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Actor Spotlight

This Dallas actor and Cara Mía Theatre regular sounds like a good husband

Lindsey Wilson
Feb 18, 2015 | 8:42 am

Dallas actor Ivan Jasso has a history of playing non-humans: a Chihuahua, a man-eating plant, an ancient Aztec god and, now, the moon.

But these are just a testament to his talent onstage, the ability to swing from animal to human, Shakespeare (in both Spanish and English) to Mel Brooks. Next up, the busy actor is playing two roles in José Rivera’s Obie-winning References to Salvador Dalí Make Me Hot at the Latino Cultural Center, presented by Cara Mía Theatre Co. from February 20 to March 8.

First he’s Benito, the war-scarred husband of the lonely housewife Gabriela. He’s also Gabriela's confidant the Moon, whom she turns to when Benito grows more and more distant. Cara Mía's production will use actors from its artistic ensemble as well as current SMU students, and place the audience onstage to foster an even more intimate experience.

In advance of Salvador Dalí, Jasso took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

Name: Ivan Jasso

Role in References to Salvador Dalí Make Me Hot: Benito and The Moon

Previous work in the DFW area: Skippyjon Jones, Mariachi Girl, Don’t U Luv Me?, Junie B. in Jingle Bells Batman Smells, Señora Tortuga (Dallas Children’s Theater); Antony and Cleopatra, Twelfth Night (Shakespeare Dallas); Zoot Suit, Teotl, The Magic Rainforest, Romeo y Julieta, Dreamers: A Bloodline, El Viaje De Tina, Nuestra Pastorela, The House on Mango Street, Crystal City 1969 (Cara Mia Theatre Co.); Working: A Musical, Angels Fall, The Night of the Iguana (Contemporary Theatre of Dallas); The Producers (Uptown Players); Long Way Go Down (Kitchen Dog Theatre); 42nd Street (Garland Summer Musicals).

Hometown: Dallas

Where you currently reside: Mesquite

First theater role: A wolf and a prince in a middle school production called Magic To Do. It was written by the director with help from the students.

First stage show you ever saw: I don’t really remember what it was. The first clear memory I have is Comic Potential at Theatre Three.

Moment you decided to pursue a career in theater: I have a memory of making a quick change offstage during one performance of the previously mentioned middle school production, Magic To Do, where I realized “Hey, this is fun! I want to do this more!” I never did theater in high school. But the moment I made the decision was after a calculus class in college.

I was going to be an electronic engineer at first, but it just didn’t feel right. So that afternoon, I decided to change paths and continue finding that joy I had found years before. And it’s still fun.

Most challenging role you’ve played: Jose Angel in Crystal City 1969

Special skills: Patience, growing facial hair, creating a meal from whatever ingredients are left in the fridge and pantry.

Something you’re REALLY bad at: Leaving dirty socks on the floor.

Current pop culture obsession: Comic book-related things (movies, TV shows, articles, etc.). And playing Clash of Clans.

Last book you read: Prey by Michael Crichton

Favorite movie(s): The Goonies, Scott Pilgrim vs. The World, The Shawshank Redemption, From Dusk Till Dawn, Pulp Fiction (or any Tarantino flick), Tombstone, Back to the Future trilogy, Who Framed Roger Rabbit, Star Wars (IV, V, VI), The Dark Knight, most of the Marvel Comics films, Goodfellas, The Fifth Element, Tropic Thunder, and many more.

Favorite musician(s): The Beatles, Led Zeppelin, The Roots, Los Lobos, Prince, Jack White, Mariachi Vargas de Tecalitlan, Jimi Hendrix, Michael Jackson, James Brown, The Black Keys, Justin Timberlake, Kanye West, Timbaland, Dr. Dre, RZA, Billy Joel, Outkast, Elton John.

Favorite song: Depends on the mood and the moment.

Dream role: Again, I don’t know if there is just one. I’ve always wanted to play Usnavi in In The Heights, or Iago in Othello, or Danny in Danny and the Deep Blue Sea.

Favorite play(s): Danny and the Deep Blue Sea, Top Dog/Underdog, The Motherfucker With The Hat, Othello, Macbeth, Zoot Suit, Gruesome Playground Injuries

Favorite musical(s): Little Shop of Horrors, In The Heights, The Book of Mormon, Dr. Horrible’s Sing Along Blog, Into The Woods, Urinetown, City of Angels

Favorite actors/actresses: Benedict Cumberbatch, Emma Stone, Leonardo DiCaprio, Tilda Swinton, James McAvoy, Edward Norton, Michael Keaton, Bryan Cranston, Kristen Wiig

Favorite food: All of it!

Must-see TV show(s): Black Mirror, Key and Peele, Parks and Recreation, Breaking Bad, Lost, Archer, The Office, Sherlock, New Girl

Something most people don’t know about you: My first language was Spanish, so I had a bit of an accent when I spoke English. When I began studying theater and film, I had to practice vocal exercises to neutralize my English.

Place in the world you’d most like to visit: Australia

Pre-show warm-up: Depends on the show. Usually includes leg and back stretches. Some vocal articulation warm-ups. If I have to sing, I play vocal warm-up tracks in my car on the way.

Favorite part about your current role: I get to play opposite my wife (Stephanie Cleghorn Jasso).

Most challenging part about your current role: Working out to feel and look the part.

Most embarrassing onstage mishap: I was doing Guys and Dolls and the crotch of my pants split open during a stretch five seconds before the curtains went up for the big dance number. I don’t think any audience members noticed, but would they have mentioned it?

Career you’d have if you weren’t in theater: I’d like to think firefighter.

Favorite post-show spot: Home with the wife relaxing.

Favorite thing about Dallas-Forth Worth: It’s my home.

Most memorable theater moment: Opening night, during the curtain call of Crystal City 1969. Most of the theater was packed with folks from Crystal City, Texas. A lot of them had lived through the events portrayed in the play. Some were watching themselves portrayed on stage.

There was an incredible energy emitting from all the people. I had never felt that before! Tears formed as that energy surged through me and the rest of the cast.

Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.

References to Salvador Dali Make Me Hot
Photo by TZOM Films
Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.
unspecified
news/arts

Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

amon carter museum exhibitions-visual-arts museums statue of liberty
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