An evening of magnificent music written for string orchestra awaits as principal musicians Margaret Fischer and Jack Unzicker take center stage, delivering gorgeous solos by Hanson and Hindemith under the direction of Richard McKay.
Schoenberg’s Transfigured Night is a romantic and hauntingly beautiful mainstay of the chamber repertoire. Upon first hearing, one might never suspect the composer’s penchant for the avant-garde (or his twelve-tone serialism to come), but make no mistake, this music was written by a man ready to go off the deep end.
An evening of magnificent music written for string orchestra awaits as principal musicians Margaret Fischer and Jack Unzicker take center stage, delivering gorgeous solos by Hanson and Hindemith under the direction of Richard McKay.
Schoenberg’s Transfigured Night is a romantic and hauntingly beautiful mainstay of the chamber repertoire. Upon first hearing, one might never suspect the composer’s penchant for the avant-garde (or his twelve-tone serialism to come), but make no mistake, this music was written by a man ready to go off the deep end.
An evening of magnificent music written for string orchestra awaits as principal musicians Margaret Fischer and Jack Unzicker take center stage, delivering gorgeous solos by Hanson and Hindemith under the direction of Richard McKay.
Schoenberg’s Transfigured Night is a romantic and hauntingly beautiful mainstay of the chamber repertoire. Upon first hearing, one might never suspect the composer’s penchant for the avant-garde (or his twelve-tone serialism to come), but make no mistake, this music was written by a man ready to go off the deep end.
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