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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas theater for December

    Lindsey Wilson
    Dec 6, 2016 | 5:26 pm

    We get it: December is busy. There are parties upon parties, not to mention holiday travel and traditional outings. But there's still room for theater, especially if you need a holiday palate cleanser. Dallas is serving up a variety of shows this month, and not all of them are coated in syrupy seasonal sentiment.

    Here are the 10 shows to see, in order by start date:

    Sister’s Christmas Catechism: The Mystery of the Magi’s Gold
    WaterTower Theatre, December 2-23
    WaterTower newcomer Nonie Newton Riley is on the hunt for the Magi's gold in this holiday mystery, which also mysteriously hints at including the vocal talents of Sarah Elizabeth Price. It's from one of the playwrights of Late Night Catechism, the popular solo show that's part catechism class, part stand-up routine, so expect lots of laughs.

    Holy Bone
    Dead White Zombies, December 1-January 1 (perhaps)
    To try to explain this experimental troupe's latest project is to still not fully understand it. Founder Thomas Riccio promises this to be DWZ's "most ambitious and adventurous performance project" in the company's five-year history, and it's set to play out over the next several months. Where? Well, everywhere. Doing what? Well, everything. The immersive project is co-created with the City of Dallas, and scenes could take place just about anywhere, at any time. The promise is that the project "will grow and be shaped by community responses, interactions, and suggestions. Where it goes, what it will say, and what effect it will have will be shaped by the community."

    Broadway Christmas Wonderland
    Dallas Summer Musicals, December 6-18

    A glittering, high-kicking extravaganza, this holiday revue is a mish-mash of classic tunes ("White Christmas," "Silent Night," "Jingle Bells") and production numbers from a chorus of 24 lithe and leggy dancers. Expect sparkle, expect snow, even expect ice skating.

    Gloria
    Dallas Theater Center, December 7-January 22
    This new play from 2016 MacArthur Fellow Branden Jacobs-Jenkins does what so many other movies, plays, and books love to focus on — the "cutthroat world of magazine publishing." But we're still holding out hope that there's more to this work than a cliché. A small cast of six, lead by Leah Spillman, plays multiple roles in the intimate studio space at the Wyly Theatre, under Christie Vela's direction.

    Black Nativity
    Bishop Arts Theatre Center, December 8-18
    Langston Hughes' poetic and soulful take on the birth of Christ returns, as told through gospel, spirituals, and dance. Written in 1961, the play was one of the first penned by an African American to be performed Off-Broadway and has become a tradition at theaters around the country ever since.

    It's a Wonderful Life, a Live Radio Play
    Firehouse Theatre, December 9-18
    It wouldn't be Christmas without that bell ringing, but there are plenty more aural joys to be found in this innovative take on George Bailey's holiday crisis. A troupe of actors gathers in a 1940s radio studio to bring the well-known story to life, using vocal effects and an original score by Scott A. Eckert. There are a couple of musical cameos too, making it really feel as though you've traveled back in time.

    In a Dark Dark House
    Proper Hijinx Productions, December 9-18
    To round out its first full season, this new company is presenting the regional premiere of Neil LaBute's dark tale of a dysfunctional family. LaBute is hardly warm and fuzzy holiday fare, which is what makes this show so refreshing. Amphibian Stage Productions is lending its stage, and Jeff Burleson, Aaron White, and Madeleine Morris star.

    Nearly Naked Nutcracker
    Broads and Panties Burlesque, December 16-17
    To see a different kind of stocking this season, head to Viva's in the Design District for this sixth annual burlesque take on the holiday ballet. The show — which mixes dance with traditional vaudeville humor — is for mature audiences only, of course, but it's something you should put on your calendar if you want to hang out on the naughty list for a while.

    The Book of Mormon
    AT&T Performing Arts Center, December 20-31
    When the doorbell rings this time, it's not carolers. Instead it's a return engagement of Trey Parker and Matt Stone's award-winning and utterly inappropriate musical about Mormon missionaries. If you somehow missed the blockbuster the other two times it's been here, now's your chance. There are even a limited number of $25 tickets up for grabs with the lottery, which is held an hour-and-a-half before each performance.

    I Love You, You're Perfect, Now Change
    Theatre Three, December 29-February 12
    A new cast has been tapped for the musical romp through male-female relationships, now in its 17th year. Janelle Lutz, Calvin Scott Roberts, Trey West, and Allison Bret will embody young lovers, mature marrieds, and everyone in between as this favorite plays the basement space at Theatre Three.

    Branden A. Bailey and Emmie Kivell in It's a Wonderful Life, A Live Radio Play at Firehouse Theatre.

    It's a Wonderful Life, A Live Radio Play at Firehouse Theatre
      
    Photo by James Jamison
    Branden A. Bailey and Emmie Kivell in It's a Wonderful Life, A Live Radio Play at Firehouse Theatre.
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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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