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    Opera on the big screen

    Dallas Opera goes big for 2013-14 season, with another Cowboys Stadium simulcast

    Alex Bentley
    Feb 13, 2013 | 12:58 am

    The Dallas Opera, which is in the midst of a reduced season that will see only three main operas, announced Tuesday its return to a full slate for its 2013-2014 season. Their choice of setting for the announcement, Cowboys Stadium in Arlington, was no accident, because the stadium will once again host a simulcast of an opera, an April 2013 performance of Turandot.

    The opera's 57th season, collectively titled "By Love Transformed," will feature four mainstage operas at Winspear Opera House, starting with Carmen on October 25. Carmen, which will run through November 10, is one of two classic operas the company will present; the second is The Barber of Seville, running March 28-April 13, 2014.

    The simulcast of Turandot at Cowboys Stadium on April 13 will be the second time TDO has presented one of its operas there.

    The two classics will be joined by the fourth-ever set of performances for the new Death and the Powers, a one-act opera that will extend its reach beyond the walls of the Winspear. As the opera, running February 12-16, 2014, delves into the world of science fiction and robots, TDO will work in conjunction with the Perot Museum of Nature and Science to produce a variety of related works. These will include a special exhibit at the museum and a series of lectures, demonstrations and workshops, among other things.

    The final mainstage production will be the Dallas premiere of the German opera Die Tote Stadt (The Dead City), running March 21-April 6, 2014. TDO will also cater to those who prefer their operas in English with four English-language performances of this important 20th century work running April 14-28, 2014.

    The simulcast of Turandot at Cowboys Stadium on April 13 will be the second time TDO has presented one of its operas there, following a March 2012 performance of The Magic Flute that drew more than 15,000 people. The event will be free and open to the public, and it will be preceded by the classic Warner Bros. cartoon, What's Opera, Doc?

    One can only hope that TDO will simulcast a performance of The Barber of Seville at Cowboys Stadium in 2014, as that will allow them to tie in yet another Bugs Bunny classic, Rabbit of Seville.

    Keith Cerny, general director and CEO of the Dallas Opera, Gene Jones, wife of Cowboys owner Jerry Jones, and Nicole Small, CEO of the Perot Museum of Nature and Science with the robot that will be used as part of the upcoming opera, Death and the Powers.

    Dallas Opera, Death and the Powers, Cowboys Stadium
    Photo by Megan Meister, Dallas Opera
    Keith Cerny, general director and CEO of the Dallas Opera, Gene Jones, wife of Cowboys owner Jerry Jones, and Nicole Small, CEO of the Perot Museum of Nature and Science with the robot that will be used as part of the upcoming opera, Death and the Powers.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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