Samuel Lynne Galleries will present Brandon Boyd’s return to Dallas for the opening reception of his new exhibition, "Wandering Hands." The artist will be in attendance at the opening reception.
A Los Angeles native, Boyd is famously recognized as the vocalist and frontman of the rock band Incubus, but it is not what solely defines him. Boyd has been creating visual art since he was a child, often drawing and painting intersecting lines and colliding topographies. This body of work focuses on Boyd’s happily obsessive and continuous exploration of the nature of lines and what these miniature highways mean to him.
This collection focuses on large explosions of line intertwined with something lying beneath the surface. Each artwork seems to have a hidden meaning and even an inherent lyricism. With artworks from his prior collection "Impossible Knots," and this new collection "Wandering Hands," Boyd is exploring his infinitely patient line work but is also allowing a less exacting canvas filled with smudges, smears, drips and splatters.
Following the opening reception, the exhibit will be on view through April 13.
Samuel Lynne Galleries will present Brandon Boyd’s return to Dallas for the opening reception of his new exhibition, "Wandering Hands." The artist will be in attendance at the opening reception.
A Los Angeles native, Boyd is famously recognized as the vocalist and frontman of the rock band Incubus, but it is not what solely defines him. Boyd has been creating visual art since he was a child, often drawing and painting intersecting lines and colliding topographies. This body of work focuses on Boyd’s happily obsessive and continuous exploration of the nature of lines and what these miniature highways mean to him.
This collection focuses on large explosions of line intertwined with something lying beneath the surface. Each artwork seems to have a hidden meaning and even an inherent lyricism. With artworks from his prior collection "Impossible Knots," and this new collection "Wandering Hands," Boyd is exploring his infinitely patient line work but is also allowing a less exacting canvas filled with smudges, smears, drips and splatters.
Following the opening reception, the exhibit will be on view through April 13.