Gary: A Sequel to Titus Andronicus, a new comedy by Taylor Mac, is set just after the blood-soaked conclusion of William Shakespeare’s first tragedy, Titus Andronicus. During the fall of the Roman Empire, the years of bloody battle are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants are charged with cleaning up the bodies. It’s the year 400 AD - but it feels like the end of the world.
The production was nominated for seven Tony Awards, including Best Play.
A professionally-filmed version of the play will be available for streaming ($15) for patrons uncomfortable returning to in-person events during the final week of performances: March 31-April 3.
Gary: A Sequel to Titus Andronicus, a new comedy by Taylor Mac, is set just after the blood-soaked conclusion of William Shakespeare’s first tragedy, Titus Andronicus. During the fall of the Roman Empire, the years of bloody battle are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants are charged with cleaning up the bodies. It’s the year 400 AD - but it feels like the end of the world.
The production was nominated for seven Tony Awards, including Best Play.
A professionally-filmed version of the play will be available for streaming ($15) for patrons uncomfortable returning to in-person events during the final week of performances: March 31-April 3.
Gary: A Sequel to Titus Andronicus, a new comedy by Taylor Mac, is set just after the blood-soaked conclusion of William Shakespeare’s first tragedy, Titus Andronicus. During the fall of the Roman Empire, the years of bloody battle are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants are charged with cleaning up the bodies. It’s the year 400 AD - but it feels like the end of the world.
The production was nominated for seven Tony Awards, including Best Play.
A professionally-filmed version of the play will be available for streaming ($15) for patrons uncomfortable returning to in-person events during the final week of performances: March 31-April 3.
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