Nora and Torvald Helmer are the perfect couple living a storybook life. But for years Nora has been paying off a secret debt, obtained through forging a signature, which saved her husband’s life. When Torvald is back in good health and has garnered a promotion at the bank, his first order of business is to fire the man who confidentially loaned Nora the money. Confronted with shame and blackmail, Nora is pushed to expose her secret to Torvald, but the true revelation might just be that their lives are not their own.
Henrik Ibsen shocked the world in 1879 when A Doll’s House became the first play of its kind, and now WaterTower Theatre Artistic Director Joanie Schultz has taken Ibsen’s immortal words and wound them into a powerful 90-minute thriller for today’s audience.
Nora and Torvald Helmer are the perfect couple living a storybook life. But for years Nora has been paying off a secret debt, obtained through forging a signature, which saved her husband’s life. When Torvald is back in good health and has garnered a promotion at the bank, his first order of business is to fire the man who confidentially loaned Nora the money. Confronted with shame and blackmail, Nora is pushed to expose her secret to Torvald, but the true revelation might just be that their lives are not their own.
Henrik Ibsen shocked the world in 1879 when A Doll’s House became the first play of its kind, and now WaterTower Theatre Artistic Director Joanie Schultz has taken Ibsen’s immortal words and wound them into a powerful 90-minute thriller for today’s audience.
Nora and Torvald Helmer are the perfect couple living a storybook life. But for years Nora has been paying off a secret debt, obtained through forging a signature, which saved her husband’s life. When Torvald is back in good health and has garnered a promotion at the bank, his first order of business is to fire the man who confidentially loaned Nora the money. Confronted with shame and blackmail, Nora is pushed to expose her secret to Torvald, but the true revelation might just be that their lives are not their own.
Henrik Ibsen shocked the world in 1879 when A Doll’s House became the first play of its kind, and now WaterTower Theatre Artistic Director Joanie Schultz has taken Ibsen’s immortal words and wound them into a powerful 90-minute thriller for today’s audience.
WHEN
WHERE
TICKET INFO
