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Photo courtesy of SMU Meadows School of the Arts

Award-winning Russian pianist Liudmila Georgievskaya will present a solo recital featuring Beethoven sonatas 24 and 27; the first five preludes from Scriabin’s 24 Preludes, Op. 11; and Ravel’s Sonatine and Jeux d’eau. An honors graduate of the Moscow Tchaikovsky Conservatory, Georgievskaya received an Artist Certificate from the Meadows School in 2010 as a student of Joaquín Achúcarro and is currently on the SMU Meadows faculty.

Capacity in the auditorium is extremely limited. Admission to this live performance is free, but advance online registration is required by Thursday, September 3 for attendance.

Award-winning Russian pianist Liudmila Georgievskaya will present a solo recital featuring Beethoven sonatas 24 and 27; the first five preludes from Scriabin’s 24 Preludes, Op. 11; and Ravel’s Sonatine and Jeux d’eau. An honors graduate of the Moscow Tchaikovsky Conservatory, Georgievskaya received an Artist Certificate from the Meadows School in 2010 as a student of Joaquín Achúcarro and is currently on the SMU Meadows faculty.

Capacity in the auditorium is extremely limited. Admission to this live performance is free, but advance online registration is required by Thursday, September 3 for attendance.

Award-winning Russian pianist Liudmila Georgievskaya will present a solo recital featuring Beethoven sonatas 24 and 27; the first five preludes from Scriabin’s 24 Preludes, Op. 11; and Ravel’s Sonatine and Jeux d’eau. An honors graduate of the Moscow Tchaikovsky Conservatory, Georgievskaya received an Artist Certificate from the Meadows School in 2010 as a student of Joaquín Achúcarro and is currently on the SMU Meadows faculty.

Capacity in the auditorium is extremely limited. Admission to this live performance is free, but advance online registration is required by Thursday, September 3 for attendance.

WHEN

WHERE

Caruth Auditorium
6101 Bishop Blvd.
Dallas, TX 75205
https://blog.smu.edu/meadows/pianoaudience/

TICKET INFO

Admission is free with registration.
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