The Nasher Sculpture Center presents "Elmgreen & Dragset: Sculptures," an exhibition that will mark the Scandinavian duo’s first major museum presentation in the U.S., providing a long overdue look at the work of two of contemporary art’s most dynamic and multifaceted artists.
Artists Michael Elmgreen and Ingar Dragset have worked together as Elmgreen & Dragset since the mid-1990s. In their sculptures, installations, and performances, they reinterpret familiar designs and spatial structures that surround us in our everyday lives with criticality and subversive wit. From their permanent, site-specific installation of a forever-closed Prada boutique in the West Texas desert to their contributions to the Danish and Nordic Pavilions at the Venice Biennale in 2009, to their conception of a faux art fair in Beijing in 2016 or their giant upright swimming pool Van Gogh’s Ear at Rockefeller Plaza the same year, Elmgreen & Dragset consistently devise new possibilities in the way art is presented and perceived, and how we use and organize public space.
The exhibition will focus on Elmgreen & Dragset’s sculptural production, presenting together for the first time a large selection of works that illustrate the artists’ use of multiple aesthetics and working methods, and show entry points from post-Minimalism, conceptual strategies, and the figurative sculpture tradition. The artists’ diverse practice often incorporates performative and narrative elements on subjects that encompass the personal and the political, such as youth and aging, sexual identity, institutional structures, and issues in relation to public space.
Following the opening day, the exhibit will be on view through January 5, 2020.
The Nasher Sculpture Center presents "Elmgreen & Dragset: Sculptures," an exhibition that will mark the Scandinavian duo’s first major museum presentation in the U.S., providing a long overdue look at the work of two of contemporary art’s most dynamic and multifaceted artists.
Artists Michael Elmgreen and Ingar Dragset have worked together as Elmgreen & Dragset since the mid-1990s. In their sculptures, installations, and performances, they reinterpret familiar designs and spatial structures that surround us in our everyday lives with criticality and subversive wit. From their permanent, site-specific installation of a forever-closed Prada boutique in the West Texas desert to their contributions to the Danish and Nordic Pavilions at the Venice Biennale in 2009, to their conception of a faux art fair in Beijing in 2016 or their giant upright swimming pool Van Gogh’s Ear at Rockefeller Plaza the same year, Elmgreen & Dragset consistently devise new possibilities in the way art is presented and perceived, and how we use and organize public space.
The exhibition will focus on Elmgreen & Dragset’s sculptural production, presenting together for the first time a large selection of works that illustrate the artists’ use of multiple aesthetics and working methods, and show entry points from post-Minimalism, conceptual strategies, and the figurative sculpture tradition. The artists’ diverse practice often incorporates performative and narrative elements on subjects that encompass the personal and the political, such as youth and aging, sexual identity, institutional structures, and issues in relation to public space.
Following the opening day, the exhibit will be on view through January 5, 2020.
The Nasher Sculpture Center presents "Elmgreen & Dragset: Sculptures," an exhibition that will mark the Scandinavian duo’s first major museum presentation in the U.S., providing a long overdue look at the work of two of contemporary art’s most dynamic and multifaceted artists.
Artists Michael Elmgreen and Ingar Dragset have worked together as Elmgreen & Dragset since the mid-1990s. In their sculptures, installations, and performances, they reinterpret familiar designs and spatial structures that surround us in our everyday lives with criticality and subversive wit. From their permanent, site-specific installation of a forever-closed Prada boutique in the West Texas desert to their contributions to the Danish and Nordic Pavilions at the Venice Biennale in 2009, to their conception of a faux art fair in Beijing in 2016 or their giant upright swimming pool Van Gogh’s Ear at Rockefeller Plaza the same year, Elmgreen & Dragset consistently devise new possibilities in the way art is presented and perceived, and how we use and organize public space.
The exhibition will focus on Elmgreen & Dragset’s sculptural production, presenting together for the first time a large selection of works that illustrate the artists’ use of multiple aesthetics and working methods, and show entry points from post-Minimalism, conceptual strategies, and the figurative sculpture tradition. The artists’ diverse practice often incorporates performative and narrative elements on subjects that encompass the personal and the political, such as youth and aging, sexual identity, institutional structures, and issues in relation to public space.
Following the opening day, the exhibit will be on view through January 5, 2020.