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    Very Merry Theater

    10 Dallas stage productions wishing you a very merry Christmas

    Lindsey Wilson
    Dec 1, 2014 | 6:00 am

    Now that Thanksgiving is out of the way, you can start celebrating Christmas without feeling guilty. Here are 10 shows guaranteed to get you in the holiday spirit (holiday spirits not included).

    A Civil War Christmas: An American Musical Celebration
    Theatre Three, through December 14

    Historical figures sing alongside regular folk in Paula Vogel's American answer to the British A Christmas Carol. While there aren't technically any Ghosts of Christmases Past, Present or Future, there are plenty of spirits hanging around circa 1864, and they make for some pretty heavy storytelling. Thankfully, more than 20 traditional hymns and carols — sung by a cast including Stormi Demerson, Stan Graner, Bryan Lewis and Bryan Pitts — lighten things up.

    A Christmas Story
    Dallas Summer Musicals, December 2-14

    "You'll shoot your eye out" was just begging to be turned into a chorus, no? Songwriters Benj Paul and Justin Paul were nominated for Tony Awards for the stage adaptation of the cult classic holiday film, which includes an Italian-ish leg lamp, bunny pajamas and one very famous Red Ryder BB Gun. Two local kids, Peyton Nicholson and Grace Moore, perform with the children's ensemble during the run at the Music Hall at Fair Park.

    A Christmas Carol: A Radio Show
    One Thirty Productions, December 3-20

    B.J. Cleveland makes his onstage debut with One Thirty Productions in this one-man radio retelling of Charles Dickens' classic. Cleveland made microphone magic two years ago with It's a Wonderful Life: A Live Radio Play at WaterTower Theatre, so listening to him inhabit 20-plus characters (and sound effects) here is sure to be a treat. As noted by the company's name, all performances are 1:30 matinees.

    Yes Virginia Woolf, There Is a Santa Claus
    Fun House Theatre and Film, December 5-12

    The ingenious (and sometimes twisted) team at Fun House has spoofed everything from family-friendly musicals to modern superhero films (with a dancing Nazi thrown in there and there for good measure), so combining Edward Albee's hard-drinking play Who's Afraid of Virginia Woolf with a heartwarming tale about the existence of Santa Claus isn't too out there. Wait, yes it is. It's completely bananas, which is what makes it so good. If you ever wanted to see a 16-year-old play Drunk Santa, here's your chance.

    Christmas Our Way
    Uptown Players, December 11-14

    Normally Uptown Players' fundraiser Broadway Our Way is held at the first of the year. This time, the group is giving the annual concert a holiday twist with the first-ever Christmas Our Way. More than 30 Christmas-themed tunes from Broadway musicals are performed by some of DFW's finest performers, all of whom donate their time and talent to benefit the company, whose mission is to promote acceptance and awareness.

    Miracle on 34th Street
    Dallas Children's Theater, through December 21

    There's magic in the air with this stage version of the Twentieth Century Fox film, as Kris Kringle goes on trial and skeptics start believing. A large cast of kids (natch) bring a bubbly excitement to the stage, playing excited children and merry elves. Stick around after to meet Santa (Francis Fuselier), who looks so real you might start to wonder yourself.

    Rudolph the Red-Nosed Reindeer: The Musical
    Bass Hall, December 5-7
    Majestic Theatre, December 16-21

    This stage adaptation brings the beloved 1964 stop-motion holiday special to life, with Rudolph and his cast of holly-jolly pals tasked with saving Christmas. Santa and Mrs. Claus, Hermey the Elf, the Abominable Snow Monster, Clarice, Yukon Cornelius — they're all here, celebrating Rudolph's 50 years on television.

    A Christmas Carol
    Dallas Theater Center, through December 27

    Kevin Moriarty and DTC shook things up last year by debuting an all-new adaptation of the holiday classic, and they're taking it a step further this year by having DTC's director of new play development, Lee Trull, assume directing duties, with Home by Hovercraft's Shawn Magill overseeing the music. Trull has been involved with Carol in some way or another for 10 years, so it should be interesting to see what he does with resident company member Chamblee Ferguson returning to the role of Ebenezer Scrooge.

    The Santaland Diaries
    WaterTower Theatre, December 5-28

    Garret Storms returns as Crumpet the Elf, the surliest employee at Macy's North Pole. WaterTower has been producing this one-man show, adapted from a popular essay by David Sedaris, for years, but last year Storms brought a no-nonsense intensity that somehow made his character's oh-so-wrong musings even funnier. Director Kelsey Ervi is rumored to have some tricks up her sleeve for this year's incarnation.

    The Great American Trailer Park Christmas Musical
    WaterTower Theatre, December 5-January 4

    Everyone's favorite trashy trailer park dwellers are back, as Christmas comes to Armadillo Acres. Sara Shelby-Martin, Cara Serber and Megan Kelly Bates reprise their roles as Betty, Linoleum and Pickles, respectively, having starred in the original The Great American Trailer Park Musical at WaterTower in 2007. "Contains adult content" is an understatement.

    Garret Storms in The Santaland Diaries.

    WaterTower Theatre presents The Santaland Diaries
    Photo by Kelsey Leigh Ervi
    Garret Storms in The Santaland Diaries.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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