Talley Dunn Gallery presents Rima Canaan Lee: "Rococo on the Edge" opening reception

eventdetail
Photo by Rima Canaan Lee

Photographed in Germany, details of ornamentation found in Rococo churches and palace structures. All of the ornamentation was created between the 1720s and 1760s. Many of the details are from Bavarian Rococo churches, some of the world’s most celebrated and theatrical examples of church architecture. While in the service of the divine, these details are decidedly more reflective of the human than the divine, they are made not of marble but of a more degraded material, painted plaster, stucco, with gilding that accentuates artificiality; and the faces express not serenity but alienation and a tortured psychology.

Following the opening reception, the exhibit will be on display through December 16.

Photographed in Germany, details of ornamentation found in Rococo churches and palace structures. All of the ornamentation was created between the 1720s and 1760s. Many of the details are from Bavarian Rococo churches, some of the world’s most celebrated and theatrical examples of church architecture. While in the service of the divine, these details are decidedly more reflective of the human than the divine, they are made not of marble but of a more degraded material, painted plaster, stucco, with gilding that accentuates artificiality; and the faces express not serenity but alienation and a tortured psychology.

Following the opening reception, the exhibit will be on display through December 16.

Photographed in Germany, details of ornamentation found in Rococo churches and palace structures. All of the ornamentation was created between the 1720s and 1760s. Many of the details are from Bavarian Rococo churches, some of the world’s most celebrated and theatrical examples of church architecture. While in the service of the divine, these details are decidedly more reflective of the human than the divine, they are made not of marble but of a more degraded material, painted plaster, stucco, with gilding that accentuates artificiality; and the faces express not serenity but alienation and a tortured psychology.

Following the opening reception, the exhibit will be on display through December 16.

WHEN

WHERE

Talley Dunn Gallery
5020 Tracy St.
Dallas, TX 75205
https://www.talleydunn.com/

TICKET INFO

Admission is free.
All events are subject to change due to weather or other concerns. Please check with the venue or organization to ensure an event is taking place as scheduled.
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