Nasher Sculpture Center will present an in-person artist talk with Tavares Strachan
Strachan’s artistic practice activates the intersections of art, science, and politics, offering us uniquely synthesized points of view on the cultural dynamics of scientific knowledge. He works in collaboration with organizations and institutions across disciplines, to promote a broader and more inclusive understanding of the work of both artists, scientists, and the systems and support networks that make their work possible. In conversation with poet Alysia Nicole Harris, Strachan will explore the cross-disciplinary aspects of his practice.
Strachan is perhaps best known for his work "The Distance Between What We Have and What We Want" (Arctic Ice Project), 2004-06, in which he extracted a four and half ton block of arctic ice and shipped it to his birthplace in the Bahamas, where it was exhibited in a specially designed freezer chamber that was solar powered. The work plays with the notions of displacement and interdependency, which are central both to the ecological systems which maintain the relative heat and cold of equatorial and arctic environments, as well as the cultural realities which define themselves in relation to these environments. Moving between these environmental extremes points to their interdependency, but also to the precariousness of the human experiences which hang in the balance.
Nasher Sculpture Center will present an in-person artist talk with Tavares Strachan
Strachan’s artistic practice activates the intersections of art, science, and politics, offering us uniquely synthesized points of view on the cultural dynamics of scientific knowledge. He works in collaboration with organizations and institutions across disciplines, to promote a broader and more inclusive understanding of the work of both artists, scientists, and the systems and support networks that make their work possible. In conversation with poet Alysia Nicole Harris, Strachan will explore the cross-disciplinary aspects of his practice.
Strachan is perhaps best known for his work "The Distance Between What We Have and What We Want" (Arctic Ice Project), 2004-06, in which he extracted a four and half ton block of arctic ice and shipped it to his birthplace in the Bahamas, where it was exhibited in a specially designed freezer chamber that was solar powered. The work plays with the notions of displacement and interdependency, which are central both to the ecological systems which maintain the relative heat and cold of equatorial and arctic environments, as well as the cultural realities which define themselves in relation to these environments. Moving between these environmental extremes points to their interdependency, but also to the precariousness of the human experiences which hang in the balance.
Nasher Sculpture Center will present an in-person artist talk with Tavares Strachan
Strachan’s artistic practice activates the intersections of art, science, and politics, offering us uniquely synthesized points of view on the cultural dynamics of scientific knowledge. He works in collaboration with organizations and institutions across disciplines, to promote a broader and more inclusive understanding of the work of both artists, scientists, and the systems and support networks that make their work possible. In conversation with poet Alysia Nicole Harris, Strachan will explore the cross-disciplinary aspects of his practice.
Strachan is perhaps best known for his work "The Distance Between What We Have and What We Want" (Arctic Ice Project), 2004-06, in which he extracted a four and half ton block of arctic ice and shipped it to his birthplace in the Bahamas, where it was exhibited in a specially designed freezer chamber that was solar powered. The work plays with the notions of displacement and interdependency, which are central both to the ecological systems which maintain the relative heat and cold of equatorial and arctic environments, as well as the cultural realities which define themselves in relation to these environments. Moving between these environmental extremes points to their interdependency, but also to the precariousness of the human experiences which hang in the balance.