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Storm Aftermath

Tragedy for Shakespeare Dallas as storm devastates park's amphitheater

Lindsey Wilson
Feb 25, 2021 | 3:10 pm
Shakespeare Dallas at Samuell-Grand Amphitheater
Shakespeare Dallas marks its 50th anniversary season this summer.
Photo by Boleyn Photography

First came coronavirus, then came Winter Storm Uri. The dangerous weather that recently froze Texas and bursted oh-so-many pipes is the latest hit for Shakespeare Dallas, which performs at the amphitheater in Samuell-Grand Park in East Dallas.

The park is basically "inoperable" right now, says executive and artistic director Raphael Parry. This comes after Shakespeare Dallas has already been forced to cancel three seasons due to the pandemic.

"We are facing a significant financial hit beginning with the cancellation of our March Movies in the Park series, planned spring events, co-productions and – being truthful – new uncertainty surrounding our summer season."

In a nearly five-minute video posted to Facebook on February 25 (and included below), Parry takes viewers on a tour of the massive damage sustained by the company's buildings.

The ceiling is missing in the public restrooms, as it has already been opened up to access the broken pipes above. The toilets are nonfunctioning, and a clip shows water gushing out of the building into a pool that's at least ankle-deep.

When Parry first visited the amphitheater on February 21, he found water jetting out of walls in the dressing rooms beneath the stage. Even though the four inches of water has since been vacuumed up, it continues to seep from the cinderblock walls since that part of the building is underground.

Parry notes they had to wait four or five hours for the city to fully shut the water off, saying, "it was heartbreaking, having to just stand there watching it flow."

The one bright spot is that the company's extensive collection of high-tech sound equipment was mostly spared. A lot of it is already waterproof or was stored in protective cases.

"This is gonna be tough for us, I'm not gonna lie," says Parry. "Creativity is one of our greatest strengths, and if 2020 has taught us anything it's that we can be resilient and we will bounce back."

Shakespeare Dallas is currently working with the Dallas Parks & Recreation department and other agencies to assess the full extent of the damage, but Parry estimates it will be at least two months before the park can reopen.

"The damage to Samuell-Grand is a loss not only for us but also the organizations with whom we partner," says Marie Facini, Shakespeare Dallas' director of community engagement. "As one of the city's only outdoor performance venues, we often share this space with other groups. The support and encouragement from the community has been wonderful, and keeps us hopeful to get back on our feet once again."

Patrons who have already purchased tickets to upcoming Shakespeare Dallas events will be contacted for refunds.

The company is also asking for donations to help repair their facilities — you can give by visiting here.

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In Memoriam

Matthew Posey, founder of Dallas' Ochre House Theater, dies at 68

Lindsey Wilson
Oct 5, 2026 | 11:00 am
Ochre House Theater presents Dr. Bobaganush
Photo by Robert Hart
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Matthew Posey, the actor, director, and playwright who founded Ochre House Theater and was a founding father of Dallas' experimental theater scene, died at his home on October 2, 2026, the theater confirmed. He was 68.

In 2008, Posey opened Ochre House in Exposition Park near Fair Park. The 45-seat storefront venue became what the theater calls a legendary lab for raw, original art. Posey and his core company called themselves the "Pioneers of the Suavant-Garde," a name that promised surrealist, experimental performances delivered with a surprisingly sophisticated charm. The work was known for a deconstructed, musical-narrative style, built on live music, magic-realist imagery, and elaborate puppetry inspired by the Japanese Bunraku tradition.

Posey wrote, directed, and produced more than 40 plays there, including Morphing, Dr. Bobagonush, Moving Creatures, Mrs. Haggardly, Bill, Original Man, and Soft Noodle Map. Many began in his bound notebooks, which held more than a decade of original pieces. They examined love, family, class, addiction, violence, forgiveness, greed, and the search for one's place in the universe. He often staged them quickly enough that the theater reflected current social and political events as they unfolded (see: Moving Creatures, a politically charged satire about an evil and intolerable oligarch and his tyrannical rise to power). Ochre House also gave its core company of performers, designers, and musicians the chance to write and direct their own original work.

Posey also built a lasting bridge between Dallas and the flamenco world. For 15 years, he partnered with the Dallas-based Flame Foundation on original full-length plays featuring authentic flamenco. The collaboration brought international and local artists to stages in Dallas and New York.

Ochre House was not Posey's first venture in the city. After studying theater at Texas Tech University and interning at Houston's Alley Theater, he came to Deep Ellum and founded the Deep Ellum Theatre Garage. The venue hosted boundary-pushing work, including Sexual Mythology Part 1: The Underworld, a collaboration with another Dallas-based theater legend, Fred Curchack.

Posey later spent 12 years in Los Angeles, working in the film industry and ghostwriting, and he earned a master's degree in film from the American Film Institute. When he returned to Dallas, he joined the company at Undermain Theater before founding Ochre House.

In January 2017, Posey was shot in the face and thigh outside Cold Beer Company in Deep Ellum after leaving the bar with a friend. The attack came just days after previews began for his new musical Dr. Bobaganush, and that week's performances were canceled. But Dallas' arts community rallied around him with a benefit concert, and he returned to the Ochre House stage as the titular doctor that March.

Jerome Weeks, the former KERA and Dallas Morning News theater critic, recalled in an Oct. 3 Facebook post a story from that time. Weeks had reviewed Posey's first shows at the Deep Ellum Theatre Garage and ended up meeting his wife Sara, a member of Posey's first acting troupe, there. After the 2017 shooting, Weeks sent flowers to Posey's hospital room with an unsigned note: "This is what you get for introducing me to my wife." He knew Posey would appreciate the dark joke. Years later, Posey told him the flowers were the first public sign of what had happened, so when they reached the nurses' station, police grew suspicious of the sender. For a few hours that morning, Weeks was the chief suspect. The bullet had damaged Posey's teeth, cheek, and tongue, and, still groggy from anesthesia and painkillers, Posey could only gesture and mumble to the police that it was a joke — that the local theater critic had not tried to murder the artist. When Weeks learned of this long afterward, he was stunned and didn't know how to apologize. Posey, laughing, told him: "It was absolutely the only laugh I had that day."

Posey's career also reached well beyond Dallas. Over more than 35 years, he appeared in more than 60 major film and television productions, including Oliver Stone's JFK, the Oscar-winning No Country for Old Men, and The Magnificent Seven. On television, he appeared in Lonesome Dove, Rectify, AMC's The Son, and HBO's Love & Death. His recent work includes the independent film El Tonto Por Christo and a role in the Austin-set, Matthew McConaughey/Woody Harrelson series Brothers.

Matthew Posey was born July 31, 1958, in Houston, the youngest of five children of Marvin R. Posey and Mary Louise Wrba Posey. His family says his gift for performance appeared early, with him staging "interviews" with vegetable at age four. By his sophomore year at Coronado High School in Lubbock, he had found a bigger audience as the emcee Click Dark in a class play based on American Graffiti.

He was remembered as a beloved partner, brother, uncle, friend, and artistic father figure.

"He was a unique and unforgettable person whose humor, creativity, stories, and larger-than-life personality made an impression on everyone who knew him," the theater said in its obituary.

Posey was preceded in death by his parents. He is survived by his life partner, Suzanne Thomas. He is also survived by his sisters Marlis Hodges and Candis Posey, his brothers William Marvin Posey and Richard Daniel Posey, and numerous nieces and nephews, countless friends, and his cats Chet and Etta.

"His family will remember Matthew not only for the life he lived, but for the memories he created and the love he shared," says the theater's obituary. "His presence will be deeply missed, but his stories, his work, his humor, and the memories he gave to those who loved him will remain."

A celebration of life is being planned, and details have not yet been announced. In lieu of flowers, the family asks for donations to Ochre House Theater at OchreHouseTheater.org.

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