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    From Fashion to the Meaning of Life

    Famed designer Elie Tahari celebrates 40th anniversary with new attitude

    Clifford Pugh
    Dec 8, 2013 | 10:34 am

    Elie Tahari has a lot to celebrate. The designer, who landed in New York from Israel with less than $50 in his pocket in 1971, has built a $500 million apparel empire that began with disco party dresses and expanded into office-friendly designs for men and women.

    This year, Tahari marked his 40th anniversary in the fashion business. Perhaps because of this milestone — or his deep interest in Kabbalah, which he took up in earnest close to two years ago — Tahari was in a reflective mood when we sat down with him while he was in Houston for Catwalk for a Cure. Our talk veered from fashion to the meaning of life.

    CultureMap: How has fashion changed in the 40 years since you have been designing?

    Elie Tahari: A lot. When I started there were clear trends that every woman had an eye on. Today there are trends, but every woman dresses the way she understands it and puts it together in a different, creative way. Women are free to do and dress without trends restrictions.

    CM: Is that easier or harder for a designer?

    ET: For a designer, you've got to be good. You can't just figure out a trend and you are in business.

    CM: How have you changed as a person and as a designer?

    ET: I have changed a lot. I have changed completely. I have a saying now, which is a "passion for fashion" and then "fashion is compassion."

    When I went into business it was all about me, me, me. And as we built the company, it's all about ego. It's all about money and sex and Hollywood. And then you're not happy because there is no compassion.

    I'm a student at the Kabbalah Center in New York, and I've learned that every time you judge somebody by color, by sex, by shape, by religion, you block the blessing, you close the gates of the light. The light doesn't come in. And that gets you into chaos and trouble.

    I learned more to be humble and maybe keep my ego in check, to realize that I am nothing. Everything I did is because I was blessed with the light.

    CM: So Kabbalah has made a difference in the way you look at life?

    ET: A big difference. Not that I wasn't searching before I arrived to Kabbalah. But the Kabbalah helps us understand that we need to take responsibility for our destiny.

    We're here to share and help others. The moment we think we are here for ourselves, pleasures and all of that, it's a disaster, chaos. We have two eyes, one to see the good in others and the other to see the bad in us.

    We are here for our correction. When we have challenges, we need to look within ourselves and not blame the next guy.

    CM: You are also now taking on the role of CEO of your company.

    ET: It's a way of the future. The creative guy has a vision from beginning to end. When you bring people in to run your business without that vision, it doesn't work.

    CM: Isn't that too much for one person to do?

    ET: It is, but when you have the collective consciousness to achieve something, it happens.

    CM: Even after 40 years, you seem energized about the company. You just keep expanding the Tahari brand, with a new eyewear and men's underwear lines slated to be introduced next year.

    ET: As the company became very big, I tried the good life. I tried to stay away, but it didn't work for me. Either do it right or get out.

    If you do it right, you have lots of energy. It's not about money or fame; it's about service to the customer. That's what we're here for.

    Elie Tahari Mulberry dress with laser-cut leather and mesh insets, $1,498.

    1 Elie Tahari November 2013
    Photo courtesy of Elie Tahari
    Elie Tahari Mulberry dress with laser-cut leather and mesh insets, $1,498.
    unspecified
    news/fashion

    Fashion on display

    Rare Halston fashion exhibition now on display in unlikely Texas city

    Brandon Watson
    Feb 16, 2026 | 4:40 pm
    Halston: Inventing American Fashion exhibit Ellen Noël Art Museum
    Photo courtesy of Ellen Noël Art Museum
    An colorful eveningwear grouping takes advantage of Ellen Noël Art Museum's curved walls.

    A rare exhibition honoring fashion pioneer Halston has popped up in an unexpected place: West Texas. Dallas fashionistas who are fans of the designer can make a five-hour pilgrimage to Odessa’s newly revamped Ellen Noël Art Museum to view "Halston: Inventing American Fashion."

    Halston’s minimalistic fashions are rarely the subjects of retrospectives, although the designer’s dramatic life story recently had a pop-cultural resurgence through a 2021 Ryan Murphy miniseries. "Halston: Inventing American Fashion" assesses the talent that made him a household name.

    Known now for outfitting 1970s icons like Liza Minelli and Bianca Jagger, Halston changed the international reputation of American sportswear as part of the famous 1973 “Battle of Versailles” fashion show, holding his own against Paris’ most lauded couturiers. His uniquely louche style still influences contemporary brands like Marc Jacobs, Zac Posen, and Tom Ford, who was briefly the creative director for a revised Halston label.

    The mannequins in the Odessa display are outfitted with 75 ensembles from flowing Ultrasuede daywear to more dramatic draped gowns. The pieces “illustrate how Halston revolutionized fashion by prioritizing comfort, confidence, and modern femininity,” according to a release.

    Although Odessa may seem an odd choice for the show, Halston had deep Texas connections. After he moved on from hat making, Amarillo millionaire Estelle Marsh was his sole backer willing to fund his first Madison Avenue boutique.

     Ellen No\u00ebl Art Museum, Odessa, new facade. The new facade at Ellen Noël Art MuseumPhoto courtesy of Ellen Noël Art Museum

    Halston: Inventing American Fashion exhibit Ellen No\u00ebl Art Museum

    Photo courtesy of Ellen Noël Art Museum

    An colorful eveningwear grouping takes advantage of Ellen Noël Art Museum's curved walls.

    And the recently completed renovation of Odessa's Ellen Noël Art Museum has some of the designer’s signature sleek. Designed by architect R.J. Lopez, the renovation includes new galleries and improved circulation, but the centerpiece is a striking transparent façade, replacing the original brick of the 1985 building.

    “The renovation project has been over 10 years in the making and in the construction phase for the past two years,” says the museum’s buildings manager, Steve Patton, via a release. “The completion of the project has resulted in an incredible facility that is a shining star in West Texas, offering programs and exhibits that will be a destination point for people all over the world!”

    "Halston: Inventing American Fashion" will run through March 22. Admission to the Ellen Noël Art Museum is free.

    exhibitsodessafashionwest texasmuseumsdesignertexas
    news/fashion
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