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    Actor Spotlight

    Dallas actor wrestles with audience connection and an educational calling

    Lindsey Wilson
    Jan 25, 2018 | 10:23 am

    Dallas audiences have been seeing a lot of Christopher Llewyn Ramirez lately — and that's not just a reference to his all-out appearance in Dallas Theater Center's recent production of Hair. The actor has been popping up on stages across DFW, in world and regional premieres no less, and is about to star in another at WaterTower Theatre.

    Elliot, a Soldier's Fugue, by Pulitzer Prize-winning dramatist Quiara Alegría Hudes, takes a poignant look at the way war permeates young men’s lives by spanning three generations of the same Puerto Rican-American family. Ramirez stars as Elliot, and is joined by David Lugo as Pop, Gloria Vivica Benavides as Ginny, and Rodney Garza as Grandpop, under the direction of David Lozano.

    Before the show opens on January 26 (it runs through February 18), Ramirez took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Chris Ramirez

    Role in Elliot, a Soldier’s Fugue: Elliot

    Previous work in the DFW area: Hair, Hood: The Robin Hood Musical Adventure, Public Works The Tempest (Dallas Theater Center); The Great Distance Home (WaterTower Theatre); Hands on a Hardbody (Theatre Three); Crystal City 1969, blu, Zoot Suit (Cara Mía Theatre Co.); The King's Face, Winter’s Tale, Pericles (Shakespeare Dallas).

    Hometown: Dallas

    Where you currently reside: I am currently living in Lower Greenville with a lot of awesome and convenient shops around that I definitely take advantage of.

    First theater role: I was in the fifth grade and the skit was called Evan’s Christmas. I’m sure it wasn’t great, but for an aspiring actor that had no performing arts resources in school (a serious problem that has gotten worse), I made due with what I had.

    First stage show you ever saw: I believe that it was Charlotte’s Webb at Dallas Children's Theater. I’m not sure where it was performed, but I remember being so upset because all of the kids were shouting at the actor onstage, trying to help him find Wilbur. I distinctly remember looking around and saying, “SHUT UP! HE KNOWS WHERE HE IS! IT’S A PART OF THE SHOW! JUST LET HIM DO IT!” To this day, I’m not a fan of audiences shouting out to the stage.

    Moment you decided to pursue a career in theater: Sitting in the audience of the Dallas Theater Center as part of their Project Discovery program and thinking, “I’m going to do this when I’m older and hopefully inspire kids the way I’m being inspired right now.”

    Most challenging role you’ve played: Oof, that’s a tough one, as they are all pretty dang challenging. I’m going to say that doing The King’s Face with Shakespeare Dallas might’ve been the most challenging. It’s a beautiful, two-man show written by local artist Steven Young that was performed by the brilliant T.A. Taylor and myself.

    Not only was the show a memorization beast, I was also simultaneously directing a show during the rehearsal process. I’m not sure how I thought that was a good idea, but I got through it!

    Special skills: Can lick elbow — no, really!

    Something you’re REALLY bad at: Freestyle dance or any sort of contemporary dancing.

    Current pop culture obsession: Professional wrestling has been an obsession of mine since the age of 10. So much so that my senior thesis in college was about the art of professional wrestling and its relation to commedia del arte, ballet, and other forms of dance. The athleticism, theatricality, and — more importantly — connection between the performer and the audience is something that I cannot get enough of.

    Last book you read: Uh oh. Not much of a reader. You got me. Uhhhh ... A book by Desi Arnaz, I believe.

    Favorite movie(s): Life of Pi, Spider-Man, Spider-Man 2

    Favorite musician(s): Jerry Lee Lewis, Metallica, John Williams, John Newton Howard, James Horner.

    Favorite song: “You’ve Got a Friend in Me.”

    Dream role: Currently Quasimodo in The Hunchback of Notre Dame.

    Favorite play(s): The Curious Incident of the Dog in the Night-Time, Dead Man’s Cell Phone, Anna in the Tropics.

    Favorite musical(s): In the Heights, Cabaret, The Hunchback of Notre Dame.

    Favorite actors/actresses: Robin Williams

    Favorite food: Steak Milanesa, with some rice and beans, of course.

    Must-see TV show(s): Black Mirror. Everyone needs to watch it and then have long discussions after every episode. It’s good for the soul.

    Something most people don’t know about you: I overdosed on potassium at the age of four ... too many bananas for a child.

    Place in the world you’d most like to visit: Jerusalem

    Pre-show warm-up: Light stretching mixed in with enjoying the moment and reminding myself to breath and to let go and be.

    Favorite part about your current role: Its forcing me to be in good shape while also challenging me artistically.

    Most challenging part about your current project: Making sure that I live free, true, and honest at all times.

    Most embarrassing onstage mishap: Stripping all my clothes off at the end of Act I of Hair ... and I look down and see that my sandals are still on. So, there I stood. Naked. With sandals on.

    Career you’d have if you weren’t in theater: I taught high school theater for three years and I do believe that education is my second calling. If I never chose theater as a profession, I’m sure I would still find myself in the classroom teaching something else.

    Favorite post-show spot: Anywhere that has good company.

    Favorite thing about Dallas-Forth Worth: Its thriving art community and its incredible skyline.

    Most memorable theater moment: My students performing our one-act play at the regional competition held at Baylor University. They rocked the house and placed first, were awarded best actor, and became the first team in our district’s history to go to the 6A state finals.

    I was not present at this performance, but knowing that they performed on the same stage that I did when I was in college meant the world to me. It connected us in such a special way.

    There is a picture that a stagehand sent me immediately after the performance of them linked arm in arm, huddled together and basking in the magic that took place that night. Moments like that really make it clear to me that I am doing what I was put on this earth to do.

    Christopher Llewyn Ramirez stars in Elliot, a Soldier's Fugue at WaterTower Theatre.

    Elliot, a Soldier's Fugue at WaterTower Theatre
    Photo by Evan Michael Woods
    Christopher Llewyn Ramirez stars in Elliot, a Soldier's Fugue at WaterTower Theatre.
    theaterqainterview
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts
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