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Actor Spotlight

This Dallas actor and Cara Mía Theatre regular sounds like a good husband

Lindsey Wilson
Feb 18, 2015 | 8:42 am

Dallas actor Ivan Jasso has a history of playing non-humans: a Chihuahua, a man-eating plant, an ancient Aztec god and, now, the moon.

But these are just a testament to his talent onstage, the ability to swing from animal to human, Shakespeare (in both Spanish and English) to Mel Brooks. Next up, the busy actor is playing two roles in José Rivera’s Obie-winning References to Salvador Dalí Make Me Hot at the Latino Cultural Center, presented by Cara Mía Theatre Co. from February 20 to March 8.

First he’s Benito, the war-scarred husband of the lonely housewife Gabriela. He’s also Gabriela's confidant the Moon, whom she turns to when Benito grows more and more distant. Cara Mía's production will use actors from its artistic ensemble as well as current SMU students, and place the audience onstage to foster an even more intimate experience.

In advance of Salvador Dalí, Jasso took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

Name: Ivan Jasso

Role in References to Salvador Dalí Make Me Hot: Benito and The Moon

Previous work in the DFW area: Skippyjon Jones, Mariachi Girl, Don’t U Luv Me?, Junie B. in Jingle Bells Batman Smells, Señora Tortuga (Dallas Children’s Theater); Antony and Cleopatra, Twelfth Night (Shakespeare Dallas); Zoot Suit, Teotl, The Magic Rainforest, Romeo y Julieta, Dreamers: A Bloodline, El Viaje De Tina, Nuestra Pastorela, The House on Mango Street, Crystal City 1969 (Cara Mia Theatre Co.); Working: A Musical, Angels Fall, The Night of the Iguana (Contemporary Theatre of Dallas); The Producers (Uptown Players); Long Way Go Down (Kitchen Dog Theatre); 42nd Street (Garland Summer Musicals).

Hometown: Dallas

Where you currently reside: Mesquite

First theater role: A wolf and a prince in a middle school production called Magic To Do. It was written by the director with help from the students.

First stage show you ever saw: I don’t really remember what it was. The first clear memory I have is Comic Potential at Theatre Three.

Moment you decided to pursue a career in theater: I have a memory of making a quick change offstage during one performance of the previously mentioned middle school production, Magic To Do, where I realized “Hey, this is fun! I want to do this more!” I never did theater in high school. But the moment I made the decision was after a calculus class in college.

I was going to be an electronic engineer at first, but it just didn’t feel right. So that afternoon, I decided to change paths and continue finding that joy I had found years before. And it’s still fun.

Most challenging role you’ve played: Jose Angel in Crystal City 1969

Special skills: Patience, growing facial hair, creating a meal from whatever ingredients are left in the fridge and pantry.

Something you’re REALLY bad at: Leaving dirty socks on the floor.

Current pop culture obsession: Comic book-related things (movies, TV shows, articles, etc.). And playing Clash of Clans.

Last book you read: Prey by Michael Crichton

Favorite movie(s): The Goonies, Scott Pilgrim vs. The World, The Shawshank Redemption, From Dusk Till Dawn, Pulp Fiction (or any Tarantino flick), Tombstone, Back to the Future trilogy, Who Framed Roger Rabbit, Star Wars (IV, V, VI), The Dark Knight, most of the Marvel Comics films, Goodfellas, The Fifth Element, Tropic Thunder, and many more.

Favorite musician(s): The Beatles, Led Zeppelin, The Roots, Los Lobos, Prince, Jack White, Mariachi Vargas de Tecalitlan, Jimi Hendrix, Michael Jackson, James Brown, The Black Keys, Justin Timberlake, Kanye West, Timbaland, Dr. Dre, RZA, Billy Joel, Outkast, Elton John.

Favorite song: Depends on the mood and the moment.

Dream role: Again, I don’t know if there is just one. I’ve always wanted to play Usnavi in In The Heights, or Iago in Othello, or Danny in Danny and the Deep Blue Sea.

Favorite play(s): Danny and the Deep Blue Sea, Top Dog/Underdog, The Motherfucker With The Hat, Othello, Macbeth, Zoot Suit, Gruesome Playground Injuries

Favorite musical(s): Little Shop of Horrors, In The Heights, The Book of Mormon, Dr. Horrible’s Sing Along Blog, Into The Woods, Urinetown, City of Angels

Favorite actors/actresses: Benedict Cumberbatch, Emma Stone, Leonardo DiCaprio, Tilda Swinton, James McAvoy, Edward Norton, Michael Keaton, Bryan Cranston, Kristen Wiig

Favorite food: All of it!

Must-see TV show(s): Black Mirror, Key and Peele, Parks and Recreation, Breaking Bad, Lost, Archer, The Office, Sherlock, New Girl

Something most people don’t know about you: My first language was Spanish, so I had a bit of an accent when I spoke English. When I began studying theater and film, I had to practice vocal exercises to neutralize my English.

Place in the world you’d most like to visit: Australia

Pre-show warm-up: Depends on the show. Usually includes leg and back stretches. Some vocal articulation warm-ups. If I have to sing, I play vocal warm-up tracks in my car on the way.

Favorite part about your current role: I get to play opposite my wife (Stephanie Cleghorn Jasso).

Most challenging part about your current role: Working out to feel and look the part.

Most embarrassing onstage mishap: I was doing Guys and Dolls and the crotch of my pants split open during a stretch five seconds before the curtains went up for the big dance number. I don’t think any audience members noticed, but would they have mentioned it?

Career you’d have if you weren’t in theater: I’d like to think firefighter.

Favorite post-show spot: Home with the wife relaxing.

Favorite thing about Dallas-Forth Worth: It’s my home.

Most memorable theater moment: Opening night, during the curtain call of Crystal City 1969. Most of the theater was packed with folks from Crystal City, Texas. A lot of them had lived through the events portrayed in the play. Some were watching themselves portrayed on stage.

There was an incredible energy emitting from all the people. I had never felt that before! Tears formed as that energy surged through me and the rest of the cast.

Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.

References to Salvador Dali Make Me Hot
Photo by TZOM Films
Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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