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    Actor Spotlight

    Avant-garde Dallas actor divulges unique process and dream role

    Lindsey Wilson
    Oct 26, 2016 | 12:00 pm

    It would be pigeonholing to describe Justin Locklear as an artist-in-residence at Ochre House Theater. He is, but he's also a visual artist and a producer and conceptual artist with Danielle Georgiou Dance Group (DGDG). He also has popped up onstage and behind the scenes at theaters across Dallas.

    But his work at Ochre House — as playwright, actor, costumer, musician, puppet designer, and more — is what people associate him with the most. Locklear's keeping his Ochre streak going as Nikola Tesla with the Expo Park company's next original work, Dreaming Electric.

    Before the show opens on October 29 (it runs through November 19), Locklear took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Justin Locklear

    Role in Dreaming Electric: Nikola Tesla, scientist and inventor

    Previous work in the DFW area: Ochre House Theater, Shakespeare Dallas, WaterTower Theatre, Cara Mia Theatre Co., Undermain Theatre, Second Thought Theatre, Dead White Zombies

    Hometown: Decatur, Georgia

    Where you currently reside: White Rock Lake, in the water.

    First theater role: The Turtle in a skit about the Turtle and the Hare, in vacation bible school.

    First stage show you ever saw: No clue. Probably something at Georgia Shakespeare Festival.

    Moment you decided to pursue a career in theater: I was walking through the park one day, and I saw a bright flash of light. "Be an actor!" was somehow spoken to me, without words, and I saw an image of myself standing on a stage. And then, like, I got some fro-yo.

    Most challenging role you’ve played: Probably the Turtle.

    Special skills: Unsolicited anecdotes, shoulder massage, puns.

    Something you’re REALLY bad at: Listening to people eat.

    Current pop culture obsession: Mindless, unyielding human conflict.

    Last book you read: I was reading Illuminations, a collection of essays by Walter Benjamin, and then, like, stopped. But I liked it. It was cool.

    Favorite movie(s): The Imposters, Big Night

    Favorite musician(s): Eryka Badu, Ligeti, Stefan Gonzalez, Trey Pendergrass, BlackTaffy

    Favorite song: "My Guitar Wants to Kill Your Mama" by Frank Zappa

    Dream role: Krapp in Krapp's Last Tape by Samuell Beckett

    Favorite stageworks:Mean and Dreams of Slaughtered Sheep by Matthew Posey; Einstein on the Beach and Shakespeare’s Sonnets by Robert Wilson and the Berliner Ensemble; Cafe Müller by Pina Bausch; Mother Courage and Her Children and How Much Is Your Iron? by Bertolt Brecht; Krapp’s Last Tape by Samuel Beckett; La Veillee des Abysses by James Thiérée

    Favorite actors/actresses: Stanley Tucci

    Favorite food: Oreos

    Must-see TV show(s): Oxymoron, but I suppose I can recommend Psych for fans of Encyclopedia Brown, bad jokes, and '80s references.

    Something most people don’t know about you: I’m taller than I think I am.

    Place in the world you’d most like to visit: Surprise me, I’m down.

    Pre-show warm-up: Depending on the project: yoga, walking around in a state of irrationally stubborn concern, tongue twisters.

    Favorite part about your current role: Tesla was an actual genius, and it’s fascinating to investigate how a genius lives his truth — what his internal life looks like.

    Most challenging part about your current project: Getting to discover a new play in a matter of weeks is always the most challenging yet life-giving aspects of working at the Ochre House. It’s fun, it’s educational, it’s risky, it’s barreling headfirst down a hill of inspiration with an audience waiting at the bottom.

    Most embarrassing onstage mishap: Random C-word out of nowhere. Just a bad moment for a breath.

    Career you’d have if you weren’t in theater: Park ranger

    Favorite post-show spot: The Couch. It’s super exclusive.

    Favorite thing about Dallas-Forth Worth: The art and the people, not necessarily in that order.

    Most memorable theater moment: Getting stabbed? Or yeah, casual sodomy with confetti cannons.

    Martha Harms, Locklear, Diana Sheehan, and James Crawford in The Realistic Joneses at WaterTower Theatre.

    WaterTower Theatre presents The Realistic Joneses
      
    Photo by Karen Almond
    Martha Harms, Locklear, Diana Sheehan, and James Crawford in The Realistic Joneses at WaterTower Theatre.
    qatheaterinterview
    news/arts

    The Jimmy Awards

    Dallas talent secures back-to-back big wins at national theater awards

    Lindsey Wilson
    Jun 26, 2025 | 1:09 pm
    Fabiola Caraballo Quijada and Chris Hayes
    Photo by Rebecca J Michelson
    2025 winners Fabiola Caraballo Quijada and Chris Hayes.

    For the second year in a row, a Dallas high school student has taken home the top honor at the National High School Musical Theatre Awards, aka the Jimmy Awards.

    Tyler Legacy High School's Fabiola Caraballo Quijada, who last year placed in the top four, won Best Performance by an Actress with an already viral solo performance of "Astonishing" from the musical Little Women. This was Quijada’s third straight year performing and competing at the Jimmy Awards.

    Last year, Damson Chola Jr. of Cleburne High School received the 2024 Jimmy Award for Best Performance by an Actor. This year, that honor went to Chris Hayes of Las Vegas Academy of the Arts. Braedon Carlton, from Cleburne High School, joined Quijada in competing for this year's Jimmy Awards.

    Quijada will receive a $25,000 scholarship and plans on attending Texas State University in San Marcos this fall.

    “It feels amazing to have been able to achieve a dream of mine three years in the making,” says Quijada. “I am so grateful for all the people who believed in me and helped me get this far, including those at Broadway Dallas who have taught me to challenge and believe in myself. I am blessed to have been given the opportunity to speak up for what means to me on the podium, and I hope I can continue to inspire stories of strength in artists like me on and offstage.”

    Hosted by Josh Groban and presented by The Broadway League Foundation, the Jimmy Awards took place June 23 at the Minskoff Theatre on Broadway. Quijada and Carlton were among over 100 selected participants from 55 regional awards programs across the country who spent 10 days in New York City in rehearsals and private coaching sessions at The Juilliard School in preparation for their performance on Broadway.

    To get to the Jimmy Awards, both Quijada and Carlton first competed in the 14th annual Broadway Dallas High School Musical Theatre Awards, which took place on May 17 at the Music Hall at Fair Park.

    “Our nonprofit arts organization’s programs continue to grow in terms of the number of students and community members served as well as the individual impact we have on each of their lives,” says Allison Bret, director of education and community partnerships at Broadway Dallas. “Fabiola and Braedon’s success is a national recognition that Broadway Dallas’ commitment to increased access and inclusion for more students and schools at a local level is a worthwhile investment in the future of the art here and wherever these talented young students’ careers take them.”

    Fabiola Caraballo Quijada and Chris Hayes Jimmy Awards2025 winners Fabiola Caraballo Quijada and Chris Hayes.Photo by Rebecca J Michelson

    Over its 16 years, the Jimmy Awards have turned out a long roster of successful alumni. A few of the big names include pop star and actress Renee Rapp (winner, 2018); movie star Andrew Barth Feldman (winner, 2018); two-time Tony nominee Eva Noblezada (finalist, 2013); and a pair of 2025 Tony Award nominees for Best Actress in a musical, Jasmine Amy Rogers (finalist, 2017) and Julia Knitel (nominee, 2009).

    Registration for the next year's Broadway Dallas High School Musical Theatre Awards is not open yet, but typically begins in August.

    awardsbroadway dallasfabiola caraballohigh school musical theatre awardsjimmy awardjimmy awardsmusical theatretheater
    news/arts
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