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    To the Barricade

    Hear the people sing when global smash-hit Les Misérables returns to Dallas

    CultureMap Create
    Apr 2, 2018 | 11:45 am

    What does it take to be the world's longest-running musical? Each performance of Les Misérables utilizes approximately 392 costumes, 5,000 items of clothing, 85 wigs, and 101 cast and crew, making the global phenomenon a sumptuous spectacle for all the senses.

    Dallas Summer Musicals is bringing the U.S. national tour to town April 24-May 6, so if you have yet to experience this international smash hit — which has been re-imagined by original producer Cameron Mackintosh and a top-notch team of creative visionaries, now's your chance.

    But if you're a little daunted by Victor Hugo's epic tale, or need a quick refresher before the overture swells, here's your guide to Les Misérables.

    The basic plot
    Les Misérables follows Jean Valjean, a peasant who was imprisoned for stealing a loaf of bread to save his sister's starving child. He breaks his parole and starts anew as a wealthy factory owner and mayor, but is hunted by the relentless Inspector Javert. Valjean takes pity on a sickly factory girl, Fantine, who begs him to raise her daughter. The French Revolution then turns the lives of Valjean, his new daughter Cosette, and a cast of colorful characters upside down.

    The musical is sung-through
    Like an opera, all dialogue and conversations are set to music, the award-winning score by Alain Boublil and Claude-Michel Schönberg. In fact, many have debated if Les Misérables shouldn't be classified as an opera instead of a musical.

    But you'll still understand what's going on
    Though the story takes place in early 19th-century France, the lyrics are in English and you should have no trouble following along. Many of its songs are famous, including "On My Own," "I Dreamed a Dream," "Stars," "At the End of the Day," and "One Day More."

    The show has broken all kinds of records
    In addition to racking up more performances than any other musical in the world (the original London production is still running, and it opened in 1985), Les Misérables has been translated into 22 different languages. Productions have played in 44 countries and over 349 cities, with more than 60 professional companies. All told, the production has played over 53,000 performances to nearly 70 million people worldwide.

    And won a lot of awards
    Les Misérables has won more than 140 major theater awards, including prestigious Grammy, Tony, and Olivier nods.

    But you have to see it to believe it
    There's a reason this show has proved so enduringly popular: We all identify with "les miserables," or "the outsiders." The story, when combined with its sweeping score and eye-popping visuals, is one that resonates with audiences of all ages and backgrounds.

    Get a sneak peek at the production by watching video below, then buy your tickets here for the show's run with Dallas Summer Musicals.

    The company of Les Misérables performs “Master of the House” with J Anthony Crane as Thénardier and Allison Guinn as Madame Thénardier.

    The company of Les Miserables performs \u201cMaster of the House\u201d with J Anthony Crane as Th\u00e9nardier and Allison Guinn as Madame Th\u00e9nardier
    Photo by Matthew Murphy
    The company of Les Misérables performs “Master of the House” with J Anthony Crane as Thénardier and Allison Guinn as Madame Thénardier.
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    Arts News

    Dallas Theater Center and AT&T PAC to join forces in proposed merger

    Alex Bentley
    Jul 28, 2026 | 12:52 pm
    Wyly Theatre in Dallas
    Photo by Iwan Baan
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    Two of the most prominent arts groups in Dallas, AT&T Performing Arts Center and Dallas Theater Center, are exploring a merger that they say would expand theater programming, arts education, and support for local artists while keeping both institutions' artistic identities intact.

    According to a July 28 release, the two organizations plan to combine under a single umbrella, pending approval from both boards and the completion of a due diligence process. If approved, the combined organization is expected to officially launch at the beginning of 2027.

    At the core of uniting AT&T PAC and DTC, both say, is a desire to create more programming for more people, expanded education opportunities for more students, sustained support for local artists, and keep Dallas' status as a great performing arts city.

    “By coming together, we are able to achieve much more than either of us could do on our own,” says Kevin Moriarty, Dallas Theater Center Executive Director, in the release. “Not only will this innovative model benefit our audiences, artists, students and our city, it also strengthens and expands our combined ability to meet the opportunities and challenges of the future.”

    Under the proposal, AT&T Performing Arts Center president and CEO Warren Tranquada would lead the unified organization, while Dallas Theater Center would continue producing its own theatrical programming under Enloe/Rose Artistic Director Jaime Castañeda.

    AT&T PAC will continue presenting their own performances, including touring Broadway and its Elevator Project.

    Crucially, the organizations say, audiences will experience no interruption to performances, subscriptions, memberships, or programming during the transition.

    Together, AT&T PAC and DTC will build on their programs, including student matinee performances and after-school/summer theater programs to backstage tech training, dance engagement, leadership training, and community workshops, their leaders say.

    "The performing arts industry has been undergoing profound systemic change nationwide,” says Tranquada. “Stagnation is not an option. Two major Dallas institutions are coming together in a proactive way to write our future, creating a new artistic and business model that can set the stage for strength and sustainability in North Texas and beyond.”

    The merger would combine administrative operations including finance, marketing, fundraising, human resources, and ticketing under the AT&T PAC umbrella.

    They say that aligning resources and expertise will expand access to the performing arts, with a long-term goal of ensuring every student in North Texas experiences live theater as part of their education. The merger will bring more ticketing options, they say, such as personalized packages across multiple art forms, more flexible exchanges, and new membership opportunities.

    The proposal is now entering a due diligence and fundraising phase that is expected to continue through the summer and fall before the boards vote on the combination, they say.

    The announcement comes on the heels of the hiring of Ahava Silkey-Jones as new executive director of the Dallas Arts District.

    Both Dallas Theater Center and AT&T Performing Arts Center had previously announced their 2026-2027 seasons, with DTC staging six new productions and AT&T PAC hosting seven Broadway shows, among many other programs.

    The organizations have worked together since the AT&T Performing Arts Center opened in 2009, with Dallas Theater Center serving as one of its five resident companies and performing at the Dee and Charles Wyly Theatre. According to the release, DTC will continue operating the historic Kalita Humphreys Theater under its existing agreement with the City of Dallas.

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