Dr. Richard Shiff offers a thoughtful look at Richard Serra’s prints, which the artist considered to be a method of re-seeing his finished sculptures. Shiff is Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism.
Shiff's broad range of publications includes Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954-1962 (2014). He writes frequently on sculptural practices, including the art of Joel Shapiro and Donald Judd, as well as that of Richard Serra.
Dr. Richard Shiff offers a thoughtful look at Richard Serra’s prints, which the artist considered to be a method of re-seeing his finished sculptures. Shiff is Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism.
Shiff's broad range of publications includes Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954-1962 (2014). He writes frequently on sculptural practices, including the art of Joel Shapiro and Donald Judd, as well as that of Richard Serra.
Dr. Richard Shiff offers a thoughtful look at Richard Serra’s prints, which the artist considered to be a method of re-seeing his finished sculptures. Shiff is Effie Marie Cain Regents Chair in Art at The University of Texas at Austin, where he directs the Center for the Study of Modernism.
Shiff's broad range of publications includes Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954-1962 (2014). He writes frequently on sculptural practices, including the art of Joel Shapiro and Donald Judd, as well as that of Richard Serra.
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