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    Movie Review

    Spider-Man: Into the Spider-Verse slings its web in fantastic new directions

    Alex Bentley
    Dec 13, 2018 | 3:30 pm
    Spider-Man: Into the Spider-Verse slings its web in fantastic new directions
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    Spider-Man is a character who resides in two main realms. There’s the comic book version, which has been in existence since 1962 and has undergone the myriad changes that any comic book superhero must endure. And then there’s the live action movie version, which has seen three different actors portraying the web-slinger in the past 16 years.

    While those movies have been hit-and-miss, what just might be the definitive version of the character can be seen in the new animated film, Spider-Man: Into the Spider-Verse. Taking inspiration from a 2014 storyline in Marvel Comics, the film centers on Miles Morales (Shameik Moore), a teenager who lives in a world where Peter Parker (Chris Pine) already exists as Spider-Man.

    After getting bitten by a radioactive spider himself, Miles gets involved in a series of events set in motion by The Kingpin (Liev Schreiber) that winds up with multiple other dimensions colliding with his own. Soon, he’s dealing not just with his own new powers, but with the existence of Spider-Gwen (Hailee Steinfeld), another Peter Parker/Spider-Man (Jake Johnson), Spider-Man Noir (Nicolas Cage), Peni Parker (Kimiko Gleen), and even Peter Porker/Spider-Ham (John Mulaney), who is, yes, a pig.

    The multitude of different Spider characters at first seems like it’s designed to appeal mainly to comic book readers, but the film quickly ropes in everyone else with its wit, visual style, and compelling storyline. The entire filmmaking team, which most notably includes writer/producer Phil Lord and producer Christopher Miller (The Lego Movie), brings clarity to a movie that could have quickly gotten out of hand in less-skilled hands.

    They utilize a technique that gives the sense as if everything on screen jumped right off the pages of the comic book, something that has been done before but rarely as well. Pixels, lines, thought bubbles, individual frames, and more enhance the experience in surprising ways. Additionally, the introduction of each new character is met with a rehashing of the familiar Spider-Man story, but with a specific twist for that person, and each iteration is better than the next.

    But perhaps the most welcome aspect of the film is how dedicated it is to telling a story that’s both entertaining and emotional. As even the casual Spider-Man fan knows, Spider-Man’s family situation plays a big part in his personality, and the filmmakers use that knowledge to subtly and not-so-subtly influence the course of this film.

    The number of things going on in the film does overwhelm it at times, but the filmmakers are always able to right the ship. Some of the characters are there for depth and some for humor, but they all meld together into a cohesive whole that makes the entire experience a blast.

    You may not think that you need to give your time to yet another Spider-Man movie, but you would be wrong. Spider-Man: Into the Spider-Verse expands the character into fantastic different directions and could be the start of something completely new.

    Miles Morales in Spider-Man: Into the Spider-Verse.

    Miles Morales (Shameik Moore) in Spider-Man: Into the Spider-Verse
    Photo courtesy of Sony Pictures
    Miles Morales in Spider-Man: Into the Spider-Verse.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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