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    Theater Review

    Powerful cast keeps If/Then from getting lost in time

    Alex Bentley
    Jan 28, 2016 | 1:20 pm

    When a musical is successful, it’s usually either because it has an abundance of unforgettable songs or because it has a strong story that just so happens to be propelled by songs. A very special few are able to succeed on both fronts, but those only come along once in a blue moon.

    If/Then, whose national tour will play at Winspear Opera House through January 31, is one of those musicals that works based on the strength of its singers and plot, and not necessarily because you’ll be humming its tunes on the way out.

    Set in New York City in the recent past, it’s a fanciful tale focused on Elizabeth (Jackie Burns), who has recently moved back to the city after a divorce. She meets two friends, one new (Kate, played by Tamyra Gray) and one old (Lucas, played by Anthony Rapp), and the story imagines two different timelines for her depending on whom she follows on one fateful day.

    Follow Kate, and it takes her down a path where she calls herself Liz and she meets perhaps the love of her life, Josh (Matthew Hydzik), but at the expense of a promising job prospect. Follow Lucas, and she calls herself Beth and nabs that job as a city planner, but she also experiences multiple romantic missteps that leave her unfulfilled in her personal life.

    The domino effects of both decisions reverberate in other ways, as the people around her also make different choices in their lives. These choices range from small to large, with the most momentous of them being one character switching sides with his sexuality. That is a curious decision since the other timeline doesn’t even hint at the character being gay. It’s also one of several plot machinations that do harm to the overall production.

    However, the powerful singing of the cast mitigates that harm. Burns, taking over for original star Idina Menzel, is naturally given the majority of the big moments, especially in second act songs like “I Hate You” and “Always Starting Over” that showcase her amazing range.

    But it’s her first act song, “What the Fuck?,” that truly sets the tone for the production, as it marks the point where the split timeline concept finally fully connects. Beth/Liz has encounters with different men at her apartment, and the rotating set, great choreography, and fun yet poignant lyrics of the song combine to realize the emotional stakes of the plot.

    Former American Idol contestant Gray, taking over for original star LaChanze, gives Kate the right amount of spunkiness the character needs as well as the pipes to go toe-to-toe with Burns. Rapp, the lone holdover from the original Broadway production, shows why he’s had such a long theater career, bringing in humor and gravity when needed.

    It’s unlikely that the soundtrack of If/Then will find its way into most people’s musical rotation, but the experience of seeing it performed live and in context makes it memorable as a whole. Don’t let this be a decision you’ll regret; see If/Then if you have the chance.

    Anthony Rapp and Jackie Burns in If/Then.

    Anthony Rapp and Jackie Burns in If/Then
    Photo by Joan Marcus
    Anthony Rapp and Jackie Burns in If/Then.
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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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