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    Movie Review

    The Old Man and the Gun sends Robert Redford off in style

    Alex Bentley
    Oct 5, 2018 | 2:15 pm
    The Old Man and the Gun sends Robert Redford off in style
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    One of Robert Redford’s first big roles was as an escaped convict in 1966’s The Chase, which also starred Marlon Brando and Jane Fonda. It’s only appropriate, then, that in his final film as an actor, The Old Man and the Gun, he is also playing someone who’s constantly on the run from the law.

    Redford plays Forrest Tucker, a real life criminal, who spent the majority of his life going in and out of prison. When we meet him, it’s the early 1980s and he’s robbing banks all over Texas, including Dallas. Only, given his age and easygoing demeanor, his style differs from the smash-and-grab antics of other robbers. In fact, most victims describe him as gentlemanly, the last person you’d expect to be robbing you.

    That low-key personality endears him to Jewel (Sissy Spacek), a woman he stops to help as a way of escaping another robbery. The two begin an uneasy-yet-strong relationship, even while Tucker continues to rob banks unbeknownst to Jewel. On the hunt for Tucker is Dallas police detective John Hunt (Casey Affleck), one of the few people who is able to see beyond Tucker’s friendly façade.

    Writer/director David Lowery, who seems to go back and forth between straightforward and inscrutable films, presents a real dilemma for Tucker. Robbing banks is almost literally all he’s ever known, but when faced with the possibility of a real relationship, his love of risk and adventure is put to the test.

    Befitting Tucker’s style, the various robberies in the film hold no real intrigue or excitement. But they’re still fascinating in showing that how a person behaves can influence other people to do things that they normally wouldn’t do. Few other actors could play Tucker with the same charm, guile, and vulnerability that Redford does.

    What really makes the movie sing is the chemistry between Redford and Spacek. The two veteran actors know how to make the most out of even the smallest moments, and every second they spend together is one to be cherished. Their relationship is a case study in how to establish a rock-solid emotional connection, both between their characters and between the film and the audience.

    Even if you didn’t know that The Old Man and the Gun will, according to the man himself, be Redford’s final time appearing on the big screen, the film is full of touches that seem to be offering a gentle valedictory to the legendary actor.

    In addition to the book-end allusion to The Chase with Redford’s character, Lowery inserts an actual scene from that film to drive the point home. There also are subtle references to Butch Cassidy and the Sundance Kid and The Sting, two of Redford’s most famous films in which he also played men with a charming way of breaking the law.

    If this is to be Redford’s last acting role, you couldn’t ask for a better send-off. He’s made a career out of being someone who could appeal to people of all ages and genders, and he goes out the way he came in with The Old Man and the Gun.

    Robert Redford and Casey Affleck in The Old Man and the Gun.

    Robert Redford and Casey Affleck in The Old Man and the Gun
    Photo by Eric Zachanowich
    Robert Redford and Casey Affleck in The Old Man and the Gun.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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