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    Actor Spotlight

    History-making Dallas actress lays out her other dream roles

    Lindsey Wilson
    Nov 30, 2016 | 5:10 pm

    Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

    Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

    This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

    Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Sally Nystuen Vahle

    Role in A Christmas Carol: Scrooge

    Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

    Hometown: Menomonie, Wisconsin

    Where you currently reside: Junius Heights, East Dallas

    First theater role: Ngana, the little girl in the musical South Pacific

    First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

    Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

    Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

    Special skills: Audio prompting and whitewater canoeing.

    Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

    Current pop culture obsession: The Walking Dead

    Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

    Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

    Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

    Favorite song: "Annie's Song" by John Denver

    Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

    Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

    Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

    Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

    Favorite food: Pizza

    Must-see TV show(s): The Walking Dead

    Something most people don’t know about you: I would be very content to live off the grid.

    Place in the world you’d most like to visit: India

    Pre-show warm-up: Lots of stretching and focus work

    Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

    Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

    Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

    When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

    I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

    Career you’d have if you weren’t in theater: Psychologist

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

    Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

    It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

    ---

    Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

    A scene from this year's production.

    Dallas Theater Center's A Christmas Carol
    Photo by Karen Almond
    A scene from this year's production.
    qainterviewtheater
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    Theater Critic Picks

    Spooky thrills and clever comedy take over Dallas stages in October

    Lindsey Wilson
    Oct 2, 2025 | 4:53 pm
    Lyric Stage presents The Rocky Horror Show
    Photo courtesy of Lyric Stage
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    October is here and it's spooky season onstage, with productions that include the cult classic Rocky Horror Show, The Addams Family, a piece inspired by Alfred Hitchcock, and a play about the trading of Luka Doncic away from the Mavericks — that's the scariest of all!

    Here are 12 shows appearing in Dallas-Fort Worth theaters in September, listed in order of start date:

    Latinidades Festival
    Cara Mia Theatre, October 2-12
    Dallas’s largest international Latino theatre festival is back for its sixth year with six mainstage productions and various second-stage performances spanning theater, dance, music, and poetry to highlight diverse Latin American voices. Also returning is the Arts Symposium: "How Our Arts Will Thrive in Times of Change." For a full schedule of events, go to the festival website.

    cleaVage
    MusicalWriters.com Productions & Lakeside Community Theatre, October 3-18
    It's the world premiere of this a laugh-out-loud new musical comedy about the rise, fall, and rebound of silicone gel breast implants. Conceived by Dallas plastic surgeon Dr. Ron Friedman and co-written with Laura Goodenow, cleaVage has been described as “Hamilton with breasts” by Texas Monthly.

    Noises Off
    Dallas Theater Company, October 3-26
    Michael Frayn’s uproarious classic British comedy is a play-within-a-play that plunges the audience into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors.

    King Hedley II
    Soul Rep Theatre Company & Bishop Arts Theatre Center, October 9-26
    Set in 1985 Pittsburgh, August Wilson's King Hedley II follows an ex-convict's fight to rebuild his life and reclaim his future amid hardship, hope, and the weight of the past.

    Mac Beth
    Circle Theatre, October 9-November 1
    After school‭, ‬seven teenage girls convene in an abandoned lot‭. ‬They drop their backpacks‭, ‬transform their uniforms‭, ‬and dive into a DIY retelling of Macbeth‭. As the girls conjure‭ ‬kings‭, ‬warriors‭, ‬and witches‭, ‬Shakespeare’s bloody tale seeps into their reality‭.

    The Trade: A Tragedy in Four Quarters
    Theatre Three, October 9-November 2
    In this fast-paced, highly unauthorized, foam middle-fingered satire, the Dallas Mavericks are on the brink of greatness — so naturally, Nico slams the self-destruct button. With a Greek chorus narrating the tragic downfall, a Kiss Cam, “Luka Doncic,” “Mark Cuban,” and a cameo from “Anthony Davis’ Hernia,” The Trade skewers the madness behind the moves, the myth that millionaires and billionaires must know what they’re doing, and the heartbreak of loving something that doesn’t love you back. In Dallas, tragedy wears Nikes.

    The Rocky Horror Show
    Lyric Stage, October 10-26
    In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” Complete with sass from the audience, cascading toilet paper, and an array of other audience participation props, this deliberately kitschy rock ’n’ roll sci-fi gothic musical is more fun than ever.

    Incarnate
    Second Thought Theatre, October 15-November 1
    Incarnate, by STT’s own Parker Davis Gray, is a horror/thriller that follows two artists over the course of a year in their seemingly pointless pursuit of creation while suffering under great grief. Trapped in her cell, Rosamund is hellbent on escaping her fate while the Man who kidnapped her struggles with the consequences of what grief can do, and how far he will go to escape it. Can they live with themselves? Or, more importantly, who else is living with them?

    Ride the Cyclone
    Stage West, October 16-November 2
    In this critically acclaimed cult musical, a freak roller coaster accident derails the lives of the entire St. Cassian High School chamber choir. Now dead, trapped in carnival limbo, they’re greeted by a mechanical fortune teller who proposes a talent show. The prize? One lucky winner will return to life.

    The Birds
    Amphibian Stage, October 17-November 9
    Based on Daphne du Maurier’s story (the inspiration for Hitchcock’s famous film), The Birds brings a chilling and suspenseful look at human nature in the face of societal collapse. When killer birds start attacking, three strangers seek shelter in an isolated house. But as paranoia creeps in, they realize the biggest threat might not be coming from outside.

    The Addams Family
    Broadway at the Bass, October 24-26
    Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before: keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.

    A Beautiful Noise: The Neil Diamond Musical
    Broadway at the Bass, October 28-November 2
    This is the untold true story of a Brooklyn kid who became a chart-busting, show-stopping, award-winning American icon, created in collaboration with Neil Diamond himself.

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