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Tiger Sleeps Tonight

Audience needs an open mind and strong stomach for Bengal Tiger at the Baghdad Zoo

Lauren Smart
Jan 25, 2013 | 2:37 pm

Based on a true story from the front of the Iraq war — the headline read “US Solider Kills Rare Bengal Tiger” — Bengal Tiger at the Baghdad Zoo follows the intertwining stories of two American soldiers, an Iraqi translator and a Bengal tiger. Rajiv Joseph’s challenging script reflects on the ghosts of the war, with brutal demonstrations of greed and pulse-pounding conflict.

Jeffrey Schmidt directs and designs Theatre Three’s production, paying close attention to the play’s theme of refraction and miscommunication. His Guernica-inspired set, with angular animal shapes in dismal colors, underlines the script’s interest in the gray area between life and death, right and wrong. And he directs the actors at a crackling, relentless pace.

Blake Hackler’s layered performance is rich and moving, and his Musa becomes a great source of empathy in a stark play.

In 2010, Robin Williams made his Broadway debut as the tiger, which gave Cliff Stephens big shoes to fill in. Stephens is not the only cast member with a daunting role, but all members deliver gripping performances.

When the play opens, Stephens is in his cage at the Baghdad Zoo, being watched by two American soldiers (Akron Watson and Parker Fitzgerald), who are thirsty for more action after accompanying the raid of the Hussein family home.

The performances here bring the show’s depth to the forefront. Fitzgerald and Watson cast a harsh light on the culture of wartime Marines. Fitzgerald unravels into a state of suicidal PTSD with a moving realism; he is the naïve boy who turns savage with a gun in hand. After threatening the Iraqi translator, Musa (Blake Hackler), he crumbles at the hallucination of the tiger he killed.

At the center of the story’s exploration of those gray areas is Hackler’s Musa, struggling to understand aggressive American colloquialisms like “bitch” and attempting to discover the path he wishes to follow. Hackler’s layered performance is rich and moving, and his Musa becomes a great source of empathy in a stark play.

When placed between the Gershwin musical revue Crazy for You and Idols of the King, an Elvis tribute show that opens February 28, Bengal Tiger’s claws protrude violently. This is a show for people with open minds and strong stomachs, but it is worth every second.

---

Bengal Tiger at the Baghdad Zoo runs through February 9 at Theatre Three.

Bengal Tiger at the Baghdad Zoo runs through February 9 at Theatre Three.

A scene from Bengal Tiger at the Baghdad Zoo.
Photo by Linda Harrison
Bengal Tiger at the Baghdad Zoo runs through February 9 at Theatre Three.
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A Familiar Face

Dallas Theater Center names Jaime Castañeda as new artistic director

Lindsey Wilson
Dec 17, 2025 | 12:30 pm
Jaime Castañeda
Photo courtesy of Dallas Theater Center
Jaime Castañeda is the Tony-winning theater's new artistic director.

The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

“DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

"Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

“We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

“Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

dallas theater center jaime castañeda kevin moriarty theater
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