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Friday Night Lights

Aurora 2015: 13 must-see moments at transformative Dallas Arts District experience

Kendall Morgan
Oct 14, 2015 | 12:00 pm

Growing in leaps and bounds since its 2010 iteration in Old City Park, Aurora has become a significant reason why Dallas is acknowledged as a world-class arts center.

This year's main event (beginning Friday at 7 pm) is notable not just for its theme — "All Together Now" — but also for its expansion beyond a single spectacular night. An "arts week" of artist and curator talks, major media sponsors, a partnership with AT&T Performing Arts Center, and a chill wave VIP after-party with DJs Tycho and Com Truise have all helped to evolve the interactive site-specific Aurora into a free experience that truly has something for everyone.

And that's just the way co-founders Joshua King, Shane Pennington, and Veletta Forsythe Lill like it. Along with director of programming Monica Salazar and press agent Anna Russ, the trio has rounded up a total of 76 talents this year with the assistance of guest curators Carson Chan, Julia Kaganskiy, Tim Goossens, and Aja Martin, plus the students and faculty of Booker T. Washington High School for the Visual and Performing Arts.

Explains Pennington, "Guest curators obviously breathe fresh life into the event. It’s important to have other viewpoints, so that’s the next evolution for Aurora."

Also new this year is two off-site experiences that are harbingers for the eventual expansion of Aurora all over the city. "Aurora is all about exploring unseen places, and this is our first little baby steps to going outside the Arts District," Pennington says. "I'd love to see the next one expand to Oak Cliff, filter into downtown, and come back to the Cedars."

Here are Pennington's lucky 13 installations that will make their mark on the 2015 edition of Aurora:

1. Frances Bagley, Witness
One of the first works to venture outside the Arts District, this video installation takes over the Cityplace/Uptown DART station with its commentary on public surveillance and the question of "who is watching whom?" For riders on the DART system, it's a way to slowly immerse yourself in the Aurora experience before continuing on the train or taking the trolley into the heart of the art.

2. St. Elsewhere presented by Cafe Momentum and House of Plates
St. Elsewhere transforms the Thanks-Giving Square Chapel with a "synesthetic union of sound, taste, color, and visual mysticism," according to an artist’s statement. Says Pennington, "You’ll have taste, you’ll have sound, and I’m really excited about that. The chapel feels really magical, and I love the idea of people who have never been there, this will give you a reason to go in."

3. Memo Akten, Simple Harmonic Motion
A non-literal interpretation of the cultural diversity of Istanbul, Simple Harmonic Motion is the London-based Akten's exploration of complex behavior through the interaction of simple rhythms. To Pennington, the light-based work in One Arts Plaza "sounds like electronic synthesized guitar strings. It almost looks like popcorn exploding in the sky."

4. Joao Beira, Luxate
A visual artist from Portugal currently studying at the University of Texas in Austin, Beira has brought a dance performance exploring the perception of light and space into the Wyly Theatre. Fog machines and digital light patterns promise a mesmerizing dialogue between performer and audience.

5. Jeremy Shaw, Introduction to the Memory Personality
A hypnotic work with roots in the films of David Cronenberg, this Berlin-based artist's production at the Dallas City Performance Hall utilizes quotes inspired by pop religious cults that take the viewer on "this insane journey." Says Pennington, "It's hypnotic; it's a 12-minute video about traveling through life. I really identify with this piece — I love the idea of traveling and getting into your head."

6. 3_Search, Sense/Coalescence
The collaborative group 3_Search's takeover of the outside of the Wyly was a huge hit last year, and for their follow-up, curator Leo Kuelbs is teaming up with composer Joris Blanckaert, opera singer Elise Caluwaerts, and DJ Alex Hamadey to explore the phenomenon of "synesthesia," a neurological condition where one sense leads to a second sense's pathway. It's sure to be the crowd-pleaser of 2015.

7. Andreas Greiner, Toccata for Pyrocystic Fusiformis
If you've ever wondered what it's like to see plankton in action (and — let's face it — who hasn't?), then Toccata at the Meyerson will fulfill all your dreams with the help of a piano. Transparent canisters filled with seawater and algae will perch on the instrument, all the better to let these bioluminescent creatures do their thing to the music.

8. James Clar, Pixelated Serenity
"Walk toward the light" takes on a new meaning in this work, presciently placed in the Cathedral Shrine of the Virgin de Guadalupe. Meant to be taken in gradually, the piece is a pause in the media-saturated landscape we all inhabit.

9. Nomi Ruiz & Martin(e) Gutierrez, Origen
Best known as a singer with Hercules & Love Affair, Ruiz will team with performance artist Gutierrez on a rotating bed on Flora Street. Commenting on seduction and selfie culture, this work might be one to steer the kids past quickly on the way to more family-friendly performances.

10. Bettina Pousttchi, Double Monument for Flavin and Tatlin X
This is the first time the Nasher Sculpture Center has unveiled artwork solely for Aurora, and Pennington hopes this neon and metal sculpture will be a harbinger of even more participation from the area’s museums. "I want the DMA and the Nasher and the Crow to star doing some heavy programming in the future," he says.

11. James Geurts, Periphery
An expansive public light sculpture in Klyde Warren Park, this work of yellow beams suspended in a scaffolding structure will illuminate the night for anyone driving down Pearl Street on their way to the park.

12. Picaroon, Global Sounds
Highlighting the cultural diversity immigrants help to create, Picaroon's installation of seven pyramids with their own unique sound in Klyde Warren Park begs to be explored and, most important, touched. Says Pennington, "It's something the kids will love. We take everything well-rounded [into the programming]. We want the kids to have a good time too, and all ages can enjoy this piece."

For families looking for a deeper immersion in the work, volunteers from the University of Texas's PhD ATEC program will move through the district passing out a Spanish and English "scavenger hunt" to-do lists designed to inspire the next generation of art fans.

13. Sahra Montalebi, Ibex (Diagrams for An Empty Stage)
A vocal-only operetta with a video component staged in the First United Methodist Church, this work is one of four set in spiritual centers throughout the district. As one could argue art is its own religion, the transcendence the viewer will feel when observing these works seems well-placed within the context of a church. Not every piece may be sacred, but they are all surely divine.

Toccata for Pyrocystic Fusiformis by Andreas Greiner.

Andreas Greiner, Toccata for Pyrocystic Fusiformis
Photo courtesy of Aurora
Toccata for Pyrocystic Fusiformis by Andreas Greiner.
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In Memoriam

Matthew Posey, founder of Dallas' Ochre House Theater, dies at 68

Lindsey Wilson
Oct 5, 2026 | 11:00 am
Ochre House Theater presents Dr. Bobaganush
Photo by Robert Hart
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Matthew Posey, the actor, director, and playwright who founded Ochre House Theater and was a founding father of Dallas' experimental theater scene, died at his home on October 2, 2026, the theater confirmed. He was 68.

In 2008, Posey opened Ochre House in Exposition Park near Fair Park. The 45-seat storefront venue became what the theater calls a legendary lab for raw, original art. Posey and his core company called themselves the "Pioneers of the Suavant-Garde," a name that promised surrealist, experimental performances delivered with a surprisingly sophisticated charm. The work was known for a deconstructed, musical-narrative style, built on live music, magic-realist imagery, and elaborate puppetry inspired by the Japanese Bunraku tradition.

Posey wrote, directed, and produced more than 40 plays there, including Morphing, Dr. Bobagonush, Moving Creatures, Mrs. Haggardly, Bill, Original Man, and Soft Noodle Map. Many began in his bound notebooks, which held more than a decade of original pieces. They examined love, family, class, addiction, violence, forgiveness, greed, and the search for one's place in the universe. He often staged them quickly enough that the theater reflected current social and political events as they unfolded (see: Moving Creatures, a politically charged satire about an evil and intolerable oligarch and his tyrannical rise to power). Ochre House also gave its core company of performers, designers, and musicians the chance to write and direct their own original work.

Posey also built a lasting bridge between Dallas and the flamenco world. For 15 years, he partnered with the Dallas-based Flame Foundation on original full-length plays featuring authentic flamenco. The collaboration brought international and local artists to stages in Dallas and New York.

Ochre House was not Posey's first venture in the city. After studying theater at Texas Tech University and interning at Houston's Alley Theater, he came to Deep Ellum and founded the Deep Ellum Theatre Garage. The venue hosted boundary-pushing work, including Sexual Mythology Part 1: The Underworld, a collaboration with another Dallas-based theater legend, Fred Curchack.

Posey later spent 12 years in Los Angeles, working in the film industry and ghostwriting, and he earned a master's degree in film from the American Film Institute. When he returned to Dallas, he joined the company at Undermain Theater before founding Ochre House.

In January 2017, Posey was shot in the face and thigh outside Cold Beer Company in Deep Ellum after leaving the bar with a friend. The attack came just days after previews began for his new musical Dr. Bobaganush, and that week's performances were canceled. But Dallas' arts community rallied around him with a benefit concert, and he returned to the Ochre House stage as the titular doctor that March.

Jerome Weeks, the former KERA and Dallas Morning News theater critic, recalled in an Oct. 3 Facebook post a story from that time. Weeks had reviewed Posey's first shows at the Deep Ellum Theatre Garage and ended up meeting his wife Sara, a member of Posey's first acting troupe, there. After the 2017 shooting, Weeks sent flowers to Posey's hospital room with an unsigned note: "This is what you get for introducing me to my wife." He knew Posey would appreciate the dark joke. Years later, Posey told him the flowers were the first public sign of what had happened, so when they reached the nurses' station, police grew suspicious of the sender. For a few hours that morning, Weeks was the chief suspect. The bullet had damaged Posey's teeth, cheek, and tongue, and, still groggy from anesthesia and painkillers, Posey could only gesture and mumble to the police that it was a joke — that the local theater critic had not tried to murder the artist. When Weeks learned of this long afterward, he was stunned and didn't know how to apologize. Posey, laughing, told him: "It was absolutely the only laugh I had that day."

Posey's career also reached well beyond Dallas. Over more than 35 years, he appeared in more than 60 major film and television productions, including Oliver Stone's JFK, the Oscar-winning No Country for Old Men, and The Magnificent Seven. On television, he appeared in Lonesome Dove, Rectify, AMC's The Son, and HBO's Love & Death. His recent work includes the independent film El Tonto Por Christo and a role in the Austin-set, Matthew McConaughey/Woody Harrelson series Brothers.

Matthew Posey was born July 31, 1958, in Houston, the youngest of five children of Marvin R. Posey and Mary Louise Wrba Posey. His family says his gift for performance appeared early, with him staging "interviews" with vegetable at age four. By his sophomore year at Coronado High School in Lubbock, he had found a bigger audience as the emcee Click Dark in a class play based on American Graffiti.

He was remembered as a beloved partner, brother, uncle, friend, and artistic father figure.

"He was a unique and unforgettable person whose humor, creativity, stories, and larger-than-life personality made an impression on everyone who knew him," the theater said in its obituary.

Posey was preceded in death by his parents. He is survived by his life partner, Suzanne Thomas. He is also survived by his sisters Marlis Hodges and Candis Posey, his brothers William Marvin Posey and Richard Daniel Posey, and numerous nieces and nephews, countless friends, and his cats Chet and Etta.

"His family will remember Matthew not only for the life he lived, but for the memories he created and the love he shared," says the theater's obituary. "His presence will be deeply missed, but his stories, his work, his humor, and the memories he gave to those who loved him will remain."

A celebration of life is being planned, and details have not yet been announced. In lieu of flowers, the family asks for donations to Ochre House Theater at OchreHouseTheater.org.

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