Haley-Henman presents the third solo exhibition of new paintings related to Gisa Elwazir’s exploration of organic abstractions.
This third iteration is a testimony of a powerful creative process that keeps expanding the boundaries of the possible. An encounter with these paintings brings to mind Lawrence Weschler’s book, Seeing is Forgetting the Name of the Thing One Sees. Although he was writing about Robert Irwin’s post-abstractionism, this dictum serves well in the way each painting is approached in this exhibition.
The exhibit will be on display November 4 through 28.
Haley-Henman presents the third solo exhibition of new paintings related to Gisa Elwazir’s exploration of organic abstractions.
This third iteration is a testimony of a powerful creative process that keeps expanding the boundaries of the possible. An encounter with these paintings brings to mind Lawrence Weschler’s book, Seeing is Forgetting the Name of the Thing One Sees. Although he was writing about Robert Irwin’s post-abstractionism, this dictum serves well in the way each painting is approached in this exhibition.
The exhibit will be on display November 4 through 28.
Haley-Henman presents the third solo exhibition of new paintings related to Gisa Elwazir’s exploration of organic abstractions.
This third iteration is a testimony of a powerful creative process that keeps expanding the boundaries of the possible. An encounter with these paintings brings to mind Lawrence Weschler’s book, Seeing is Forgetting the Name of the Thing One Sees. Although he was writing about Robert Irwin’s post-abstractionism, this dictum serves well in the way each painting is approached in this exhibition.
The exhibit will be on display November 4 through 28.
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