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    Season Announcement

    Dallas Summer Musicals lands big Broadway shows and new name for 2022-23

    Lindsey Wilson
    Mar 25, 2022 | 1:30 pm
    Six plays December 6-25, 2022, at the Winspear Opera House
    Six plays December 6-25, 2022, at the Winspear Opera House
    Photo by Joan Marcus

    Dallas Summer Musicals — or Broadway Dallas, as it will now be known — has revealed its 2022-23 season of touring Broadway shows in partnership with Broadway Across America, and there are some pretty big names on the list.

    "We changed our name from Dallas Summer Musicals to Broadway Dallas to accurately capture who we are and what we do," says Broadway Dallas president and CEO Ken Novice. "It encompasses not only the magnificent work that we put on our stage, but also our other exciting events and community engagement and education programs through which we share 'the spirit of Broadway' with as many members of our community as possible."

    In other words, not just musicals and not just in the summer.

    The Germania Insurance Broadway Series launches in September with the Tony Award-winning Broadway musical Ain't Too Proud - The Life and Times of The Temptations. The group's extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame was written by three-time Obie Award winner Dominique Morisseau, directed by two-time Tony Award winner Des McAnuff (Jersey Boys), and choreographed by Sergio Trujillo. It's set to the beat of the group's treasured hits, including "My Girl," "Just My Imagination," "Get Ready," "Papa Was a Rolling Stone," and so many more. It runs September 6-18, 2022, at the Music Hall at Fair Park.

    The series continues with Lincoln Center Theater's critically acclaimed production of Lerner & Loewe's My Fair Lady. Boasting such classic songs as "I Could Have Danced All Night," "The Rain in Spain," "Wouldn't It Be Loverly," and "On the Street Where You Live," My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a "proper lady" — but who is really being transformed? It runs November 1-13, 2022, at the Music Hall at Fair Park.

    The worldwide phenomenon Six is next, playing at the Winspear Opera House as part of Broadway Dallas' ongoing collaboration with the AT&T Performing Arts Center. From Tudor queens to pop princesses, the six wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st-century girl power. This new original musical written by Toby Marlow and Lucy Moss is the global sensation that everyone is losing their head over. It runs December 6-25, 2022.

    Pretty Woman, The Musical, based on one of Hollywood's most beloved romantic stories of all time, springs to life with a powerhouse creative team led by two-time Tony Award-winning director and choreographer Jerry Mitchell. It features an original score by Grammy winner Bryan Adams and Jim Vallance and a book by the movie's legendary director Garry Marshall and screenwriter J. F. Lawton. It runs January 24-February 5, 2023, at the Music Hall at Fair Park.

    Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur, and glory with the first North American tour of Moulin Rouge! The Musical. Baz Luhrmann's revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza directed by Tony Award winner Alex Timbers. It runs March 15-April 2, 2023, at the Music Hall at Fair Park.

    Tootsie tells the story of Michael Dorsey, a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime. It runs April 18-30, 2023, at the Winspear Opera House.

    Bartlett Sher is back directing Aaron Sorkin's new adaptation of Harper Lee's Pulitzer Prize-winning book To Kill a Mockingbird, which will star Emmy-winning actor Richard Thomas as Atticus Finch. It runs May 16-28, 2023, at the Music Hall at Fair Park.

    The Riverdance 25th Anniversary Show is an optional season add-on that's a powerful and stirring reinvention of the beloved favorite, celebrated the world over for its Grammy Award-winning score and the thrilling energy and passion of its Irish and international dance. It runs June 6-8, 2023, at the Music Hall at Fair Park.

    Autorenewals for subscription packages will be processed on April 12, 2022 — existing subscribers can log in to their account and renew their seats now. All subscribers will be automatically renewed into the 2023-24 season and beyond; a valid email address and credit card are required.

    New patrons are encouraged to sign up for the official waiting list here and will be notified once new subscriptions become available. Subscriber benefits include access to the best seats for one low price, priority access to additional tickets before public on sale, option to enroll in interest and fee-free payment plans, plus ticket exchange privileges.

    Single tickets to individual shows will go on sale at a later date. Group pricing is available now for groups of 10 or more. Reserve by calling 214-426-4768 or emailing Groups@BroadwayDallas.org.

    Six plays December 6-25, 2022, at the Winspear Opera House.

    Six the Musical on Broadway
    Photo by Joan Marcus
    Six plays December 6-25, 2022, at the Winspear Opera House.
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    news/arts

    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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