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Actor Spotlight

Fun House actor Doak Campbell Rapp has some unexpected offstage skills

Lindsey Wilson
Dec 15, 2014 | 10:01 am

Part of the fun of watching an actor perform year after year is seeing how they grow. In the case of Doak Campbell Rapp, it’s also seeing him literally grow up.

The 16-year-old has been performing at Plano’s Fun House Theatre and Film since its founding in 2011 by his mother, Bren Rapp, and local actor and playwright Jeff Swearingen (who writes many of Fun House’s original works). The children’s theater that Fun House produces has an edgy, adult bent to it, and that unique combination of innocence and maturity has won the group mountains of critical accolades. (One actor, Lizzy Greene, is now starring in a show on Nickelodeon.)

But there’s no nepotism involved. In roles ranging from Grunther (a Khal Drogo stand-in) in Game of Thrones, Junior to Adam in Neil LaBute’s The Shape of Things, Rapp has proven that he’s willing to put in the work with each character he takes on.

He just wrapped Yes Virginia Woolf, There Is a Santa Claus, and he has three more shows in the next few months: Matt Lyle’s House Party, Holiday Edition: Adulthood, or How I Learned to Love Ken Burns (December 18-21); True West (January 15-18); and Romeo & Juliet (February 13-21).

In advance of House Party, Rapp took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

Name: Doak Campbell Rapp

Role in Matt Lyle’s House Party: Various. It is a sketch comedy show.

Previous work in the DFW area: I have done more than 30 plays and one film.

Hometown: Dallas

First theater role: My first role was Captain of the Guard in Jeff Swearingen’s absurdist Aladdin.

First stage show you ever saw: If You Give a Mouse a Cookie at Dallas Children’s Theater.

What made you want to do theater: Easy to sum up: Jeff Swearingen.

Most challenging role you’ve played: It is a tie between Claudius in Hamlet and Jerry in Edward Albee’s The Zoo Story.

Special skills: Acting-wise, I am a good improviser. In life I am freakishly good at getting stuffed animals out of skill cranes.

Something you’re REALLY bad at: At the moment, chemistry.

Current pop culture obsession: Any conspiracy theory. My favorite is all the Disney Illuminati stuff. The truth is out there!

Last book you read: I reread the graphic novel of The Watchmen.

Favorite movie(s): Dead Poets Society and Donnie Darko. Interstellar has worked its way in there recently.

Favorite musician(s): I am way into music, so there is too much I would list. Top three would be Outkast, Marvin Gaye and The Beatles, but I recently discovered the Bassanova and dug it.

Favorite song: “What’s Going On” by Marvin Gaye

Dream role: I really like originating roles, like Saul Solomon in Stiff. Anything no one has done before.

Favorite play(s): Neil LaBute’s The Shape of Things, Edward Albee’s The Zoo Story

Favorite musical(s): Man of La Mancha

Favorite actors/actresses: Jake Gyllenhaal, Paul Rudd, Jason Bateman, Leonardo DiCaprio, Robin Williams

Favorite food: Sushi. Any sushi.

Must-see TV show(s): Cosmos

Something most people don’t know about you: I really enjoy doing origami, and I’d like to think I am pretty okay at it.

Place in the world you’d most like to visit: Portland. I watch a lot of Portlandia.

Pre-show warm-up: There is a 7-Eleven by the theater where I usually perform. I like to walk there by myself with my headphones in and buy a Monster and a water. I try to match a playlist to the show.

Favorite part about your current role: It is amazing to actually get to work with Matt Lyle after having acted in three of his plays: The Boxer, The Chicken Who Wasn’t Chicken and Hello Little Human Female.

Most challenging part about your current role: Comedy takes a lot more precision than people realize. There is like a math to it. It is about beats and timing and keeping your actor mind calm and thinking even if you are being outwardly crazy.

Most embarrassing onstage mishap: In Jeff Swearingen’s Ultimate Holiday Experience, I wore this Russian military uniform, and the fly on my pants broke onstage. It was wide open for an entire scene, and I knew it. Of course it was the scene where I had to rap and do a hip hop dance.

Most memorable theater moment: You know when actors come out and greet people who stick around after a show? Well, what I loved was after doing Zoo Story, seeing the look on people’s faces who didn’t know anything about it beforehand, and other kid actors who had no clue such plays exist. The way they looked. Like their entire world had just been rocked, when they would come up to talk to me.

Rapp reprising his role as Claudius in Rosencrantz and Guildenstern are Dead.

Rosencrantz and Guildenstern are Dead at Fun House
Photo by Chuck Marcelo
Rapp reprising his role as Claudius in Rosencrantz and Guildenstern are Dead.
unspecified
news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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