With his newest and slyly powerful exhibition, Christopher Blay brings together threads in his work dating back for well over a decade. His through-lines are both apparent and subtle, but if you know his art, you intrinsically understand how what he’s making now is a culmination of years of delving into consistent themes around history, time, space, place, grief, constriction, and freedom. What’s so breathtaking about this newest work is its confidence to ask questions, and leave the narrative open-ended. As we get older and wiser, we start asking more questions than ever before.
The exhibition will remain on display through October 15.
With his newest and slyly powerful exhibition, Christopher Blay brings together threads in his work dating back for well over a decade. His through-lines are both apparent and subtle, but if you know his art, you intrinsically understand how what he’s making now is a culmination of years of delving into consistent themes around history, time, space, place, grief, constriction, and freedom. What’s so breathtaking about this newest work is its confidence to ask questions, and leave the narrative open-ended. As we get older and wiser, we start asking more questions than ever before.
The exhibition will remain on display through October 15.
With his newest and slyly powerful exhibition, Christopher Blay brings together threads in his work dating back for well over a decade. His through-lines are both apparent and subtle, but if you know his art, you intrinsically understand how what he’s making now is a culmination of years of delving into consistent themes around history, time, space, place, grief, constriction, and freedom. What’s so breathtaking about this newest work is its confidence to ask questions, and leave the narrative open-ended. As we get older and wiser, we start asking more questions than ever before.
The exhibition will remain on display through October 15.
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