the Gun.

    Sissy Spacek and Robert Redford in The Old Man and the Gun.

    Sissy Spacek and Robert Redford in The Old Man and the Gun
    Photo by Eric Zachanowich
    Sissy Spacek and Robert Redford in The Old Man and the Gun.
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    news/entertainment

    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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