Very Merry Theater

10 Dallas stage productions wishing you a very merry Christmas

Now that Thanksgiving is out of the way, you can start celebrating Christmas without feeling guilty. Here are 10 shows guaranteed to get you in the holiday spirit (holiday spirits not included).

A Civil War Christmas: An American Musical Celebration
Theatre Three, through December 14
Historical figures sing alongside regular folk in Paula Vogel's American answer to the British A Christmas Carol. While there aren't technically any Ghosts of Christmases Past, Present or Future, there are plenty of spirits hanging around circa 1864, and they make for some pretty heavy storytelling. Thankfully, more than 20 traditional hymns and carols — sung by a cast including Stormi Demerson, Stan Graner, Bryan Lewis and Bryan Pitts — lighten things up.

A Christmas Story
Dallas Summer Musicals, December 2-14
"You'll shoot your eye out" was just begging to be turned into a chorus, no? Songwriters Benj Paul and Justin Paul were nominated for Tony Awards for the stage adaptation of the cult classic holiday film, which includes an Italian-ish leg lamp, bunny pajamas and one very famous Red Ryder BB Gun. Two local kids, Peyton Nicholson and Grace Moore, perform with the children's ensemble during the run at the Music Hall at Fair Park.

A Christmas Carol: A Radio Show
One Thirty Productions, December 3-20
B.J. Cleveland makes his onstage debut with One Thirty Productions in this one-man radio retelling of Charles Dickens' classic. Cleveland made microphone magic two years ago with It's a Wonderful Life: A Live Radio Play at WaterTower Theatre, so listening to him inhabit 20-plus characters (and sound effects) here is sure to be a treat. As noted by the company's name, all performances are 1:30 matinees.

Yes Virginia Woolf, There Is a Santa Claus
Fun House Theatre and Film, December 5-12
The ingenious (and sometimes twisted) team at Fun House has spoofed everything from family-friendly musicals to modern superhero films (with a dancing Nazi thrown in there and there for good measure), so combining Edward Albee's hard-drinking play Who's Afraid of Virginia Woolf with a heartwarming tale about the existence of Santa Claus isn't too out there. Wait, yes it is. It's completely bananas, which is what makes it so good. If you ever wanted to see a 16-year-old play Drunk Santa, here's your chance.

Christmas Our Way
Uptown Players, December 11-14
Normally Uptown Players' fundraiser Broadway Our Way is held at the first of the year. This time, the group is giving the annual concert a holiday twist with the first-ever Christmas Our Way. More than 30 Christmas-themed tunes from Broadway musicals are performed by some of DFW's finest performers, all of whom donate their time and talent to benefit the company, whose mission is to promote acceptance and awareness.

Miracle on 34th Street
Dallas Children's Theater, through December 21
There's magic in the air with this stage version of the Twentieth Century Fox film, as Kris Kringle goes on trial and skeptics start believing. A large cast of kids (natch) bring a bubbly excitement to the stage, playing excited children and merry elves. Stick around after to meet Santa (Francis Fuselier), who looks so real you might start to wonder yourself.

Rudolph the Red-Nosed Reindeer: The Musical
Bass Hall, December 5-7
Majestic Theatre, December 16-21
This stage adaptation brings the beloved 1964 stop-motion holiday special to life, with Rudolph and his cast of holly-jolly pals tasked with saving Christmas. Santa and Mrs. Claus, Hermey the Elf, the Abominable Snow Monster, Clarice, Yukon Cornelius — they're all here, celebrating Rudolph's 50 years on television.

A Christmas Carol
Dallas Theater Center, through December 27
Kevin Moriarty and DTC shook things up last year by debuting an all-new adaptation of the holiday classic, and they're taking it a step further this year by having DTC's director of new play development, Lee Trull, assume directing duties, with Home by Hovercraft's Shawn Magill overseeing the music. Trull has been involved with Carol in some way or another for 10 years, so it should be interesting to see what he does with resident company member Chamblee Ferguson returning to the role of Ebenezer Scrooge.

The Santaland Diaries
WaterTower Theatre, December 5-28
Garret Storms returns as Crumpet the Elf, the surliest employee at Macy's North Pole. WaterTower has been producing this one-man show, adapted from a popular essay by David Sedaris, for years, but last year Storms brought a no-nonsense intensity that somehow made his character's oh-so-wrong musings even funnier. Director Kelsey Ervi is rumored to have some tricks up her sleeve for this year's incarnation.

The Great American Trailer Park Christmas Musical
WaterTower Theatre, December 5-January 4
Everyone's favorite trashy trailer park dwellers are back, as Christmas comes to Armadillo Acres. Sara Shelby-Martin, Cara Serber and Megan Kelly Bates reprise their roles as Betty, Linoleum and Pickles, respectively, having starred in the original The Great American Trailer Park Musical at WaterTower in 2007. "Contains adult content" is an understatement.

Chamblee Ferguson in Dallas Theater Center's A Christmas Carol.

Photo by Karen Almond

Chamblee Ferguson in Dallas Theater Center's A Christmas Carol.

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Museum News

2 Dallas museums partner on landmark Roy Lichtenstein acquisition

Courtesy

Roy Lichtenstein

The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

Events
In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

“In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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