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    Texas in New York

    Tony and Drama Desk award nominations put Texas in the spotlight

    Lindsey Wilson
    Apr 30, 2013 | 4:00 pm

    Theater award season fever has struck New York, but we are feeling the effects all the way down in Texas. The nominations for the Drama Desk Awards came out yesterday, and this morning theater-turned-TV stars Sutton Foster (Bunheads) and Jesse Tyler Ferguson (Modern Family) announced who would soon be vying for a Tony Award. Shows with Texas ties showed up on both lists.

    Productions from Broadway, Off-Broadway and Off-Off-Broadway are eligible for the Drama Desk Awards, which are voted on by theater critics, journalists, editors and publishers covering theater “without any vested interest in the results.” The ceremony will be held May 19 at The Town Hall (a nonprofit culture organization and performance venue) in Manhattan.

    The Antoinette Perry “Tony” Awards are a joint venture by the Broadway League and the American Theatre Wing and salute “excellence in Broadway theater.” The three-hour show will be broadcast live by CBS on June 9.

    Below, a quick rundown of who’s in the hunt and how it relates to Texas:

    Giant
    Dallas Theater Center and New York’s The Public Theater co-produced the reworked musical version of Edna Ferber’s sprawling, Texas-set 1952 novel last January, and it made the jump to Off-Broadway in October. Now it leads the pack of Drama Desk contenders with nine nominations, including Outstanding Musical, Outstanding Music and Outstanding Lyrics for Michael John LaChiusa, and Outstanding Book of a Musical for Sybille Pearson.

    Kate Baldwin and John Dossett, who played Leslie Benedict and Uncle Bawley, respectively, during both the Dallas and New York runs, are up for Outstanding Actress in a Musical and Outstanding Featured Actor in a Musical.

    Ann
    Holland Taylor is getting recognized by both groups for her turn as the late Ann Richards. The one-woman show about the charismatic former Texas governor — which she also wrote — has been playing on Broadway since March, following productions mounted in Galveston, San Antonio and Austin, as well as Chicago and Washington, D.C. Taylor is up for a Tony for Best Performance by an Actress in a Leading Role in a Play; she is a nominee for Outstanding Solo Performance at the Drama Desk Awards.

    Bring It On: The Musical
    Okay, so there are no Texans behind this show per se, but it did make a surprisingly well-received stop at Dallas Summer Musicals before hitting Broadway for a limited engagement in August. Dallas critics were pleasantly taken in by the show’s infectious music (by Lin-Manuel Miranda, Amanda Green and Tom Kitt) and high-flying choreography (by Andy Blankenbuehler).

    The Tonys are recognizing both with nominations for Best Musical and Best Choreography. The Drama Desk Awards are doling out the love with noms for Outstanding Director of a Musical and Outstanding Choreography (both Blankenbuehler), Outstanding Lyrics for Green and Miranda, Outstanding Sound Design for Brian Ronan, and Outstanding Book of a Musical for Jeff Whitty.

    Hands on a Hardbody
    Even though it shuttered on the Great White Way earlier in April, the documentary-based musical about a yearly competition in Longview, Texas, where contestants see who can keep their hands on a pickup truck the longest, scored quite a few nominations. Besides one for Outstanding Musical, the Drama Desk bestowed eight others on the show, tying it with Giant for most nominations.

    The rest are Outstanding Featured Actress in a Musical (Keala Settle) and Outstanding Featured Actor in a Musical (Keith Carradine), Outstanding Choreography for Sergio Trujillo, Outstanding Book of a Musical for Dallas native Doug Wright, Outstanding Sound Design in a Musical for Steve Canyon Kennedy, Outstanding Music for Trey Anastasio and Amanda Green, Outstanding Orchestrations for Anastasio and Don Hart, and Outstanding Lyrics for Green (who’s having a killer awards season so far).

    As for Tony nominations, Hands on a Hardbody weighed in with three: Best Original Score and Best Featured Actor/Actress in a Musical for Carradine and Settle.

    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.

    Giant was co-produced by Dallas Theater Center
    Photo by Karen Almond
    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.
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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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