DHV Artworks presents "Urban Archaeology: Fragments and Traces," a solo exhibition of internationally-exhibited artist Bradley Narduzzi.
Narduzzi’s acclaimed Billboard Series is the centerpiece of this exhibition, alongside select works from his Linescape paintings and Totem sculptures. His work draws inspiration from Mexico City’s urban landscape, where layers of torn advertisements, fading posters, and weathered signage create a rich visual dialogue between the commercial and cultural histories of the city.
Since moving to Mexico City in 2000, Narduzzi has embedded himself in the city’s vibrant artistic community, developing a practice that blends architectural precision with expressive abstraction. His Billboard Series is not just inspired by the physical surfaces of Mexico City’s streets but also by the city’s layered narratives of history, memory, and cultural evolution.
Working with paint layered over paint on canvas, Narduzzi recreates the effect of time, decay, and exposure—capturing the beauty found in impermanence and visual fragmentation. His work examines the tension between public advertising and private memory, urban identity, and the fleeting nature of visual culture in contemporary cities.
The exhibition will remain on display April 26, 2025.
DHV Artworks presents "Urban Archaeology: Fragments and Traces," a solo exhibition of internationally-exhibited artist Bradley Narduzzi.
Narduzzi’s acclaimed Billboard Series is the centerpiece of this exhibition, alongside select works from his Linescape paintings and Totem sculptures. His work draws inspiration from Mexico City’s urban landscape, where layers of torn advertisements, fading posters, and weathered signage create a rich visual dialogue between the commercial and cultural histories of the city.
Since moving to Mexico City in 2000, Narduzzi has embedded himself in the city’s vibrant artistic community, developing a practice that blends architectural precision with expressive abstraction. His Billboard Series is not just inspired by the physical surfaces of Mexico City’s streets but also by the city’s layered narratives of history, memory, and cultural evolution.
Working with paint layered over paint on canvas, Narduzzi recreates the effect of time, decay, and exposure—capturing the beauty found in impermanence and visual fragmentation. His work examines the tension between public advertising and private memory, urban identity, and the fleeting nature of visual culture in contemporary cities.
The exhibition will remain on display April 26, 2025.
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Admission is free.
