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    Season Announcement

    It's candy and clowns for The Dallas Opera's 65th anniversary season

    Lindsey Wilson
    Mar 17, 2022 | 2:49 pm
    Cosi fan tutte at the San Francisco Opera
    A new production Così fan tutte from San Francisco Opera is part of the season.
    Photo courtesy of San Francisco Opera

    For its 65th anniversary season, The Dallas Opera is featuring four new-to-Dallas productions along with the return of family operas, a free people's choice concert, and a recital from soprano Ying Fang.

    "The past two years have taught us that people's appetite for grand opera has never been greater," says TDO general director and CEO Ian Derrer. "First-rate singing, lavish and imaginative productions, a renowned orchestra and chorus — audiences will enjoy them all in TDO's 65th Anniversary celebration. Four spectacular new-to-Dallas productions of classic operas — all absent from our repertoire for more than a decade — and more than a dozen TDO debuts, plus the exquisite Ying Fang in recital, make this a season to truly savor."

    Verdi's powerful Rigoletto opens the season with TDO debuts for baritone George Gagnidze in the title role and rising-star American soprano Madison Leonard in the role of Gilda.

    Tenor René Barbera (you might remember him from The Pearl Fishers in the 2021-22 season) sings the role of The Duke of Mantua in a new-to-Dallas co-production with the Atlanta and Houston Grand operas, directed by Tomer Zvulun and conducted by Emmanuel Villaume, with sets by Erhard Rom and costumes by Jessica Jahn. Rigoletto runs October 8, 12, 14, and 16 (matinee), 2022.

    Hansel and Gretel, based on the classic fairytale and last presented by the company two decades ago, is composer Engelbert Humperdinck's most famous work. Perfect for audiences of all ages and sung in English, Hansel and Gretel brings back soprano Elena Villalón (Flight, 2021-22), as Gretel, and marks the TDO debut of countertenor Kangmin Justin Kim in the role of Hansel.

    The great soprano Patricia Racette sings the roles of both the Witch and the Mother, and baritone Mark Delavan is the Father, under the baton of Emmanuel Villaume in a production from LA Opera that's directed and designed by Doug Fitch. It runs October 28, 30 (matinee), November 2, and 5, 2022.

    Wagner's Das Rheingold returns to The Dallas Opera stage for the first time in 25 years in a new production from The Atlanta Opera. American bass-baritone Nicholas Brownlee (La bohème, 2018-19) stars as Wotan, while South African soprano Amanda Echalaz makes her TDO debut as Fricka and American soprano Karen Slack makes her Dallas Opera debut as Freia.

    Tenor Barry Banks sings the role of Mime, bass-baritone Michael Mayes sings Alberich, and tenor Brenton Ryan is Loge. Tomer Zvulun directs and Emmanuel Villaume conducts. It runs February 10, 12 (matinee), 15, and 18, 2023.

    Mozart's comical and incisive Così fan tutte closes the season in 2023, bringing a new production from San Francisco Opera and Michael Cavanagh.

    One of Mozart's three Da Ponte operas, Così stars sopranos Sara Gartland as Fiordiligi and Diana Newman as Despina, mezzo-soprano Elizabeth DeShong (in her TDO debut) as Dorabella, baritone Lucas Meachem (last season's The Barber of Seville) as Guglielmo, tenor David Portillo as Ferrando, and baritone Rod Gilfry, as Don Alfonso.

    Elizabeth Askren, an alumna of the second TDO Hart Institute for Women Conductors, makes her TDO debut leading The Dallas Opera Orchestra. It runs March 24, 26 (matinee), 29 and April 1, 2023.

    "We are all extremely excited for this next season, our 65th," says music director Emmanuel Villaume. "It is one of the best we have ever planned, and it will give to our community world-class performances. We are also proud of the latest achievements of our orchestra, and know they will shine even more in this extraordinary repertoire."

    Dallas Opera chorus master Alexander Rom will prepare The Dallas Opera Chorus for Rigoletto and Così fan tutte in his final season with the company.

    "Maestro Rom has been a fixture of The Dallas Opera's artistic team for more than three decades, leading our outstanding chorus in an impressive array of operatic styles, genres, and languages. He leaves an indelible mark on TDO through the many lives he has shaped with his immense knowledge of, and passion for, great singing. He will be greatly missed, and we look forward to celebrating him throughout our 65th anniversary season."

    Family operas return in the fall and spring of 2022/23 with afternoon performances of The Billy Goats Gruff (October 29 and November 6, 2022) and The Elixir of Love (February 5 and March 25, 2023). Shorter run time and family content are suitable for all ages.

    As a gift to Texas audiences, the season begins with a free people's choice concert, which will take place on Saturday, October 1. Programming and ticket availability will be announced at a later date.

    The Dallas Opera's annual Robert E. and Jean Ann Titus Family Recital returns on Sunday, January 15, 2023, and will feature renowned soprano Ying Fang and pianist Ken Noda at Moody Performance Hall.

    The Hart Institute for Women Conductors Showcase Concert, featuring participants in the 2022 class of rising talent from around the world leading The Dallas Opera Orchestra, is set for January 28, 2023. Participants and faculty — as well as which events are open to the public — will be announced at a later date.

    The biennial Lone Star Vocal Competition — which took place virtually in 2021 — returns in person on March 31, 2023.

    Subscription renewals for the 2022-23 season are available now. New subscriptions will be available starting Friday, April 15, 2022. Four mainstage series packages are available to subscribers, with the family operas and recital available as add-ons before single tickets go on sale July 29.

    Subscription packages start at $89 for all four operas, with subscribers saving up to 30 percent over the cost of purchasing operas individually. A subscription price freeze is guaranteed through June 30, 2022.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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