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    Days at the Museum

    6 must-see Dallas-Fort Worth museum shows to close out an artful year

    Kendall Morgan
    kendall Morgan
    Dec 7, 2017 | 10:21 am

    In this festive yet frenetic month, it’s the perfect time to stop and savor the best things about the past year. In 2017 that list might be shorter than usual, but at the very top of it are unmissable shows at DFW-area museums. Take your family and friends to see these six essential exhibits while they're visiting for the holidays.

    Casanova: The Seduction of Europe at Kimbell Art Museum
    Through December 31

    Casanova is most famed for his role as the libertine’s libertine, and his memoir “The History of My Life” became a much larger success than any fictional story he penned. Notorious for seducing everyone from married ladies to men to the occasional nun, his rake’s progress took him across the European continent from his native Venice to Saint Petersburg. “Casanova: The Seduction of Europe,” tells his story through paintings, furnishings and fashionable tableaus sourced from the 18th century. Lush and lavish, the exhibition embraces its subject’s love of adventure, pursuit of l’amour, and shifting identity with supporting characters that include Catherine the Great and Benjamin Franklin. Although the only image of the man himself is outside the galleries, observers feel as though they’re walking alongside this legendary lover — perhaps most successfully in the “Adult’s Only” room of playing-card-sized erotica only viewable through a magnifying glass.

    Wild Spaces, Open Seasons: Hunting and Fishing in American Art at Amon Carter Museum of American Art
    Through January 7, 2018

    The first major museum exhibition to take on the world of the sportsman, “Wild Spaces” explores the evolution of outdoor traditions through the early 1800s to World War II. Uniquely American, the landscapes, still lifes and portraits were sourced from across the U.S., as well as the Carter’s permanent collections. Painted by the likes of Thomas Cole, Thomas Eakins, Winslow Homer, Augustus William T. Ranney, Arthur Fitzwilliam Tait, and George Bellows, the canvases show hunting as a leisurely pursuit, a livelihood, a perilous undertaking, and as a foundation of the American myth. Together, they offer a glimpse of our infinitely fertile country before the onslaught of urbanization and industrialization. Nature is the star of the show here, and the skillful works in “Wild Spaces” serve as a cry for the appreciation of the pleasures of the hunt as well as an elegy to North America’s former wilderness.

    Yayoi Kusama: All the Love I Have For the Pumpkins at the Dallas Museum of Art
    Through February 25, 2018

    Popping up all over social media this fall, the hashtag #KusamaPumpkins was a way for insiders to prove they were lucky enough to snag a spot to view DMA’s most essential new exhibit. The only Kusama pumpkin room owned by a North American institution, this dazzling work can be seen by purchasing tickets the third Monday of each month on the museum’s website. Famous for her eye-popping installations and love of polka dots, Yayoi Kusama’s “infinity nets” are derived directly from the Japanese artist’s hallucinations. Entering the mirrored room filled with resin gourds is a disorienting yet delightful experience — one made even more intense by the 45-second window you’re allowed to become part of the art. As “Pumpkins” is now owned by the museum in conjunction with the Rachofsky Collection, we hope that these particular fruits will be in season well into spring.

    Truth: 24 Frames Per Second at the Dallas Museum of Art
    Through January 28, 2018

    Dallas Museum of Art’s first time-based media show, “24 Frames” gets its name from both the number of participating artists and a legendary quote from New Wave director Jean Luc Godard (“Cinema shows truth at the rate of 24 frames per second.”) Ranging from the impactful (Bruce Connor’s “Report,” a look at the media’s manipulation of the Kennedy assassination) to the incendiary (Mark Bradford’s misogynistic standup parody “Spiderman”), the flickering films in “24 Frames” offer up the artists’ own version of reality. The works examine contemporary themes such as political unrest, race relations, and sexual identity while inspiring the viewer to question everything they see. At a time when we can’t always trust what's projected in front of our eyes, plan on repeat visits to absorb them all.

    Salvador Dali: Visions of Eternity at the Arlington Museum of Art
    Through January 21, 2018

    Throughout his career, master surrealist Salvador Dali took on mythology, science, literature, and religion, illustrating everything from “Alice in Wonderland” to “Don Quixote.”
    In “Visions of Eternity” at the Arlington Museum of Art, viewers can dive into the “The Divine Comedy” through a complete series of lithographs designed to accompany Dante’s classic work. Originally commissioned in the early ‘50s by the Italian government to commemorate the septecentennial of the writer’s birth, the works were initially not well received, and it took Dali’s French publisher to help them see the light of day over a decade later. With 30 or 40 wood blocks required to create just one print, the luridly colored images of “Eternity” make the journey through Purgatory, Inferno, and Paradise a kaleidoscopic experience.

    Murillo at the Meadows: A 400th Birthday Celebration at the Meadows Museum, SMU
    Through December 2, 2018

    An exploration of the sublime, the Meadows’ new show of Spanish master Bartolomé Esteban Murillo features five paintings in the museum’s possession paired with works by his Sevillian contemporaries. The shining star of the city’s artistic scene in the 17th century, Murillo was most successful in portraying religious subjects, visible in both churches and the homes of the wealthy across the city. His ability to capture a subject’s innate sweetness may have led critics to dismiss his portraits as perhaps less substantial than the era’s more sober artists, but his dynamic brushwork makes even the most sentimental of canvases worth another look.

    Yayoi Kusama: All the Eternal Love I Have for the Pumpkins (2016) is one of artist Yayoi Kusama’s signature Infinity Mirror Rooms.

    Yayoi Kusama
    Photography Thierry Bal
    Yayoi Kusama: All the Eternal Love I Have for the Pumpkins (2016) is one of artist Yayoi Kusama’s signature Infinity Mirror Rooms.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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