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    Actor Spotlight

    Driven Dallas actor has Hamilton — and cooking — in his sights

    Lindsey Wilson
    Dec 29, 2016 | 4:09 pm

    Year after year, Calvin Scott Roberts has worked on his onstage versatility. And when you look at the Dallas actor's resume, it certainly shows in the variety of roles he's taken on: 1930s musician, protective brother, abusive husband, magical king, and soon-to-be unreliable witness in a landmark murder case.

    That last role would be Jim Conley in WaterTower Theatre's concert version of Parade, but before that mounts in March, Roberts is starring as one-fourth of the cast of I Love You, You're Perfect, Now Change at Theatre Three. This musical journey about dating, love, parenting, and relationships first debuted at Theatre Three 17 years ago, but the yearly production is now is being revitalized by B.J. Cleveland.

    Before Roberts ventures down the highway of love (the show plays December 29 through February 12) he took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Calvin Scott Roberts

    Role in I Love You, You’re Perfect, Now Change: Man 2

    Previous work in the DFW area: Jesus Christ Superstar, Rent (Casa Mañana); Smokey Joe’s Cafe, Spunk, Honky, Creep (WaterTower Theatre); Memphis, Crazy For You, By the Way, Meet Vera Stark, The Drowsy Chaperone (Theatre Three); Miracle on 34th St., Mufaro’s Beautiful Daughters (Dallas Children’s Theater); The Color Purple (Jubilee Theatre); Julius Caesar, Merchant of Venice (Shakespeare Dallas); A Christmas Carol (Dallas Theater Center); The Producers (Uptown Players), and more.

    Hometown: Dallas

    Where you currently reside: Physically, Dallas. Emotionally, NYC.

    First theater role: Santa Claus

    First stage show you ever saw: Singin' in the Rain

    Moment you decided to pursue a career in theater: My senior year in high school, I played the Cowardly Lion in The Wizard of Oz. During the scene after “King of the Forest,” I found myself on all fours roaring like a lion. I knew then that theater was what I wanted and was supposed to do. I’d always loved performing, but that moment was pretty definitive for me.

    Most challenging role you’ve played: Mister in The Color Purple. Discovering what made him abusive was a difficult task. It’s surprising when you realize what can bring out the darkest parts of the human heart.

    Special skills: Some accents, cooking, obsessing over TV shows, evil laughing.

    Something you’re REALLY bad at: Math. Cutting in a straight line.

    Current pop culture obsession: Westworld. Love & Hip Hop. Snapchat. Twitter. (I’m a little late.) Instagram stories.

    Last book you read: Alexander Hamilton by Ron Chernow

    Favorite movie(s): Clue, The Goonies​, School Daze, Big Trouble in Little China, Coming to America

    Favorite musician(s): Mos Def, Sara Bareilles, Emile Sande, Leon Bridges, Beyonce (duh), Michael Jackson, Prince, India Arie, Adele, Ella Fitzgerald, Christophe Willem, Audra McDonald, Frank Ocean

    Favorite song: At the moment, “Don’t Hurt Yourself” by Beyonce featuring Jack White.

    Dream role: Bobby in Company, Burr and Washington in Hamilton

    Favorite play(s): Frankie and Johnny in the Clair de Lune, God of Carnage, Fences (all August Wilson), Hamlet, The Tempest, Topdog/Underdog, Laughing Wild, Sexual Perversity in Chicago

    Favorite musical(s): Hamilton, Anyone Can Whistle, Company, Ain't Misbehavin', Edges, Fly By Night, Evita, Dreamgirls, In The Heights, A Chorus Line, Marie Christine, Ragtime, Gypsy, Kinky Boots, The Wild Party, The Scottsboro Boys

    Favorite actors/actresses: Jeffrey Wright, Audra McDonald, Cate Blanchett, Viola Davis, Chadwick Boseman, James Marsden

    Favorite food(s): Pho, Italian, Doritos

    Must-see TV show(s): Westworld

    Something most people don’t know about you: I used to be a cheerleader.

    Place in the world you’d most like to visit: Spain

    Pre-show warm-up: Usually some type of annoying vocalizations.

    Favorite part about your current role: Getting to play some really fun characters I don’t usually get to play.

    Most challenging part about your current project: The costume changes will be tricky.

    Most embarrassing onstage mishap: During a Mufaro’s Beautiful Daughter’s performance, I decided to underdress a costume I had never underdressed before in order to save time. Well, of course, I underestimated how tight I should tie the drawstring because during our finale dance number, the top pants fell to my knees in front of a billion kids!

    Career you’d have if you weren’t in theater: I’d be a chef.

    Favorite post-show spot: My bed.

    Most memorable theater moment: Offstage, meeting Audra McDonald. Onstage, the entire run of The Drowsy Chaperone at Theatre Three. To this day it is one of the best — top three — experiences I’ve had.

    Roberts was part of the world premiere of Creep at WaterTower Theatre.

    Creep at WaterTower Theatre
    Photo by Kelsey Leigh Ervi
    Roberts was part of the world premiere of Creep at WaterTower Theatre.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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