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    Family Reunion

    Texas-born director returns to sordid roots with Dallas film premiere

    Kendall Morgan
    kendall Morgan
    Apr 18, 2017 | 2:45 pm

    There’s a lot going on in Winters, Texas. In this Southern-fried hamlet based on writer/director Del Shores’ own hometown, LaVonda (Ann Walker) and her friend, Noleta (Caroline Rhea), are looking for love in all the wrong places. Brother Boy (American Horror Story’s Leslie Jordan) is bringing his drag act to the big city with the help of a bisexual serial killer. And Latrelle (Bonnie Bedelia)’s gay son is headed back to town, while the new fire-and-brimstone preacher is readying an anti-equality rally. Oh, and it all takes place over a dizzy few days leading up to the titular surprise wedding.

    A sequel to Shores’ play-turned-film-turned-TV series Sordid Lives, A Very Sordid Wedding arrives 21 years after the original, which debuted in Los Angeles in 1996 and ran for 13 sold-out months. It received 13 Critic's Choice honors and 14 Drama-Logue Theatre Awards.

    Following up on that success, three years later, Shores wrote and directed the film adaption of Sordid Lives, which starred Beau Bridges, Delta Burke, Olivia Newton-John, Bonnie Bedelia, Leslie Jordan, and Beth Grant, along with most of the cast from the play. Taking in nearly $2 million in its eight-theatre limited release, the movie became a cult phenomenon and won six Best Feature and 13 Audience Awards at various film festivals. Then, in 2008, Sordid Lives: The Series, a 12-episode TV series prequel to the Sordid Lives film, premiered on MTV’s LOGO network.

    Although fans have been clamoring for a Sordid sequel for years, Shores never felt the time was quite right — until the political climate gave him a burst of inspiration.

    “After the [2008 Logo series of Sordid], I said I was done with it, but the fans kept dogging me,” says Shores. “With the backdrop of so much happening in the LGBTQ community, it felt like a hot topic to me. I wrote a draft and it took us a lot longer to raise the money than I thought, but miraculously, the Supreme Court decision [in favor of marriage equality] came in, and it unlocked the whole script. What happens when equality comes storming into Winters, Texas?”

    Shot mostly in Winnipeg, Canada (aside from a few crucial scenes at the Oak Lawn drag bar the Rose Room and the Mitchell Gold + Bob Williams store in Knox-Henderson), Wedding brings most of the ensemble cast back for their original roles, with some new faces peppered in. The film’s producer Emerson Collins, a longtime collaborator with Shores, did double duty in the role of Billy Joe, the serial killer with a heart of gold. Collins managed to pull off the hat trick of playing one of the more layered characters while making sure the film went off without a hitch, including a superstar cameo from Whoopi Goldberg, who performs the movie’s wedding ceremony.

    “She loved the series and wanted to be in the movie, but as the pessimistic producer, I told Del to write one scene that can be done in one day,” recalls Collins. “Her people said she could do it this one Friday evening when she was off from The View, so I built the entire shoot schedule of 24 actors around the idea that Whoopi would be in the film. She doesn’t fly, so she got on her bus Thursday night and pulled into our base camp at 4 pm Friday afternoon. She was brilliant, and by 9:30 pm she was back on the bus and on the way out!”

    The support of stars like Goldberg has helped Sordid get more exposure, the ultimate goal of its director and producer. With strong box office performances in supportive communities like Fort Lauderdale and Palm Springs, and sellout festival screenings, like the April 21 opening of the 47th annual USA Film Festival at Dallas' Texas Theatre, the film’s built-in audience is turning up in droves. But both Shores and Collins want those who might not normally embrace the story to connect with Wedding’s larger message. According to the duo, there’s plenty of people in the buckle of the Bible Belt who could use a little of the movie’s saucy sermonizing.

    “I loved watching it with the audience in Palm Springs because there were eruptions, but we’re going into Texas right now,” says Shores. “ I have family members who haven’t seen my work for a long time, and I reached out and said, ‘I want you to see this movie,’ and every one of them agreed, so I’m hopeful.”

    “I’m more excited about Dallas personally than Palm Springs, because that’s where my family is,” agrees Collins. "[The location] the Rose Room was my first safe place to be myself coming out of my conservative religious upbringing. Wedding is our way to contribute to the conversation, and to bring it home is super exciting.”

    ---

    A Very Sordid Wedding screens Sunday, April 23, at 2:30 pm and 7:30 pm, and Tuesday, April 25, at 7 pm and 9:20 pm at the Texas Theatre with Del Shores and Emerson Collins in attendance. Tickets are available here.

    A Very Sordid Wedding returns to the same Texas family from Sordid Lives.

    A Very Sordid Wedding
    Courtesy photo
    A Very Sordid Wedding returns to the same Texas family from Sordid Lives.
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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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