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    Actor Spotlight

    This Dallas actor and Cara Mía Theatre regular sounds like a good husband

    Lindsey Wilson
    Feb 18, 2015 | 8:42 am

    Dallas actor Ivan Jasso has a history of playing non-humans: a Chihuahua, a man-eating plant, an ancient Aztec god and, now, the moon.

    But these are just a testament to his talent onstage, the ability to swing from animal to human, Shakespeare (in both Spanish and English) to Mel Brooks. Next up, the busy actor is playing two roles in José Rivera’s Obie-winning References to Salvador Dalí Make Me Hot at the Latino Cultural Center, presented by Cara Mía Theatre Co. from February 20 to March 8.

    First he’s Benito, the war-scarred husband of the lonely housewife Gabriela. He’s also Gabriela's confidant the Moon, whom she turns to when Benito grows more and more distant. Cara Mía's production will use actors from its artistic ensemble as well as current SMU students, and place the audience onstage to foster an even more intimate experience.

    In advance of Salvador Dalí, Jasso took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Ivan Jasso

    Role in References to Salvador Dalí Make Me Hot: Benito and The Moon

    Previous work in the DFW area: Skippyjon Jones, Mariachi Girl, Don’t U Luv Me?, Junie B. in Jingle Bells Batman Smells, Señora Tortuga (Dallas Children’s Theater); Antony and Cleopatra, Twelfth Night (Shakespeare Dallas); Zoot Suit, Teotl, The Magic Rainforest, Romeo y Julieta, Dreamers: A Bloodline, El Viaje De Tina, Nuestra Pastorela, The House on Mango Street, Crystal City 1969 (Cara Mia Theatre Co.); Working: A Musical, Angels Fall, The Night of the Iguana (Contemporary Theatre of Dallas); The Producers (Uptown Players); Long Way Go Down (Kitchen Dog Theatre); 42nd Street (Garland Summer Musicals).

    Hometown: Dallas

    Where you currently reside: Mesquite

    First theater role: A wolf and a prince in a middle school production called Magic To Do. It was written by the director with help from the students.

    First stage show you ever saw: I don’t really remember what it was. The first clear memory I have is Comic Potential at Theatre Three.

    Moment you decided to pursue a career in theater: I have a memory of making a quick change offstage during one performance of the previously mentioned middle school production, Magic To Do, where I realized “Hey, this is fun! I want to do this more!” I never did theater in high school. But the moment I made the decision was after a calculus class in college.

    I was going to be an electronic engineer at first, but it just didn’t feel right. So that afternoon, I decided to change paths and continue finding that joy I had found years before. And it’s still fun.

    Most challenging role you’ve played: Jose Angel in Crystal City 1969

    Special skills: Patience, growing facial hair, creating a meal from whatever ingredients are left in the fridge and pantry.

    Something you’re REALLY bad at: Leaving dirty socks on the floor.

    Current pop culture obsession: Comic book-related things (movies, TV shows, articles, etc.). And playing Clash of Clans.

    Last book you read: Prey by Michael Crichton

    Favorite movie(s): The Goonies, Scott Pilgrim vs. The World, The Shawshank Redemption, From Dusk Till Dawn, Pulp Fiction (or any Tarantino flick), Tombstone, Back to the Future trilogy, Who Framed Roger Rabbit, Star Wars (IV, V, VI), The Dark Knight, most of the Marvel Comics films, Goodfellas, The Fifth Element, Tropic Thunder, and many more.

    Favorite musician(s): The Beatles, Led Zeppelin, The Roots, Los Lobos, Prince, Jack White, Mariachi Vargas de Tecalitlan, Jimi Hendrix, Michael Jackson, James Brown, The Black Keys, Justin Timberlake, Kanye West, Timbaland, Dr. Dre, RZA, Billy Joel, Outkast, Elton John.

    Favorite song: Depends on the mood and the moment.

    Dream role: Again, I don’t know if there is just one. I’ve always wanted to play Usnavi in In The Heights, or Iago in Othello, or Danny in Danny and the Deep Blue Sea.

    Favorite play(s): Danny and the Deep Blue Sea, Top Dog/Underdog, The Motherfucker With The Hat, Othello, Macbeth, Zoot Suit, Gruesome Playground Injuries

    Favorite musical(s): Little Shop of Horrors, In The Heights, The Book of Mormon, Dr. Horrible’s Sing Along Blog, Into The Woods, Urinetown, City of Angels

    Favorite actors/actresses: Benedict Cumberbatch, Emma Stone, Leonardo DiCaprio, Tilda Swinton, James McAvoy, Edward Norton, Michael Keaton, Bryan Cranston, Kristen Wiig

    Favorite food: All of it!

    Must-see TV show(s): Black Mirror, Key and Peele, Parks and Recreation, Breaking Bad, Lost, Archer, The Office, Sherlock, New Girl

    Something most people don’t know about you: My first language was Spanish, so I had a bit of an accent when I spoke English. When I began studying theater and film, I had to practice vocal exercises to neutralize my English.

    Place in the world you’d most like to visit: Australia

    Pre-show warm-up: Depends on the show. Usually includes leg and back stretches. Some vocal articulation warm-ups. If I have to sing, I play vocal warm-up tracks in my car on the way.

    Favorite part about your current role: I get to play opposite my wife (Stephanie Cleghorn Jasso).

    Most challenging part about your current role: Working out to feel and look the part.

    Most embarrassing onstage mishap: I was doing Guys and Dolls and the crotch of my pants split open during a stretch five seconds before the curtains went up for the big dance number. I don’t think any audience members noticed, but would they have mentioned it?

    Career you’d have if you weren’t in theater: I’d like to think firefighter.

    Favorite post-show spot: Home with the wife relaxing.

    Favorite thing about Dallas-Forth Worth: It’s my home.

    Most memorable theater moment: Opening night, during the curtain call of Crystal City 1969. Most of the theater was packed with folks from Crystal City, Texas. A lot of them had lived through the events portrayed in the play. Some were watching themselves portrayed on stage.

    There was an incredible energy emitting from all the people. I had never felt that before! Tears formed as that energy surged through me and the rest of the cast.

    Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.

    References to Salvador Dali Make Me Hot
    Photo by TZOM Films
    Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.
    unspecified
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts
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