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    Actor Spotlight

    Fun House actor Doak Campbell Rapp has some unexpected offstage skills

    Lindsey Wilson
    Dec 15, 2014 | 10:01 am

    Part of the fun of watching an actor perform year after year is seeing how they grow. In the case of Doak Campbell Rapp, it’s also seeing him literally grow up.

    The 16-year-old has been performing at Plano’s Fun House Theatre and Film since its founding in 2011 by his mother, Bren Rapp, and local actor and playwright Jeff Swearingen (who writes many of Fun House’s original works). The children’s theater that Fun House produces has an edgy, adult bent to it, and that unique combination of innocence and maturity has won the group mountains of critical accolades. (One actor, Lizzy Greene, is now starring in a show on Nickelodeon.)

    But there’s no nepotism involved. In roles ranging from Grunther (a Khal Drogo stand-in) in Game of Thrones, Junior to Adam in Neil LaBute’s The Shape of Things, Rapp has proven that he’s willing to put in the work with each character he takes on.

    He just wrapped Yes Virginia Woolf, There Is a Santa Claus, and he has three more shows in the next few months: Matt Lyle’s House Party, Holiday Edition: Adulthood, or How I Learned to Love Ken Burns (December 18-21); True West (January 15-18); and Romeo & Juliet (February 13-21).

    In advance of House Party, Rapp took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Doak Campbell Rapp

    Role in Matt Lyle’s House Party: Various. It is a sketch comedy show.

    Previous work in the DFW area: I have done more than 30 plays and one film.

    Hometown: Dallas

    First theater role: My first role was Captain of the Guard in Jeff Swearingen’s absurdist Aladdin.

    First stage show you ever saw:If You Give a Mouse a Cookie at Dallas Children’s Theater.

    What made you want to do theater: Easy to sum up: Jeff Swearingen.

    Most challenging role you’ve played: It is a tie between Claudius in Hamlet and Jerry in Edward Albee’s The Zoo Story.

    Special skills: Acting-wise, I am a good improviser. In life I am freakishly good at getting stuffed animals out of skill cranes.

    Something you’re REALLY bad at: At the moment, chemistry.

    Current pop culture obsession: Any conspiracy theory. My favorite is all the Disney Illuminati stuff. The truth is out there!

    Last book you read: I reread the graphic novel of The Watchmen.

    Favorite movie(s):Dead Poets Society and Donnie Darko. Interstellar has worked its way in there recently.

    Favorite musician(s): I am way into music, so there is too much I would list. Top three would be Outkast, Marvin Gaye and The Beatles, but I recently discovered the Bassanova and dug it.

    Favorite song: “What’s Going On” by Marvin Gaye

    Dream role: I really like originating roles, like Saul Solomon in Stiff. Anything no one has done before.

    Favorite play(s): Neil LaBute’s The Shape of Things, Edward Albee’s The Zoo Story

    Favorite musical(s):Man of La Mancha

    Favorite actors/actresses: Jake Gyllenhaal, Paul Rudd, Jason Bateman, Leonardo DiCaprio, Robin Williams

    Favorite food: Sushi. Any sushi.

    Must-see TV show(s):Cosmos

    Something most people don’t know about you: I really enjoy doing origami, and I’d like to think I am pretty okay at it.

    Place in the world you’d most like to visit: Portland. I watch a lot of Portlandia.

    Pre-show warm-up: There is a 7-Eleven by the theater where I usually perform. I like to walk there by myself with my headphones in and buy a Monster and a water. I try to match a playlist to the show.

    Favorite part about your current role: It is amazing to actually get to work with Matt Lyle after having acted in three of his plays: The Boxer, The Chicken Who Wasn’t Chicken and Hello Little Human Female.

    Most challenging part about your current role: Comedy takes a lot more precision than people realize. There is like a math to it. It is about beats and timing and keeping your actor mind calm and thinking even if you are being outwardly crazy.

    Most embarrassing onstage mishap: In Jeff Swearingen’s Ultimate Holiday Experience, I wore this Russian military uniform, and the fly on my pants broke onstage. It was wide open for an entire scene, and I knew it. Of course it was the scene where I had to rap and do a hip hop dance.

    Most memorable theater moment: You know when actors come out and greet people who stick around after a show? Well, what I loved was after doing Zoo Story, seeing the look on people’s faces who didn’t know anything about it beforehand, and other kid actors who had no clue such plays exist. The way they looked. Like their entire world had just been rocked, when they would come up to talk to me.

    With Lizzy Greene in Hello Little Human Female.

    Hello Little Human Female at Fun House
      
    Photo by Chuck Marcelo
    With Lizzy Greene in Hello Little Human Female.
    unspecified
    news/arts

    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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