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    Your Show of Shows

    New Dallas-Fort Worth galleries top this month's essential art stops

    Kendall Morgan
    kendall Morgan
    Oct 16, 2015 | 4:02 pm

    Bright new galleries and can’t-miss pop-ups make up October’s best exhibits. Whether it’s a sneak peek at the MAC (that will also help you through post-Aurora withdrawals) or an exciting new space in North Texas, here are your essential artistic events for the month.

    “Pop Up Show,” Ushio and Noriko Shinohara, at Kirk Hopper Fine Art
    Reception: October 17, 6:30-8:30 pm

    Anyone who has seen the Oscar-nominated documentary Cutie and the Boxer knows the high-energy paintings of Japanese artist Ushio Shinohara and the piquantly sweet ink-washed scenes of his wife, Noriko. Kirk Hopper, who formerly staged a show of these two talents, is bringing them back on Saturday night for a one-evening-only engagement on the heels of Ushio’s appearance at the Dallas Museum of Art for the “International Pop” exhibit.

    Hopper, who got to know the duo through one of the artists in his stable, is taking the opportunity of exhibiting new works and T-shirts, and attendees will get a chance to meet and mingle with the mediable pair.

    “The film is fantastic, but when you meet them, you fall in love,” he says. “She is a cutie, and they’re just a great artist couple. They had a show at the Tate in London, and now the DMA is bringing them to Dallas. They have time to do art too. She’s going to be doing some new pieces for the show.”

    Despite their fame, the Shinoharas’ prices are surprisingly affordable, and the evening will be a great chance to snag a work from a pop art icon and his talented, loyal wife.

    “Weatherproof” and Aurora wrap party, various artists, atMcKinney Avenue Contemporary
    Reception: October 17, 3 pm-midnight
    Exhibition dates: October 19-23, noon to 5 pm

    One of the most exciting things to happen to the Cedars in 2015, the relocation of McKinney Avenue Contemporary to 1601 S. Ervay St. solidifies the area as Dallas’ newest arts enclave. For anyone who didn’t get in on the space’s walk-through in September, the post-Aurora wrap-up combined with the MAC’s annual member artists show is the perfect sneak peek of the space.

    Says MAC director Rachel Rogerson, “Our annual membership show is usually in September. It was delayed this year because of our move, and I felt it would really coincide with Aurora. This is a really great event for us because our new space is going to have one gallery dedicated to new media, and to have our inaugural exhibit completely devoted to this it gets the message across to Dallas that this is what we want to focus on.”

    The space is still “a blank slate,” according to Rogerson, who says the early 1900s warehouse (and possible former Model T showroom) is the idea pristine gallery to exhibit the projections and immersive pieces cooked up by Aurora artists Jeff Gibbons and Gregory Ruppe, Letitia Huckaby, Jeremy McKane, and Emilio Muniz. Beginning with a lecture by the MAC architect Dan Shipley and ending in the wee hours after a performance by the Warren Hood Band, the night will be an opportune chance for members and VIPS to soak up the space, which should open in its entirety in 2016.

    If you don’t manage to join in time, the membership show will be up the following week from noon to 5 pm for further viewing.

    Solo works, Phil Crawshay, at Crawshay Gallery
    Exhibition dates: Ongoing

    When an artist is tired of dealing with galleries taking a piece of the pie, there’s only one solution: open one yourself. That’s just what photographer Phil Crawshay did this month with the unveiling of his eponymous space on Dragon Street in the Design District.

    Having formerly owned two Austin galleries, Crawshay felt the Design District was the perfect locale to house his oversized works. The super-high-res, super-saturated images mounted on Plexiglas capture natural wonders like the streets of London, the Grand Canyon, and Hamilton Pool in the Hill Country, and the works are just the thing for Ansel Adams fans that prefer their lush landscapes in glorious technicolor.

    Although the pieces won’t be rotated out as frequently as traditional galleries, Crawshay says, “I do rotate the work … when I take it. My shooting schedule often depends on the time of year, and as we are entering the fall, I have a busy time ahead capturing the beautiful colors that appear at this time of year.”

    Crawshay says he will occasionally feature an artist of a different genre, but in the meantime the space is just the place to find a scenic vista to add to your space.

    “deadWEST: Place and Identity,” various artists, at deadWEST Gallery and Studio
    Reception: October 24, 4-8 pm
    Exhibition dates: October 24-December 11

    A new venue opening October 24 in Lakeside, Texas, deadWEST was conceived as an alternative artists’ space by artists (and spouses) Winter Rusiloski and Angel Fernandez. Serving as both an exhibition venue and a studio, deadWEST will explore place and identity in a geographic location that served as the inspiration for its name.

    “Just as dead-on suggests a higher degree of ‘on’, we thought of deadWEST as an emphasis on the westward location,” Fernandez says. “The thought was also a play on the little artistic venues that exist to the west of Fort Worth.”

    The second and third exhibitions are already booked, taking deadWEST through the rest of 2015. In the future, Fernandez says, they “want to provide the space as an alternative to artists who have a large-scale project to create but may not have the studio space to do it. In a sense we want to provide a space for serious and dedicated artists who need a place to realize an ambitious vision.”

    SLOW SELF-EXILE TO BANANA PLANET press image by Jeff Gibbons and Gregory Ruppe

    Jeff Gibbons and Gregory Ruppe
      
    Photo courtesy of the MAC
    SLOW SELF-EXILE TO BANANA PLANET press image by Jeff Gibbons and Gregory Ruppe
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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